Owning the Masters: A History of Sound Recording Copyright, Richard Osborne
Автор: Chion Michel Название: Sound: An Acoulogical Treatise ISBN: 082236039X ISBN-13(EAN): 9780822360391 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening—listening without visual access to a sound’s cause—to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do.
Название: Movies, Songs, and Electric Sound: Transatlantic Trends ISBN: 025304040X ISBN-13(EAN): 9780253040404 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4514.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.
Автор: Elena Borovitskaya Название: The Fundamentals of Sound Science ISBN: 1634874358 ISBN-13(EAN): 9781634874359 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11656.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Fundamentals of Sound Science teaches the principles of the physics of sound, as well as basic principles of physics, by linking them to music and musical instruments.The book begins by asking students to question the meaning of sound itself. What is sound? How far and how fast does it travel? By asking students to think about sound in this way, the material is able to connect our daily experience of sound to principles of physics such as distance, velocity, scalars, and vectors. Through the next six chapters students learn about harmonic motion, waves, the sources and physical properties of sound, and measurements of loudness.The second half of the book uses music as the vehicle for a deeper exploration of sound. Students study some basic musicianship, including articulation, intervals, and harmonic series. These concepts become the springboard for an examination of the Fourier Analysis of Simplest Sound Spectra, which encompasses steady tones, periodic waves of arbitrary form, square, triangular, and sawtooth waves, and modulated tones.Different families of instruments are discussed in depth: percussion, strings, flutes and recorders, woodwinds, and finally the human voice. The book concludes with a chapter on room acoustics, which covers the precedence effect and reverberations.Each chapter is filled with detailed explanations, and numerous examples are used to enhance student understanding. Study questions are included to encourage critical thinking, and prepare students for tests. Chapter summaries aid retention by reviewing terms and relations.By finding the common ground between physics and music, The Fundamentals of Sound Science strengthens understanding of both, revealing that many principles of the physical world are a part of our common, taken for granted, daily experience. All we have to do is listen.The Fundamentals of Sound Science can be used for introductory courses in physics, including those at the high school level. The accessibility of the material makes the book appropriate for non-majors at the university level, and students can achieve mastery of the content without a background in mathematics, making the book ideal for general education courses.
Автор: Bartlett Название: Practical Recording Techniques ISBN: 1138904430 ISBN-13(EAN): 9781138904439 Издательство: Taylor&Francis Рейтинг: Цена: 25265.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Practical Recording Techniques covers all aspects of recording, perfect for beginning and intermediate recording engineers, producers, musicians, and audio enthusiasts. Filled with tips and shortcuts, this hands-on, practical guide gives advice on equipping a home studio (whether low-budget or advanced) and suggestions for set-up, acoustics, effects, choosing mics and monitor speakers, and preventing hum. This best-selling guide also instructs how to mike instruments and vocals, judge recordings and improve them, work with MIDI and loops, do mastering, and put your music on the web. Two chapters cover live recording of classical and popular music.
New in the seventh edition:
Complete update of all types of recording equipment, plug-ins, and recording software
Increased focus on current industry and classroom trends like DAW signal flow and operation (during recording and mixdown), while still covering analog fundamentals
Updated organization to focus and break up topics
Updated tips on optimizing your computer for multitrack recording - for both Windows and Mac
New sections on streaming audio, mobile-device recording, live recording with digital consoles, and psychoacoustics
Listen Online boxes highlight where audio samples on the website relate to chapter discussions
Updated companion website with audio examples, articles, and suggested activities, plus expanded and more user-friendly links to the best sites for videos and articles, recording techniques, equipment, and other learning resources. Instructors can download figures from the book, the audio files, and a test bank
John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?
In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
Название: Movies, Songs, and Electric Sound: Transatlantic Trends ISBN: 0253040396 ISBN-13(EAN): 9780253040398 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10659.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films' musical sequences. Rather than advancing a film's plot, songs in these films were staged, filmed, and cut to facilitate the singer's engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O'Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.
Автор: Huber David Miles Название: Modern Recording Techniques ISBN: 1138954373 ISBN-13(EAN): 9781138954373 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Поставка под заказ.
Описание:
Modern Recording Techniques is the bestselling, authoritative guide to sound and music recording. Whether you're just starting out or are looking for a step-up in the industry, Modern Recording Techniques provides an in-depth read on the art and technologies of music production. It's a must-have reference for all audio bookshelves. Using its familiar and accessible writing style, this ninth edition has been fully updated, presenting the latest production technologies and includes an in-depth coverage of the DAW, networked audio, MIDI, signal processing and much more.
A robust companion website features video tutorials, web-links, an online glossary, flashcards, and a link to the author's blog. Instructor resources include a test bank and an instructor's manual.
The ninth edition includes:
Updated tips, tricks and insights for getting the best out of your studio
An introduction to the Apple iOS in music production
Introductions to new technologies and important retro studio techniques
The latest advancements in DAW systems, signal processing, mixing and mastering
Автор: Bartlett Bruce Название: Practical Recording Techniques ISBN: 1138904422 ISBN-13(EAN): 9781138904422 Издательство: Taylor&Francis Рейтинг: Цена: 9645.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Practical Recording Techniques covers all aspects of recording, perfect for beginning and intermediate recording engineers, producers, musicians, and audio enthusiasts. Filled with tips and shortcuts, this hands-on, practical guide gives advice on equipping a home studio (whether low-budget or advanced) and suggestions for set-up, acoustics, effects, choosing mics and monitor speakers, and preventing hum. This best-selling guide also instructs how to mike instruments and vocals, judge recordings and improve them, work with MIDI and loops, do mastering, and put your music on the web. Two chapters cover live recording of classical and popular music.
New in the seventh edition:
Complete update of all types of recording equipment, plug-ins, and recording software
Increased focus on current industry and classroom trends like DAW signal flow and operation (during recording and mixdown), while still covering analog fundamentals
Updated organization to focus and break up topics
Updated tips on optimizing your computer for multitrack recording - for both Windows and Mac
New sections on streaming audio, mobile-device recording, live recording with digital consoles, and psychoacoustics
Listen Online boxes highlight where audio samples on the website relate to chapter discussions
Updated companion website with audio examples, articles, and suggested activities, plus expanded and more user-friendly links to the best sites for videos and articles, recording techniques, equipment, and other learning resources. Instructors can download figures from the book, the audio files, and a test bank
Автор: Bracha Название: Owning Ideas ISBN: 0521877660 ISBN-13(EAN): 9780521877664 Издательство: Cambridge Academ Рейтинг: Цена: 8237.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Owning Ideas explores the history of the emergence of intellectual property in the United States during the nineteenth century, examining the fields of both patent and copyright. It will appeal to readers interested in the concept of ideas as private property, and how it holds a dominant position in modern economic and cultural life.
Автор: Kane, John Название: Last seat in the house ISBN: 1496826817 ISBN-13(EAN): 9781496826817 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Known as the "Father of Festival Sound," Bill Hanley (b. 1937) made his indelible mark as a sound engineer at the 1969 WoodStock Music and Arts Fair. Hanley is credited with creating the sound of WoodStock, which literally made the massive festival possible. Stories of his on-the-fly solutions resonate as legend among festivalgoers, music lovers, and sound engineers. Since the 1950s his passion for audio has changed the way Audiences listen to and technicians approach quality live concert sound. John Kane examines Hanley’s echoing impact on the entire field of sound engineering, that crucial but often-overlooked carrier wave of contemporary music. Hanley’s innovations founded the sound reinforcement industry and launched a new area of technology, rich with clarity and intelligibility. By the early seventies the post-WoodStock festival mass gathering movement collapsed. The music industry shifted, and new sound companies surfaced. After huge financial losses and facing stiff competition, Hanley lost his hold on a business he helped create. By studying both his history during the festivals and his independent business ventures, Kane seeks to present an honest portrayal of Hanley and his acumen and contributions. Since 2011, Kane conducted extensive research, including over one hundred interviews with music legends from the Production and performance side of the industry. These carefully selected respondents witnessed Hanley’s expertise at various events and venues like Lyndon B. Johnson’s second inauguration, the Newport Folk/Jazz Festivals, the Beatles' final tour of 1966, the Fillmore East, Madison Square Garden, and more. The Last Seat in the House will intrigue and inform anyone who cares about the modern music industry.
Автор: Dittmar, Tim (professor, Austin Community College, Commercial Music Management Program. Recording And Live Sound Engineer.) Название: Audio engineering 101 ISBN: 1138658774 ISBN-13(EAN): 9781138658776 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Practical, concise, and approachable this second edition covers everything aspiring audio engineers need to know to make it in the recording industry, from the characteristics of sound to microphones, analog versus digital recording, EQ/compression, mixing, mastering, and career skills.
Автор: Richard Osborne Название: Owning the Masters: A History of Sound Recording Copyright ISBN: 1501345915 ISBN-13(EAN): 9781501345913 Издательство: Bloomsbury Academic Рейтинг: Цена: 11405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Owning the Masters provides the first in-depth history of sound recording copyright. It is this form of intellectual property that underpins the workings of the recording industry. Rather than being focused on the manufacture of goods, this industry is centred on the creation, exploitation and protection of rights. The development and control of these rights has not been straightforward. This book explores the lobbying activities of record companies: the principal creators, owners and defenders of sound recording copyright. It addresses the counter-activity of recording artists, in particular those who have fought against the legislative and contractual practices of record companies to claim these master rights for themselves. In addition, this book looks at the activities of the listening public, large numbers of whom have been labelled ‘pirates’ for trespassing on these rights. The public has played its own part in shaping copyright legislation. This is an essential subject for an understanding of the economic, artistic and political value of recorded sound.
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