Описание: Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries traces the evolution of Black women’s literacy practices from 1892 to 1934. A dynamic chronological study, the book explores how Black women public intellectuals, creative writers, and classic blues singers sometimes utilize singular but other times overlapping forms of literacies to engage in debates on race. The book begins with Anna J. Cooper’s philosophy on race literature as one method for social advancement. From there, author Coretta M. Pittman discusses women from the Woman’s and New Negro Eras, including but not limited to Angelina Weld Grimk?, Gertrude "Ma" Rainey, and Zora Neale Hurston. The volume closes with an exploration of Victoria Spivey’s blues philosophy. The women examined in this book employ forms of transformational, transactional, or specular literacy to challenge systems of racial oppression. However, Literacy in a Long Blues Note argues against prevalent myths that a singular vision for racial uplift dominated the public sphere in the latter decade of the nineteenth century and the early decades of the twentieth century. Instead, by including Black women from various social classes and ideological positions, Pittman reveals alternative visions. Contrary to more moderate predecessors of the Woman’s Era and contemporaries in the New Negro Era, classic blues singers like Mamie Smith advanced new solutions against racism. Early twentieth-century writer Angelina Weld Grimk? criticized traditional methods for racial advancement as Jim Crow laws tightened restrictions against Black progress. Ultimately, the volume details the agency and literacy practices of these influential women.
«Franco Marucci seems to have read everything written in the century between Byron and James Joyce. The breadth and depth of this reading provides steady illumination of topics familiar and unfamiliar, and brings many new things to light. Professional erudition and persistence turn up many trouvailles and not a few truffles. A notable addition to scholarship.» (Michael Alexander, Emeritus Professor of English, University of St Andrews)
«A remarkable collection of essays, displaying a far from common theoretical acuteness acting on dauntless erudition. Marucci’s explorations of the ‹dialogic element› in major and minor texts of Victorian and early Modern authors are always interesting and often surprising. When does Marucci, the most ‹Victorian› of Italian critics, find time to read and write so much?» (Francesco Rognoni, Professor of English and American Literature, Universit? Cattolica del Sacro Cuore – Milan and Brescia)
«Franco Marucci traces a fascinating trajectory that invites us to rethink the works of iconic English authors at the intersection of two centuries. The compelling questions in this collection insightfully reinterpret a literary and cultural transition which, with its multifaceted tensions between tradition and innovation, continues to speak to us.» (Nicoletta Pireddu, Professor of Italian and Comparative Literature, Georgetown University)
«Authors in Dialogue is, therefore, a much-welcomed compendium that gathers many eminent contributions to comparative studies which, now that they are presented together, communicate with each other in intriguing ways and reveal even more thoroughly the author’s critical acumen and coherent system of reasoning.» (Fabio Bazzano, Univ. di Pavia, Review in Il confronto letterario, no. 75)
This book gathers together essays and papers written over a time span of around fifteen years. Partly retitled and revised, they were selected for the book because they all focus on the dialogic element in a series of literary works produced in the period extending from late Romanticism to early Modernism. By «dialogic» the author means the sharing of common preoccupations, the recursiveness of motifs, themes and patterns, the emergence of constants, a network of explicit or hidden confrontations. Dialogues may then arise between an author and other contemporaries in the form of an explicit theoretical discussion in letters or critical essays; or implicitly, and allusively, in inventive negotiations that respond to previous works through parody or adaptation. After a concise introduction stating the author’s theoretical debt to the insightful theories of the Russian semiotician and typologist Yuri Lotman, single essays discuss Byron, Ruskin, George Eliot, Matthew Arnold, Hopkins, Ouida, Joyce and T. S. Eliot.
Описание: Presents a translation of Professor Andrei Zorin`s Kormya Dvuglavogo Orla. This collection of essays includes several that have never before appeared in English, including ""The People`s War: The Time of Troubles in Russian Literature, 1806-1807"" and ""Holy Alliances: V.A. Zhukovskii`s Epistle`To Emperor Alexander` and Christian Universalism.
Описание: Recently, literary critics and some historians have argued that to use the language of separate spheres is to "mistake fiction for reality." However, the tendency in this criticism is to ignore the work of feminist political theorists who argue that a range of ideologies of the public and private consistently work to mask gender inequalities. In Keeping Up Her Geography, Tanya Ann Kenedy argues that these inequalities are shaped by multiple, but interconnected, spatial constructions of the public and private in US culture. Moreover, the early twentieth century when key spatial concepts – the nation, the urban, the regional, and the domestic – were being redefined is a pivotal era for understanding how the public-private binary remains tenaciously central to the defining of gender. Keeping Up Her Geography shows that this is the case in a range of literary and cultural contexts: in feminist speeches at the World’s Columbian Exposition, in middle-class women’s urban reform texts, in southern writer Ellen Glasgow’s novels, and in the autobiographical narratives of Zora Neale Hurston and Agnes Smedley.
Описание: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.
Описание: Twenty-one distinguished American Germanists pay tribute to F. E. Coenen, previous longtime editor (1952-1968) of UNC Press' Studies in Germanic Languages and Literatures series. Their essays--reflecting a variety of approaches--deal with many major (Goethe, Kleist, Droste-Hulshoff, Keller, Nietsche, Rilke, Kafka, Hesse, Brecht, Thomas Mann, Musil) and some minor figures who have influenced the literary scene after 1800 and add significantly to both scholarship in and interpretation of modern German literature.
Описание: The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.
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