Black Boys: The Social Aesthetics of British Urban Film, Clive Chijioke Nwonka
Автор: Bal Mieke Название: Image thinking ISBN: 1474494234 ISBN-13(EAN): 9781474494236 Издательство: Bloomsbury Academic Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this rich, highly illustrated book, Mieke Bal takes us on a journey through the range of her work, using the concept of image-thinking as a point of connection between cultural analysis and artistic practice. Bal teaches us how to think with images, but also how to write and think as artists and writers about our own creative work.
Автор: Isabel Santaolalla Название: Luis Bunuel: New Readings ISBN: 1844570037 ISBN-13(EAN): 9781844570034 Издательство: Springer Рейтинг: Цена: 4191.00 р. Наличие на складе: Поставка под заказ.
Описание: This text ranges widely over key films and moments from stages of Luis Bunuel's career. It locates and re-appraises Bunuel's films with particular emphasis on the national cinemas and varied cultures with which he was identified.
Автор: Fanu Mark Le Название: Mizoguchi and japan ISBN: 1844570576 ISBN-13(EAN): 9781844570577 Издательство: Springer Рейтинг: Цена: 2934.00 р. 4191.00-30% Наличие на складе: Есть (1 шт.) Описание:
For a majority of filmgoers, the names most usually associated with classic Japanese cinema are those of Kurosawa and Ozu. Yet during the early 1950s, at the same time that Kurosawa was becoming known to the public through the release of classics like Rashomon and The Seven Samurai, another Japanese director, Kenji Mizoguchi, quietly came out with a trilogy of films - The Life of Oharu, Ugetsu Monogatari and Sansho the Bailiff - that are the equal of Kurosawa's in mastery, and which by any account rank among the greatest and most enduring masterpieces of world cinema.
As a storyteller, Mizoguchi was drawn to the plight and oppression of women throughout the ages - it was, for him, the 'subject of subjects'. So in addition to the movies just mentioned, he is remembered for a string of masterly contemporary films that examined, with unprecedented candour and ferocity, the conditions of life in Japanese brothels and geisha houses. Yet, as well as being a moralist. Mizoguchi was a stylist. His films are considered by critics to be among the most beautiful ever made, from a purely pictorial point of view. Filmgoers who have responded enthusiastically in recent years to Chinese classics like Farewell My Concubine or to the colourful works of Zhang Yimou will be delighted to discover 'pre-echoes' of this cinema in such late films by this Japanese master as The Empress Yang Kwei Fei and Tales of the Taira Clan (both released in 1955) works in which colour, costume and decor are deployed with compelling refinement. Despite his extraordinary qualities as a film-maker, Mizoguchi and Japan is the first full -length study in English for over 20 years of a director whose work is as vibrant now as it ever was in its heyday, and whom the French film review Cahiers du Cinema recently hailed 'the greatest of all cineastes.' Mark Le Fanu's preface to the new ebook edition - https: //media.bloomsbury.com/rep/files/revised-mizoguchi-and-japan-preface.docx A Retrospective to the 2008 edition - https: //media.bloomsbury.com/rep/files/mizoguchi-and-japan-retrospect.doc
Автор: Pollock Griselda Название: Visual Politics of Psychoanalysis ISBN: 1780763166 ISBN-13(EAN): 9781780763163 Издательство: Bloomsbury Academic Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Activists working in post-traumatic societies have resisted psychoanalytical terms because they fear that pathologizing individual suffering displaces the collective and political causes of traumatic violence. In a contrary direction, some thinkers have latterly embraced what Judith Butler insists is `the psychic life of power.`
Автор: Luzzi Joseph Название: A Cinema of Poetry: Aesthetics of the Italian Art Film ISBN: 1421411660 ISBN-13(EAN): 9781421411668 Издательство: Johns Hopkins University Press Рейтинг: Цена: 4711.00 р. Наличие на складе: Невозможна поставка.
Описание: Brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer.
Автор: Murray Littlejohn, Richard Kearney Название: Thinking Film: Philosophy at the Movies ISBN: 1350113468 ISBN-13(EAN): 9781350113466 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Hailed as one of America's original art forms, film has the distinctive character of crossing high and low art. But film has done more than this. According to American philosopher Stanley Cavell, film was also a place where America in the 1930s and 1940s did its thinking, a tradition that was taken up and enriched throughout world cinema. Can film indeed think? That is, can film do the work of philosophy?Following Cavell's lead to think along the tear of the analytic-continental traditions, this book draws from both sides of the philosophical divide to reflect on this question. Spanning generations and disciplines, pondering everything from art house classics to mainstream blockbusters, Thinking Film: Philosophy at the Movies aims to fling open the doors to this conversation on all sides. Inquiring into both philosophy's word on film and film's word to philosophy, the interdisciplinary dialogue of this book traverses the conceptual and the particular as it considers how film catalyzes our thinking and sets us talking. After viewing the world through film, we find our world--and ourselves--transformed by deeper understanding and new possibilities.This book aims to provide a novel and engaging way in to thinking with and about this enduringly popular art form.
Автор: Gleich, Joshua Название: Hollywood in san francisco ISBN: 1477316450 ISBN-13(EAN): 9781477316450 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13167.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
One of the country’s most picturesque cities and conveniently located just a few hours’ drive from Hollywood, San Francisco became the most frequently and extensively filmed American city beyond the production hubs of Los Angeles and New York in the three decades after World War II. During those years, the cinematic image of the city morphed from the dreamy beauty of Vertigo to the nightmarish wasteland of Dirty Harry, although San Francisco itself experienced no such decline. This intriguing disconnect gives impetus to Hollywood in San Francisco, the most comprehensive study to date of Hollywood’s move from studio to location production in the postwar era.
In this thirty-year history of feature filmmaking in San Francisco, Joshua Gleich tracks a sea change in Hollywood production practices, as location shooting overtook studio-based filming as the dominant production method by the early 1970s. He shows how this transformation intersected with a precipitous decline in public perceptions of the American city, to which filmmakers responded by developing a stark, realist aesthetic that suited America’s growing urban pessimism and superseded a fidelity to local realities. Analyzing major films set in San Francisco, ranging from Dark Passage and Vertigo to The Conversation, The Towering Inferno, and Bullitt, as well as the TV show The Streets of San Francisco, Gleich demonstrates that the city is a physical environment used to stage urban fantasies that reveal far more about Hollywood filmmaking and American culture than they do about San Francisco.
Автор: Clive Chijioke Nwonka Название: Black Boys: The Social Aesthetics of British Urban Film ISBN: 1501352822 ISBN-13(EAN): 9781501352829 Издательство: Bloomsbury Academic Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness. Foregrounding the textual Black urban identity as a historical formation, and drawing on a range of theoretical frameworks that allow for an examination of the emergence and continued social, cultural and industrial investment in the fictitious and non-fictitious images of Black urban identities and geographies, Nwonka convenes a dialogue between the disciplines of Film and Television Studies, Philosophy, Cultural Studies, Black Studies, Sociology and Criminology. Here, Nwonka ventures beyond what can be understood as the perennial and simplistic optic of racial stereotype in order to advance a more expansive reading of the Black British urban text as the outcome of a complex conjunctural interaction between social phenomena, cultural policy, political discourse and the continuously shifting politics of Black representation. Through the analysis of a number of texts and political and socio-cultural moments, Nwonka identifies Black urban textuality as conditioned by a bidirectionality rooted in historical and contemporary questions of race, racism and anti-Blackness but equally attentive to the social dynamics that render the screen as a site of Black recognition, authorship and authenticity. Analysed in the context of realism, social and political allegory, urban multiculture, Black corporeality and racial, gender and sexual politics, in integrating such considerations into the fabrics of a thematic reading of the Black urban text and through the writings of Stuart Hall, Paul Gilroy, Judith Butler and Derrida, Black Boys presents a critical rethinking of the contextual and aesthetic factors in the visual constructions of Black urban identity.
Описание: This book marks a significant methodological shift in studies of black British women`s theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals` personal papers.
Описание: This book marks a significant methodological shift in studies of black British women`s theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals` personal papers.
Описание: This significant contribution to the study of the live and recorded broadcasting of stage plays focuses on National Theatre Live a decade after its launch in 2009. Assessing livecasting through the concepts of spectacle, materiality and engagement, it examines the role played by audiences in livecasting. Illustrated by in-depth analyses of recent NT Live shows, including A Midsummer Night‘s Dream (2019), Antony and Cleopatra (2018) and Small Island (2019), the book is complemented by insights from practitioners involved in the making of the livecasts. Finally, livecasting is contextualized within recently emerged forms of Covidian (virtual) theatre during the pandemic in order to offer some thoughts on the future of the genre of theatrical performance.Combining lively analyses of recent theatre performances with auto-ethnographic accounts, Heidi Lucja Liedke turns to 20th-century thinkers such as Walter Benjamin and Bertolt Brecht in order to understand livecasting’s place in a continuum of developments taking place on the borders of media, film and performance for the past 100 years.As well as embedding livecasting in its historical context of 19th-century electrophone technology, Liedke assesses its position in contemporary discourses on the meaning of theatre for spectators in the pre- and post-pandemic moment, and points towards the form’s future.
Автор: Hockenhull Stella Название: Aesthetics and Neoromanticism in Film ISBN: 1848859015 ISBN-13(EAN): 9781848859012 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.
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