Gabriella Safran Recording Russia: Trying to Listen in the Nineteenth Century 9781501766329

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Автор: Gabriella Safran
Название: Recording Russia: Trying to Listen in the Nineteenth Century
ISBN: 9781501766329
Издательство: Mare Nostrum (Eurospan)
Классификация:

Лингвистика, или языкознание

Литература: история и критика

Исследования средств массовой информации

ISBN-10: 1501766325
Обложка/Формат: Hardback
Страницы: 300
Вес: 0.61 кг.
Дата издания: 15.11.2022
Язык: English
Иллюстрации: 13 halftones, black and white
Размер: 159 x 236 x 25
Ключевые слова: linguistics,Literature: history & criticism,Media studies, LANGUAGE ARTS & DISCIPLINES / Linguistics / General,LITERARY CRITICISM / Russian & Former Soviet Union,SOCIAL SCIENCE / Media Studies
Подзаголовок: Trying to listen in the nineteenth century
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Поставляется из: Англии
Описание:

Recording Russia examines scenes of listening to the people across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions.

Nineteenth-century writers belonged to a distinctive media generation using new communication technologies—not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated voice of the people. Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other peoples words.

Дополнительное описание:

Introduction
1. Ringing
2. Singing
3. Nesting
4. Crossing
5. Paper-making
6. Dreaming
7. Insulting
8. Laughing
Conclusion

Recording Russia: Trying to Listen in the Nineteenth Century, Gabriella Safran