From artist to curator, couturier to fashion blogger, 'creative' professional identities can be viewed as social practices, enacted, performed and negotiated through the media, the public, and industry. Fashioning Professionals addresses what it means to be a creative professional, historically and in the digital age, as new ways of working and doing business have given rise to new professional identities.
Bringing together critical reflections from international researchers, the book spans fashion, design, art, architecture, and advertising. It examines both traditional and emergent roles in creative industries, from advertising executives and surrealist artists to mannequin designers, pop stylists, bloggers, makers and design curators. The book reveals how professional identities are continually in a state of fashioning, through style, taste, gender and cultural representation, highlighting moments of friction and flux in the creative labour of the global economy. Interweaving critical perspectives from fashion and design history with sociology and cultural theory, Fashioning Professionals addresses a burgeoning area of research as we enter new terrain in fashion and the creative industries.
Описание: Based on years of archival research in Madrid and Barcelona, this interdisciplinary study offers a fresh approach to understanding how men visualized themselves and their place in a nation that struggled to modernize after nearly a century of civil war, colonial entanglement, and imperial loss. Masculine Figures is the first study to provide a comprehensive overview of competing models of masculinity in nineteenth-century Spain, and is particularly novel in its treatment of Catalan texts and previously unstudied evidence (e.g., department store catalogs, commercial advertisements, fashion plates, and men’s tailoring journals).
Fictional masculinity performs a symbolic role in representing and negotiating the contradictions male novelists often encountered in their attempts to professionalize not only as writers, but also as businessmen, professors, lawyers, and politicians. Through specific and recurring figures like the student, the priest, the businessman, and the heir, male novelists represent an increasingly middle-class world at odds with the values and virtues it inherited from an imperial Spanish past, and those it imported from more industrialized nations like England and France. The visual culture of the time and place marks the material turn in middle-class masculinity and sets the stage for discussions of race and sexuality.
Significant chapter sections on the used clothing trade (in the Rastro flea market in Madrid, also called “Las AmÉricas” during the nineteenth century) and the "indiano businessman" (the colonial returnee) discuss the racial implications of fashion of the period—in the first example, through the racialized discourse of contagion that hygienists used to frame the market. In the second example, the book discusses the ways the Catalan indiano “accessorizes” himself with racialized commodities like pocket watches and tobacco and objectified/infantilized figures like Black house servants and footmen.
Описание: Based on years of archival research in Madrid and Barcelona, this interdisciplinary study offers a fresh approach to understanding how men visualized themselves and their place in a nation that struggled to modernize after nearly a century of civil war, colonial entanglement, and imperial loss. Masculine Figures is the first study to provide a comprehensive overview of competing models of masculinity in nineteenth-century Spain, and is particularly novel in its treatment of Catalan texts and previously unstudied evidence (e.g., department store catalogs, commercial advertisements, fashion plates, and men’s tailoring journals).
Fictional masculinity performs a symbolic role in representing and negotiating the contradictions male novelists often encountered in their attempts to professionalize not only as writers, but also as businessmen, professors, lawyers, and politicians. Through specific and recurring figures like the student, the priest, the businessman, and the heir, male novelists represent an increasingly middle-class world at odds with the values and virtues it inherited from an imperial Spanish past, and those it imported from more industrialized nations like England and France. The visual culture of the time and place marks the material turn in middle-class masculinity and sets the stage for discussions of race and sexuality.
Significant chapter sections on the used clothing trade (in the Rastro flea market in Madrid, also called “Las AmÉricas” during the nineteenth century) and the "indiano businessman" (the colonial returnee) discuss the racial implications of fashion of the period—in the first example, through the racialized discourse of contagion that hygienists used to frame the market. In the second example, the book discusses the ways the Catalan indiano “accessorizes” himself with racialized commodities like pocket watches and tobacco and objectified/infantilized figures like Black house servants and footmen.
Автор: Blond, David Blond, Phillipe Название: The Blonds: Glamour, Fashion, Fantasy ISBN: 0847871452 ISBN-13(EAN): 9780847871452 Издательство: Rizzoli Рейтинг: Цена: 7013.00 р. Наличие на складе: Поставка под заказ.
Описание: If you`ve seen images of the biggest entertainers-Mariah Carey, Miley Cyrus, Katy Perry, Lil Kim, Britney Spears, Rihanna, J. Lo, or Madonna-on stage in a crystallized costume, you`ve seen the work of The Blonds.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
