Описание: How can you achieve victory in war if you don`t know your objectives or what victory means? Donald Stoker reveals the flaws in US policy and strategy from the Korean War to the present and lays the foundations for a better approach to the wars of tomorrow.
Автор: Wetherhorn Aryeh Название: The Easter Egg Fleet: American Ship Camouflage in WWI ISBN: 965927470X ISBN-13(EAN): 9789659274703 Издательство: Неизвестно Рейтинг: Цена: 7587.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Easter Egg Fleet
American Ship Camouflage in WWI
A description and reference of how the United States used artists to design ship camouflage to help foil German U-boats in The First World War.
Includes background to the war, how submarines worked (then), measures to combat them, types of camouflage, who designed the patterns and how they were applied.
Reference section includes colored drawings of camouflage patterns known to have been used, what ships carried which designs, and what colors were used. There is a cross index listing for ships and the patterns they carried.
Автор: Martel Gordon Название: The Month That Changed the World: July 1914 and Wwi ISBN: 0199665397 ISBN-13(EAN): 9780199665396 Издательство: Oxford Academ Рейтинг: Цена: 2691.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The dramatic step-by-step account of how the assassination of an Austrian archduke in the Balkans led to the cataclysm of the First World War over five fateful weeks in the summer of 1914.
Автор: Janzen, Marike Название: Writing to change the world ISBN: 164014014X ISBN-13(EAN): 9781640140141 Издательство: Wiley Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book begins to recover the global history of solidarity as a principle of authorship, taking Anna Seghers (1900-1983) as an exemplar and reading her alongside prominent contemporaries: Brecht, Carpentier, and Spivak.
Автор: Batchelor Название: British Women`s Writing in the Long Eighteenth Century ISBN: 140394931X ISBN-13(EAN): 9781403949318 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A constellation of new essays on authorship, politics and history, British Women`s Writing in the Long Eighteenth Century: Authorship, Politics and History presents the latest thinking about the debates raised by scholarship on gender and women`s writing in the long eighteenth century.
Автор: Philip Sayers Название: Authorship`s Wake: Writing After the Death of the Author ISBN: 1501367676 ISBN-13(EAN): 9781501367670 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Authorship’s Wake examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthes’s essay, “The Death of the Author.” This critique has given rise to a body of writing that confounds generic distinctions separating the literary and the theoretical. Its archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (Judith Butler), others known primarily as novelists (Zadie Smith, David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner; the autotheory of Maggie Nelson). These writers share not only a central motivating question – how to move beyond the critique of the author-subject – but also a way of answering it: by writing texts that merge theoretical concerns with literary discourse. Authorship’s Wake traces the responses their work offers in relation to four themes: communication, intention, agency, and labor.
At the turn of the 20th century, printing and photographic technologies evolved rapidly, leading to the birth of mass media and the rise of the amateur photographer. Demonstrating how this development happened symbiotically with great changes in the shape of British literature, Writing, Authorship and Photography in British Literary Culture, 1880-1920 explores this co-evolution, showing that as both writing and photography became tools of mass dissemination, literary writers were forced to re-evaluate their professional and personal identities.
Focusing on four key authors-Thomas Hardy, Bram Stoker, Joseph Conrad and Virginia Woolf-each of which had their own private and professional connections to photographs, this book offers valuable historical contexts for contemporary cultural developments and anxieties. At first establishing the authors' response to developing technologies through their non-fiction, personal correspondences and working drafts, Ennis moves on to examine how their perceptions of photography extend into their major works of fiction: A Laodicean, Dracula, The Secret Agent, The Inheritors and The Voyage Out. Reflecting on the first 'graphic revolution' in a world where text and image are now reproduced digitally and circulated en masse and online, Ennis redirects our attention to when image and text appeared alongside each other for the first time and the crises this sparked for authors: how they would respond to increasingly photographic depictions of everyday life, and in turn, how their writing adapted to a distinctly visual mass media.
Автор: Philip Sayers Название: Authorship`s Wake: Writing After the Death of the Author ISBN: 1501372181 ISBN-13(EAN): 9781501372186 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Authorship’s Wake examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthes’s essay, “The Death of the Author.” This critique has given rise to a body of writing that confounds generic distinctions separating the literary and the theoretical. Its archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (Judith Butler), others known primarily as novelists (Zadie Smith, David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner; the autotheory of Maggie Nelson). These writers share not only a central motivating question – how to move beyond the critique of the author-subject – but also a way of answering it: by writing texts that merge theoretical concerns with literary discourse. Authorship’s Wake traces the responses their work offers in relation to four themes: communication, intention, agency, and labor.
As the United States struggled to absorb a massive influx of ethnically diverse immigrants at the turn of the twentieth century, the question of who and what an American is took on urgent intensity. It seemed more critical than ever to establish a definition by which Americanness could be established, transmitted, maintained, and judged. Americans of all stripes sought to articulate and enforce their visions of the nation’s past, present, and future; central to these attempts was President Theodore Roosevelt. Roosevelt fully recognized the narrative component of American identity, and he called upon authors of diverse European backgrounds including Israel Zangwill, Jacob Riis, Elizabeth Stern, and Finley Peter Dunne to promote the nation in popular written form. With the swell and shift in immigration, he realized that a more encompassing national literature was needed to “express and guide the soul of the nation.” Rough Writing examines the surprising place and implications of the immigrant and of ethnic writing in Roosevelt’s America and American literature.
As the United States struggled to absorb a massive influx of ethnically diverse immigrants at the turn of the twentieth century, the question of who and what an American is took on urgent intensity. It seemed more critical than ever to establish a definition by which Americanness could be established, transmitted, maintained, and judged. Americans of all stripes sought to articulate and enforce their visions of the nation’s past, present, and future; central to these attempts was President Theodore Roosevelt. Roosevelt fully recognized the narrative component of American identity, and he called upon authors of diverse European backgrounds including Israel Zangwill, Jacob Riis, Elizabeth Stern, and Finley Peter Dunne to promote the nation in popular written form. With the swell and shift in immigration, he realized that a more encompassing national literature was needed to “express and guide the soul of the nation.” Rough Writing examines the surprising place and implications of the immigrant and of ethnic writing in Roosevelt’s America and American literature.
