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Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble, Fiona Ritchie


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Автор: Fiona Ritchie
Название:  Shakespeare in the Theatre: Sarah Siddons and John Philip Kemble
ISBN: 9781350073289
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1350073288
Обложка/Формат: Hardback
Страницы: 264
Вес: 0.45 кг.
Дата издания: 01.12.2022
Серия: Shakespeare in the theatre
Язык: English
Иллюстрации: 12 bw illus
Размер: 198 x 129 x 25
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Shakespeare studies & criticism,Theatre: individual actors & directors, DRAMA / Shakespeare,PERFORMING ARTS / Theater / Direction & Production
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Поставляется из: Англии
Описание: Siblings Sarah Siddons (1755–1831) and John Philip Kemble (1757–1823) were the most famous British actors of the late-18th and early-19th centuries. Through their powerful acting and meticulous conceptualisation of Shakespeare’s characters and their worlds, they created iconic interpretations of Shakespeare’s major roles that live on in our theatrical and cultural memory. This book examines the actors’ long careers on the London stage, from Siddons’s debut in 1782 to Kemble’s retirement in 1817, encompassing Kemble’s time as theatre manager, when he sought to foreground their strengths as Shakespearean performers in his productions. Over the course of more than thirty years, Siddons and Kemble appeared opposite one another in many Shakespeare plays, including King John, Henry VIII, Coriolanus and Macbeth. The actors had to negotiate two major Shakespeare scandals: the staging of Vortigern – a fake Shakespearean play – in 1796 and the Old Price Riots of 1809, during which the audience challenged Siddons’s and Kemble’s perceived attempts to control Shakespeare. Fiona Ritchie examines the siblings’ careers, focusing on their collaborations, as well as placing Siddons’s and Kemble’s Shakespeare performances in the context of contemporary 18th- and 19th-century drama. The volume not only offers a detailed consideration of London theatre, but also explores the importance of provincial performance to the actors, notably in the case of Hamlet – a role in which both appeared across Britain and in Ireland.


Clowning and authorship in early modern theatre

Автор: Preiss, Richard (university Of Utah)
Название: Clowning and authorship in early modern theatre
ISBN: 1108438776 ISBN-13(EAN): 9781108438773
Издательство: Cambridge Academ
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Цена: 3642.00 р.
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Описание: Richard Preiss presents a lively and provocative study of how the early modern stage clown defined - and changed - theatrical experience. Recovering the interactive entertainments with which comedians including Richard Tarlton, Will Kemp and Robert Armin engaged audiences, he draws new conclusions about how early modern theatre negotiated its own textuality.

Ivo van Hove

Название: Ivo van Hove
ISBN: 1350031542 ISBN-13(EAN): 9781350031548
Издательство: Bloomsbury Academic
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Цена: 5226.00 р.
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Описание: This book offers a wealth of resources, critical overviews and detailed analysis of Ivo van Hove’s internationally acclaimed work as the foremost director of theatre, opera and musicals in our time. Stunning production photos capture the power of van Hove’s directorial vision, his innovative use of theatrical spaces, and the arresting stage images that have made his productions so popular among audiences worldwide over the last 30 years. Van Hove’s own contribution to the book, which includes a foreword, interview and his director’s notes for some of his most popular shows, makes this book a unique resource for students, scholars and for his fans across the different art forms in which he works. An informative introduction provides an overview of van Hove’s unique approach to directing, while five sections, individually curated by experts in the respective fields of Shakespeare, classical theatre, modern theatre, opera, musicals, film, and international festival curatorship, offer readers a combination of critical insight and short excerpts by van Hove’s collaborators, the actors in the ensemble companies van Hove works with in Amsterdam and New York, and by arts critics and reviewers.

Early Modern Theatre and the Figure of Disability

Автор: Love Genevieve
Название: Early Modern Theatre and the Figure of Disability
ISBN: 1350017205 ISBN-13(EAN): 9781350017207
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание: What work did physically disabled characters do for the early modern theatre? Through a consideration of a range of plays, including Doctor Faustus and Richard III, Genevieve Love argues that the figure of the physically disabled prosthetic body in early modern English theatre mediates a set of related 'likeness problems' that structure the theatrical, textual, and critical lives of the plays of Shakespeare and his contemporaries.

The figure of disability stands for the relationship between actor and character: prosthetic disabled characters with names such as Cripple and Stump capture the simultaneous presence of thefictional and the material, embodied world of the theatre. When the figure of the disabled body exits the stage, it also mediates a second problem of likeness, between plays in their performed and textual forms. While supposedly imperfect textual versions of plays have been characterized as 'lame', the dynamic movement of prosthetic disabled characters in the theatre expands the figural role which disability performs in the relationship between plays on the stage and on the page.

Early Modern Theatre and the Figure of Disability reveals how attention to physical disability enriches our understanding of early modern ideas about how theatre works, while illuminating in turn how theatre offers a reframing of disability as metaphor.

Talking shakespeare

Автор: Fantasia, Louis
Название: Talking shakespeare
ISBN: 1433141434 ISBN-13(EAN): 9781433141430
Издательство: Peter Lang
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Цена: 7528.00 р.
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Описание:

Talking Shakespeare is a collection of essays on Shakespeare’s plays and politics and their impact in the world today. Originally given as provocative talks on Shakespeare at some of the most prestigious universities, conferences, and theatres around the world, they reflect on the author’s more than thirty-year career as a producer, director and educator. The essays provide a unique and personal look into multiple aspects of Shakespeare’s world—and ours.

British Black and Asian Shakespeareans: Integrating Shakespeare, 1966-2018

Автор: Rogers Jami
Название: British Black and Asian Shakespeareans: Integrating Shakespeare, 1966-2018
ISBN: 1350112925 ISBN-13(EAN): 9781350112926
Издательство: Bloomsbury Academic
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Цена: 25289.00 р.
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Описание: Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, African-Caribbean, south Asian and east Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre in Britain was integrated from the 1960s to the 21st century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with nearly forty performers and directors, the book chronicles important productions that led to ground-breaking castings of Black and Asian actors in substantial Shakespearean roles including: · Zakes Mokae (Cry Freedom) as one of three black witches in William Gaskill’s 1966 production of Macbeth at the Royal Court Theatre. · Norman Beaton as Angelo in Michael Rudman’s 1981 production of Measure for Measure at the National Theatre – the first majority Black Shakespearean cast at the theatre. · Josette Simon as Isabella in Measure for Measure at the Royal Shakespeare Company in 1987. · Adrian Lester in the title role of Nicholas Hytner’s 2003 production of Henry V. · Iqbal Khan on his 2012 production of Much Ado About Nothing – the first production with an all south Asian cast at the Royal Shakespeare Company. · Alfred Enoch and Rakie Ayola as Edgar and Goneril in Talawa Theatre Company’s 2016 production of King Lear · Paapa Essiedu as Hamlet in Simon Godwin’s 2016 production for the Royal Shakespeare Company. With first-hand accounts from key performers including Joseph Marcell, Adrian Lester, Josette Simon, Lolita Chakrabarti, Noma Dumezweni, Rakie Ayola, David Yip, Ray Fearon, Paterson Joseph, Alfred Enoch, Rudolph Walker and many more, this book is an invaluable history of Black and Asian Shakespeareans that highlights the gains these actors have made and the challenges still faced in pursuing a career in classical theatre.

Shakespeare, Theatre, and Time

Автор: Wagner Matthew
Название: Shakespeare, Theatre, and Time
ISBN: 0415805872 ISBN-13(EAN): 9780415805872
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание: That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: time is, among other things, a `devourer` ("Love`s Labour`s Lost"), one who can untie knots ("Twelfth Night"), or, perhaps most famously, simply `out of joint` ("Hamlet"). This book offers an investigation of time in Shakespearean theatre.

Eating Shakespeare: Cultural Anthropophagy as Global Methodology

Автор: Anne Sophie Refskou, Marcel Alvaro de Amorim, Vinicius Mariano de Carvalho
Название: Eating Shakespeare: Cultural Anthropophagy as Global Methodology
ISBN: 135019767X ISBN-13(EAN): 9781350197671
Издательство: Bloomsbury Academic
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Цена: 3800.00 р.
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Описание: Eating Shakespeare provides a constructive critical analysis of the issue of Shakespeare and globalization and revisits understandings of interculturalism, otherness, hybridity and cultural (in)authenticity. Featuring scholarly essays as well as interviews and conversation pieces with creatives – including Geraldo Carneiro, Fernando Yamamoto, Diana Henderson, Mark Thornton Burnett, Samir Bhamra, Tajpal Rathore, Samran Rathore and Paul Heritage – it offers a timely and fruitful discourse between global Shakespearean theory and practice. The volume uniquely establishes and implements a conceptual model inspired by non-European thought, thereby confronting a central concern in the field of Global Shakespeare: the issue of Europe operating as a geographical and cultural ‘centre’ that still dominates the study of Shakespearean translations and adaptations from a ‘periphery’ of world-wide localities. With its origins in 20th-century Brazilian modernism, the concept of ‘Cultural Anthropophagy’ is advanced by the authors as an original methodology within the field currently understood as ‘Global Shakespeare’. Through a broad range of examples drawn from theatre, film and education, and from both within Brazil and beyond, the volume offers illuminating perspectives on what Global Shakespeare may mean today.

Shakespeare in Singapore

Автор: Smith, Philip
Название: Shakespeare in Singapore
ISBN: 1032238674 ISBN-13(EAN): 9781032238678
Издательство: Taylor&Francis
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Цена: 6430.00 р.
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Описание: Shakespeare in Singapore provides the first detailed and sustained study of the role of Shakespeare in Singaporean theatre, education, and culture.

Shakespeare`s Two Playhouses

Автор: Dustagheer Sarah
Название: Shakespeare`s Two Playhouses
ISBN: 1107190169 ISBN-13(EAN): 9781107190160
Издательство: Cambridge Academ
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Цена: 15206.00 р.
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Описание: This is the first in-depth, comparative analysis of the Globe and the Blackfriars Theatres` performance conditions. Examining how the social and sensory qualities of these sites affected early modern dramatists, audiences and actors, the study also considers recent productions at Shakespeare`s Globe and the new Sam Wanamaker Playhouse.

Stage Directions and Shakespearean Theatre

Автор: Sarah Dustagheer, Gillian Woods
Название: Stage Directions and Shakespearean Theatre
ISBN: 147425747X ISBN-13(EAN): 9781474257473
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
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Описание: Stage directions offer a unique glimpse of what actually happened in the early modern playhouse. They constitute first-hand evidence of the movements, gestures, and spectacles that took place on the stage, as well as the shape and use of it. Stage Directions and Shakespearean Theatre illustrates the creative possibilities of these understudied but crucial parts of play-texts. It brings together the most recent and innovative research from a range of established and emerging scholars. Essays illuminate the function of stage directions on both the stage and the page, considering issues such as the playwrights’ shaping of space, the actor’s body, the audience’s gaze and the reader’s imagination. In asking how stage directions impact on the dialogue they frame, this collection provides new insights into a range of Renaissance plays.

Shakespeare: Actors and Audiences

Название: Shakespeare: Actors and Audiences
ISBN: 1350164534 ISBN-13(EAN): 9781350164536
Издательство: Bloomsbury Academic
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Цена: 5226.00 р.
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Описание:

Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance.

Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.

Directing Shakespeare in America: Historical Perspectives (Charles Ney)

Название: Directing Shakespeare in America: Historical Perspectives (Charles Ney)
ISBN: 1350149217 ISBN-13(EAN): 9781350149212
Издательство: Bloomsbury Academic
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Цена: 4275.00 р.
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Описание: This unique and comprehensive study reviews the practice of leading American directors of Shakespeare from the late 19th to the end of the 20th century. Charles Ney examines rehearsal and production records, as well as evidence from diaries, letters, autobiographies, reviews and photographs to consider each director’s point of view when approaching Shakespeare and the differing directorial tools and techniques employed in significant productions in their careers. Directors covered include Augustin Daly, David Belasco, Arthur Hopkins, Orson Welles, Margaret Webster, B. Iden Payne, Angus Bowmer, Craig Noel, Jack O’Brien, Tyronne Guthrie, John Houseman, Allen Fletcher, Michael Kahn, Gerald Freedman, Joseph Papp, Stuart Vaughan, A. J. Antoon, JoAnne Akalaitis, Paul Barry, Tina Packer, Barbara Gaines, William Ball, Liviu Ciulei, Garland Wright, Mark Lamos, Ellis Rabb and Julie Taymor. Directing Shakespeare in America: Historical Perspectives offers readers an understanding of the context from which contemporary practitioners operate, the aesthetic philosophies to which they subscribe and a description of their rehearsal methods.


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