Описание: This pocket guide to Scrum is the one book for everyone who wants to learn or re-learn about Scrum. The book describes the framework as it was designed and intended, with a strong focus on the purpose to the rules and adding an historical perspective to Scrum and the Agile movement.As the balance of society keeps shifting from industrial labor to digital work, complexity and unpredictability keep increasing. The need for agility through Scrum increases equally, in and beyond software and product development.This 3rd edition of Scrum - A Pocket Guide, while introducing some changes in terminology, more than ever offers the clarity and insights on Scrum that many organizations need, more than ever. It will help people and their organizations properly shape their Scrum, regardless of their domain or business.Scrum - A Pocket Guide is an extraordinarily competent book. It flows with insight, understanding, and perception. This should be the de factostandard handout for all looking for a complete, yet clear overview ofScrum without being bothered by irrelevancies.(Ken Schwaber, Scrum co-creator) The author, Gunther Verheyen, is a seasoned Scrum practitioner (2003). He has been employing Scrum since 2003. He was partner to Ken Schwaber and Director of the Professional Scrum series at Scrum.org. He is the founder of Ullizee-Inc and engages with people and organizations as an independent Scrum Caretaker on a journey of humanizing the workplace with Scrum.
Автор: Tina Post Название: Deadpan: The Aesthetics of Black Inexpression ISBN: 1479811203 ISBN-13(EAN): 9781479811205 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11161.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Explores expressionlessness, inscrutability, and emotional withholding in Black cultural production Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life. Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness’s deadpan aesthetic within and beyond black embodiments, including Young Jean Lee’s The Shipment and Branden Jacobs-Jenkins’s Neighbors, as well as Buster Keaton’s signature character and Steve McQueen’s restitution of the former’s legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility.
Автор: Edward Jones-Imhotep, Tina Adcock Название: Made Modern: Science and Technology in Canadian History ISBN: 0774837241 ISBN-13(EAN): 9780774837248 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4759.00 р. Наличие на складе: Нет в наличии.
Описание: Science and technology have shaped not only economic empires and industrial landscapes, but also the identities, anxieties, and understandings of people living in modern times. Made Modern draws together leading scholars from a wide range of fields who write on topics ranging from exploration and infrastructure to the occult sciences and communications. The contributors use histories of science and technology to enrich our understanding of Canadian history and of Canada’s place in a transnational modern world. The first major collection of its kind in thirty years, this book explores the place of science and technology in shaping Canadians’ experience of themselves and their place in the modern world.
Описание: From the 1950s to the 1970s, the Canadian government relocated people living in rural and urban communities, often against their will, in order to alleviate the all-too-common lack of social services and economic opportunities. Moved by the State offers a completely new interpretation of this undertaking, focusing on the bureaucrats and academics who designed and implemented these relocations – and on the larger development project they were pursuing. Tina Loo’s finely crafted history reveals the optimistic belief underpinning postwar relocations: the power of the interventionist state to do good.
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