European Film Remakes, Eduard Cuelenaere, Gertjan Willems, Stijn Joye
Автор: Loock K., Verevis C. Название: Film Remakes, Adaptations and Fan Productions: Remake/Remodel ISBN: 1349442534 ISBN-13(EAN): 9781349442539 Издательство: Springer Рейтинг: Цена: 10478.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A dynamic investigation of processes of cultural reproduction - remaking and remodelling - which considers a wide range of film adaptations, remakes and fan productions from various industrial, textual and critical perspectives.
Автор: Horton Andrew, McDougal Stuart y. Название: Play It Again, Sam: Retakes on Remakes ISBN: 0520356926 ISBN-13(EAN): 9780520356924 Издательство: Wiley Цена: 21841.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
Автор: Patricia Vieira Название: Portuguese Film, 1930-1960: The Staging of the New State Regime ISBN: 1501307282 ISBN-13(EAN): 9781501307287 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Portuguese Film, 1930-1960: The Staging of the New State Regime provides groundbreaking analysis of Portuguese feature films produced in the first three decades of the New State (Estado Novo), a right-wing totalitarian regime that lasted between 1933 and 1974. These films, sponsored by the National Propaganda Institute (Secretariado Nacional de Propaganda), convey a conservative image of both mainland Portugal and the country's overseas African colonies (Angola, Mozambique, Cape Verde, Guinea-Bissau and St. Thomas and Principe). The films about the mainland emphasize traditional values, the importance of obedience to authorities and a strict division of gender roles, whereby women are relegated to the domestic sphere. The Portuguese countryside, where age-old customs and a strong social hierarchy prevailed, is presented in these movies as a model for the rest of the country. The films about the colonies, in turn, underline the benefits of the Portuguese presence in Africa and portray the colonized as docile subjects to Portuguese rule. The book includes chapter summaries in the introduction, in-depth analyses of the most important Portuguese films produced between 1930 and 1960, a discussion of the main topics of Portuguese cinema from the New State, and a comprehensive bibliography that guides students who wish to read further on a specific topic. First published in Portuguese to wide acclaim, Portuguese Film, 1930-1960: The Staging of the New State Regime fills a gap in English-language scholarship on the history of the national cinema of the Iberian peninsula. Films covered include Fatima, Land of Faith (Terra de Fe), Spell of the Empire (Feitico do Imperio), and Chaimite.
Автор: Sullivan Jr Garrett A. Название: Shakespeare and British World War Two Film ISBN: 110884264X ISBN-13(EAN): 9781108842648 Издательство: Cambridge University Press Рейтинг: Цена: 20714.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Illuminating for students and researchers of Shakespeare, film and World War Two Britain alike, this book expertly draws on the theory and practice of adaptation and appropriation to demonstrate how the British cinema presented Shakespeare as both an emblem of national unity and a marker of internal division.
Автор: Rasmus Agnieszka Название: Hollywood remakes of iconic british films ISBN: 147444878X ISBN-13(EAN): 9781474448789 Издательство: Bloomsbury Academic Рейтинг: Цена: 13464.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores how cult and classic `60s British films are remade by Hollywood in the new millennium
Автор: Holston & Winchester Название: Science Fiction, Fantasy And Horror Film Sequels, Series And Remakes ISBN: 0786493887 ISBN-13(EAN): 9780786493883 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5821.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Science fiction, fantasy and horror films have spawned more sequels than any other film genre. While the perhaps overly familiar Dracula and Frankenstein have inspired dozens of additional films, such movies as Quatermass and Francis have also produced several sequels.Over 400 horror, science fiction and fantasy films are analyzed in this comprehensive reference to the genre's sequels, series and remakes. Filmographies are given for each film, providing year of release, studio, running time, cast and credits. This is followed by a plot synopsis, reviews of the work, and a critical analysis.
Автор: Varndell D. Название: Hollywood Remakes, Deleuze and the Grandfather Paradox ISBN: 1349488348 ISBN-13(EAN): 9781349488346 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Hollywood Remakes, Deleuze and the Grandfather Paradox explores the philosophy of Gilles Deleuze using the framework of Hollywood`s current obsession with remaking and rebooting classic and foreign films. Through an analysis of cinematic repetition and difference, the book approaches remakes from a range of philosophical perspectives.
Автор: Salys Название: The Russian Cinema Reader, Vol One ISBN: 1618112120 ISBN-13(EAN): 9781618112125 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3881.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Intended to accompany undergraduate courses in the history of Russian cinema or Russian culture through film, this reader consists of excerpts from English language criticism and translations of excerpts of Russian-language criticism, as well as commissioned essays on thirty subtitled films widely taught in American and British courses on Russian film and culture.
Analysing the depiction of African Italian mixed-race subjects from the historical epics of the Italian silent golden era to the contemporary period, Equivocal Subjects engages the history of Italian nationalism and colonialism through theories of subject formation, ideologies of race, and postcolonial theory. Greene's approach also provides a novel interpretation of recent developments surrounding Italy's status as a major passage for immigrants seeking to enter the European Union. This book provides an original theoretical approach to the Italian cinema that speaks to the nation's current political and social climate.
Автор: Horton Andrew, McDougal Stuart y. Название: Play It Again, Sam: Retakes on Remakes ISBN: 0520301250 ISBN-13(EAN): 9780520301252 Издательство: Wiley Цена: 6890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This title was originally published in 1998. Play It Again, Sam is a timely investigation of a topic that until now has received almost no critical attention in film and cultural studies: the cinematic remake. As cinema enters its second century, more remakes are appearing than ever before, and these writers consider the full range: Hollywood films that have been recycled by Hollywood, such as The Jazz Singer, Cape Fear, and Robin Hood; foreign films including Breathless; and Three Men and a Baby, which Hollywood has reworked for American audiences; and foreign films based on American works, among them Yugoslav director Emir Kusturica's Time of the Gypsies, which is a "makeover" of Coppola's Godfather films. As these essays demonstrate, films are remade by other films (Alfred Hitchcock went so far as to remake his own The Man Who Knew Too Much) and by other media as well. The editors and contributors draw upon narrative, film, and cultural theories, and consider gender, genre, and psychological issues, presenting the "remake" as a special artistic form of repetition with a difference and as a commercial product aimed at profits in the marketplace. The remake flourishes at the crossroads of the old and the new, the known and the unknown. Play It Again, Sam takes the reader on an eye-opening tour of this hitherto unexplored territory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1998.
Weimar cultural critics and intellectuals have repeatedly linked the dynamic movement of the cinema to discourses of life and animation. Correspondingly, recent film historians and theorists have taken up these discourses to theorize the moving image, both in analog and digital. But, many important issues are overlooked. Combining close readings of individual films with detailed interpretations of philosophical texts, all produced in Weimar Germany immediately following the Great War, Afterlives: Allegories of Film and Mortality in Early Weimar Germany shows how these films teach viewers about living and dying within a modern, mass mediated context.
Choe places relatively underanalyzed films such as F. W. Murnau's The Haunted Castle and Arthur Robison's Warning Shadows alongside Martin Heidegger's early seminars on phenomenology, Sigmund Freud's Reflections upon War and Death and Max Scheler's critique of ressentiment. It is the experience of war trauma that underpins these correspondences, and Choe foregrounds life and death in the films by highlighting how they allegorize this opposition through the thematics of animation and stasis.
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