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Architecture after God: Babel Resurgent, Kyle Dugdale


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Автор: Kyle Dugdale
Название:  Architecture after God: Babel Resurgent
ISBN: 9783035624991
Издательство: Walter de Gruyter
Классификация:
ISBN-10: 3035624992
Обложка/Формат: Hardback
Страницы: 440
Вес: 1.20 кг.
Дата издания: 30.01.2023
Серия: Exploring architecture
Язык: English
Иллюстрации: 218 illustrations, color
Размер: 225 x 286 x 33
Читательская аудитория: Professional & vocational
Ключевые слова: Theory of architecture, ARCHITECTURE / History / Modern (late 19th Century to 1945),ARCHITECTURE / Study & Teaching
Подзаголовок: Babel resurgent
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Поставляется из: Германии
Описание:

Architecture after God

A vivid retelling of the biblical story of Babel leads from the contested site of Babylon to the soaring towers of the modern metropolis, and sets the bright hopes of early modernism against the shadows of gathering war. Dealing in structural metaphor, utopian aspiration, and geopolitical ambition, Dugdale exposes the inexorable architectural implications of the event described by Nietzsche as the death of God.

The Exploring Architecture series makes architectural scholarship accessible, introduces the latest research methods, and covers a wide range of periods, regions, and topics.

  • Critical reappraisal of early modernism
  • Based on the fable The Emperor and the Architect (1924) by Uriel Birnbaum
  • New volume in the Exploring Architecture series



On the ruins of babel

Автор: Purdy, Daniel L.
Название: On the ruins of babel
ISBN: 0801476763 ISBN-13(EAN): 9780801476761
Издательство: Wiley EDC
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Описание:

The eighteenth century struggled to define architecture as either an art or a science—the image of the architect as a grand figure who synthesizes all other disciplines within a single master plan emerged from this discourse. Immanuel Kant and Johann Wolfgang Goethe described the architect as their equal, a genius with godlike creativity. For writers from Descartes to Freud, architectural reasoning provided a method for critically examining consciousness. The architect, as philosophers liked to think of him, was obligated by the design and construction process to mediate between the abstract and the actual.

In On the Ruins of Babel, Daniel Purdy traces this notion back to its wellspring. He surveys the volatile state of architectural theory in the Enlightenment, brought on by the newly emerged scientific critiques of Renaissance cosmology, then shows how German writers redeployed Renaissance terminology so that "harmony," "unity," "synthesis," "foundation," and "orderliness" became states of consciousness, rather than terms used to describe the built world. Purdy's distinctly new interpretation of German theory reveals how metaphors constitute interior life as an architectural space to be designed, constructed, renovated, or demolished. He elucidates the close affinity between Hegel's Romantic aesthetic of space and Daniel Libeskind's deconstruction of monumental architecture in Berlin's Jewish Museum.

Through a careful reading of Walter Benjamin's writing on architecture as myth, Purdy details how classical architecture shaped Benjamin's modernist interpretations of urban life, particularly his elaboration on Freud's archaeology of the unconscious. Benjamin's essays on dreams and architecture turn the individualist sensibility of the Enlightenment into a collective and mythic identification between humans and buildings.


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