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Modernist War Poetry: Combat Gnosticism and the Sympathetic Imagination, 1914–19, Jamie Wood


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Автор: Jamie Wood
Название:  Modernist War Poetry: Combat Gnosticism and the Sympathetic Imagination, 1914–19
ISBN: 9781474497749
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1474497748
Обложка/Формат: Hardback
Страницы: 272
Вес: 0.57 кг.
Дата издания: 10.01.2023
Серия: Edinburgh critical studies in modernist culture
Язык: English
Издание: 113,917 ed.
Иллюстрации: 8 b/w illustrations 8 tables
Размер: 234 x 156 x 18
Читательская аудитория: General (us: trade)
Ключевые слова: Literary studies: general,Literary studies: poetry & poets,Literary theory,Poetry
Подзаголовок: Combat gnosticism and the sympathetic imagination, 1914 19
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Поставляется из: Англии
Описание:

This study examines the work of the principle architects of Anglo-American modernist poetics – T.S. Eliot, H.D., Ezra Pound, Gertrude Stein, Edward Thomas and Wallace Stevens – and their response to the challenge of combatant war poetries. It argues that these civilian poets sought to negotiate directly with the combatant’s gnosticism, specifically with the combatant’s assertion that only those present at a catastrophe could properly represent its horrors. The modernists rightly identified that gnosticism was a threat to their own representational claims on an increasingly traumatic modernity. How was the imagination to be salvaged in order that it could still feel into the wounded experience of others? In response to this challenge, the modernists drafted their own imagined war poems, developing in the process several different and contradictory poetic systems. Whereas scholarship ordinarily tells the story of intra-war modern poetry as a series of different schools – the trench lyric, the home front elegy and the modernist long poem – each moving in a different direction, this study brings those traditions back together into one history by treating them as idiosyncratic responses to the same aesthetic problem.




Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World

Автор: John Jervis
Название: Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World
ISBN: 1472576373 ISBN-13(EAN): 9781472576378
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание:

Sympathetic Sentiments develops an innovative interdisciplinary framework to explore the implications of living in a culture of feeling that seems ill at ease with itself, one in which sentiments are frequently denounced for being sentimental and self-indulgent.

These tensions are traced back to the inheritance of the eighteenth century, enabling us to identify a distinctive 'spectacle of sympathy', in which sympathy entails public forms of expression whereby being on show is both a condition of the authenticity of such affects and of their capacity to be masked and simulated. This, John Jervis suggests, is at the root of a range of controversies central to modern life, art and culture, including contemporary debates around trauma and compassion fatigue. Connected to these debates is the issue of modern sensationalism, discussed here and elaborated in a companion volume: Sensational Subjects: The Dramatization of Experience in the Modern World, which is published simultaneously by Bloomsbury.

Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World

Автор: John Jervis
Название: Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World
ISBN: 147253560X ISBN-13(EAN): 9781472535603
Издательство: Bloomsbury Academic
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Цена: 5067.00 р.
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Описание: "Sympathetic Sentiments "develops an innovative interdisciplinary framework to explore the implications of living in a 'culture of feeling' that seems ill at ease with itself, one in which 'sentiments' are frequently denounced for being 'sentimental' and self-indulgent. This is traced back to the inheritance of the eighteenth century, enabling us to identify a distinctive 'spectacle of sympathy' in which sympathy seems inherently to entail public forms of expression whereby being 'on show' is both a condition of the authenticity of such affects "and" of their capacity to be masked and simulated - hence stimulating controversy, but also the exploration of the vicarious dimensions of modern experience so central to modern literature, art and culture. The implications of all this are further explored in the context of current debates over the display of trauma as the language of sympathetic engagement, and the alleged prevalence of 'compassion fatigue' in the era of media sensationalism. Overall, the book uncovers the patterns that both reproduce our capacity for 'sympathetic sentiments' while revealing the inherent underlying tensions.


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