Lina cavalieri: the life of opera`s greatest beauty, 1874-1944, Fryer, Paul Usova, Olga

Автор: Kilpatrick
Название: The Operas of Maurice Ravel
ISBN: 1107118123 ISBN-13(EAN): 9781107118126
Издательство: Cambridge Academ
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Описание: In this comprehensive study, Emily Kilpatrick unites musical, literary, documentary and cultural perspectives to shed new light on Ravel`s two operas, his working life and his compositional practice. The first study devoted to Ravel`s operas, this book will be an invaluable resource for anyone who is interested in French music.

Автор: Christina Guillaumier
Название: The Operas of Sergei Prokofiev
ISBN: 1783274484 ISBN-13(EAN): 9781783274482
Издательство: Boydell & Brewer
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Описание: The first book in the English language to engage with Prokofiev`s operatic output in its entirety.

Автор: Arnold
Название: Gr?try`s Operas and the French Public
ISBN: 1472438507 ISBN-13(EAN): 9781472438508
Издательство: Taylor&Francis
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Описание: Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of Andre Ernest Modeste Gretry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Gretry’searliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Gretry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Gretry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Gretry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.

Автор: David Schroeder
Название: Cinema`s Illusions, Opera`s Allure: The Operatic Impulse in Film
ISBN: 1474291422 ISBN-13(EAN): 9781474291422
Издательство: Bloomsbury Academic
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Описание: The invention of cinema was ingenious, so much so that virtually no-one quite knew what to do with it. In its earliest stages, especially with the advent of the feature film, it needed models, and opera proved to be especially useful in that regard. The allure of opera to cinema early in the twentieth century held up through the silent era, into sound films, through the golden age of movies, and beyond. This book explores the numerous ways – some predictable, some unexpected, and some bizarre – in which this has happened. The influence of Richard Wagner on filmmakers has been especially striking, and some have even devised visual images that seem to emerge from a kind of non-verbal Wagnerian essence – a formative, musical urge that can underlie a cinematic idea, defying explanation and remaining purely sensory. Directors like Griffith, DeMille, Eisenstein, Chaplin, Bunuel or Hitchcock have intuited this possibility. Schroeder provides a fascinating, well-researched and always entertaining account of the influence of one medium on another, and shows that opera can often be found lurking in the background (or booming in the foreground) of an impressive range of films.

Автор: McCleave Sarah
Название: Dance in Handel`s London Operas
ISBN: 1580464203 ISBN-13(EAN): 9781580464208
Издательство: Wiley
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Описание: Examines the pivotal role of dance in the Italian operas of Handel, perhaps the greatest opera composer between Monteverdi and Mozart.

Автор: Chowrimootoo Christopher
Название: Middlebrow Modernism: Britten`s Operas and the Great Divide
ISBN: 0520298659 ISBN-13(EAN): 9780520298651
Издательство: Wiley
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Описание: At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.

This provocative study is situated at the intersection of the history, historiography, and aesthetics of twentieth-century music. It uses Benjamin Britten's operas to illustrate the ways in which composers, critics, and audiences mediated the "great divide" between modernism and mass culture. Reviving midcentury discussions of the "middlebrow," Christopher Chowrimootoo demonstrates how these works allowed audiences to have their modernist cake and eat it too: to revel in the pleasures of consonance, lyricism, and theatrical spectacle, even while enjoying the prestige that came from rejecting them. By focusing on key moments when reigning aesthetic oppositions and hierarchies threatened to collapse, Middlebrow Modernism offers a powerful model for recovering shades of grey in the previously black-and-white historiographies of twentieth-century music.

Автор: Griffel Marge
Название: Operas in English: A Dictionary
ISBN: 0810882728 ISBN-13(EAN): 9780810882720
Издательство: Rowman & Littlefield Publishers
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Описание: Griffel s useful and detailed work, therefore, should make all scholars, performers, and other opera lovers happy and more than willing to own a copy. June 2003, Opera Journal Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margart Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer s name; the librettist s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.

Название: Readying Cavalli`s Operas for the Stage
ISBN: 1138270660 ISBN-13(EAN): 9781138270664
Издательство: Taylor&Francis
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Описание:

After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are at the center of a great deal of new scholarship ranging from the study of sources and production issues to the cultural context of opera of this period.

In the face of such burgeoning interest, this collection of essays considers the Cavalli revival from various points of view. In particular, it explores the multiple issues involved in the transformation of an operatic manuscript into a performance. Although focused on the works of Cavalli, much of this material can transfer easily to other operatic repertoires.

Following an introductory part, reflecting back on four decades of Cavalli performances by some of the conductors responsible for the revival of interest in the composer, the collection is divided into four further parts: The Manuscript Scores, Giasone: Production and Interpretation, Making Librettos, and Cavalli Beyond Venice.

Автор: Emily Kilpatrick
Название: The Operas of Maurice Ravel
ISBN: 1107542901 ISBN-13(EAN): 9781107542907
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: In this comprehensive study, Emily Kilpatrick unites musical, literary, documentary and cultural perspectives to shed new light on Ravel`s two operas, his working life and his compositional practice. The first study devoted to Ravel`s operas, this book will be an invaluable resource for anyone who is interested in French music.

Название: Monteverdi`s Venetian Operas
ISBN: 0367191962 ISBN-13(EAN): 9780367191962
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Claudio Monteverdi`s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi`s late operas from an interdisciplinary perspective.

Автор: Ferrara William
Название: Staging the Operas of Mozart: A Guide for Conductors and Performers
ISBN: 0810888440 ISBN-13(EAN): 9780810888449
Издательство: Rowman & Littlefield Publishers
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Описание: In Staging Scenes from the Operas of Mozart: A Guide for Teachers and Singers, opera director William Ferrara offers the perfect resource for the dramatic preparation of opera scenes for directors and student performers. Topics include study and research, rehearsal planning, blocking, characterization, and costuming for four of Mozart's most popular operas. He surveys basic concepts of opera acting and directing and provides a step-by-step guide to the rehearsal process. While much has appeared on the history and musical performance practice of the operas of Mozart, no guide to the directing and acting of his operas--with simple, concise staging instructions and practical information concerning casting, props, and costumes--has yet seen publication. Featuring over one hundred illustrations, including costume designs by Martha Ferrara, the author breaks new ground for student performers and directors alike, as he walks readers through the process of staging scenes from Mozart's operas. The first part of the guide, which focuses on study and preparation, comprisess five chapters: ideas for organizing the opera class, a description of the job of the director, a step-by-step review of the rehearsal process, a set of five exercises for researching and analyzing the scenes, and a vocabulary for actors and directors. The next four sections of the book consist of detailed staging guides for a selection of scenes from Mozart's most frequently performed operas: Le Nozze di Figaro, Don Giovanni, Cos fan tutte, and Die Zauberfl te. The introduction to each scene includes a brief discussion of the story and characters, suggestions for costuming, and minimal set and props. The heart of this guide is the text and translation of each scene, embedded with line-by-line acting notes, and blocking directions and diagrams. These are for use by the actors during speaking and blocking rehearsals and are especially valuable when rehearsing recitatives. Intended for college and university voice teachers seeking guidance for developing a scenes program or opera workshop class, this is also the perfect workbook for students studying opera stage direction, as well as graduate and undergraduate students performing opera scenes by Mozart.

Автор: Brown-Montesano Kristi
Название: Understanding the Women of Mozart`s Operas
ISBN: 0520385799 ISBN-13(EAN): 9780520385795
Издательство: Wiley
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Описание: Is The Marriage of Figaro just about Figaro? Is Don Giovanni's story the only one--or even the most interesting one--in the opera that bears his name? For generations of critics, historians, and directors, it is Mozart's men who have mattered most. Too often, the female characters have been understood from the male protagonist's point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It is time to give Mozart's women--and Mozart's multidimensional portrayals of feminine character--their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart's four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Cos fan tutte, and Die Zauberfl te. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, reevaluating common assumptions and proposing fresh interpretations.

Brown-Montesano views each character as the subject of a story, not merely the object of a hero's narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart's women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts--past and current--influence our appreciation of these fascinating representations of women.