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The Activist Collector: Lida Clanton Broner`s 1938 Journey from Newark to South Africa, Christa Clarke


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Автор: Christa Clarke
Название:  The Activist Collector: Lida Clanton Broner`s 1938 Journey from Newark to South Africa
ISBN: 9781978836150
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 1978836155
Обложка/Формат: Hardback
Страницы: 208
Вес: 0.52 кг.
Дата издания: 17.02.2023
Язык: English
Иллюстрации: 62
Размер: 235 x 184 x 30
Ключевые слова: Black & Asian studies,History of art & design styles: c 1800 to c 1900,History of art / art & design styles,Social & cultural anthropology, ethnography, ART / African,ART / History / Modern (late 19th Century to 1945),SOCIAL SCIENCE / Anthropology / Cultural,SOCIAL SCIENCE / Black Studies (Global)
Подзаголовок: Lida clanton broner`s 1938 journey from newark to south africa
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Поставляется из: Англии
Описание: Published by the Newark Museum. Distributed worldwide by Rutgers University Press. After twenty-eight years of desire and determination, I have visited Africa, the land of my forefathers. So wrote Lida Clanton Broner (1895–1982), an African American housekeeper and hairstylist from Newark, New Jersey, upon her return from an extraordinary nine-month journey to South Africa in 1938. This epic trip was motivated not only by Broners sense of ancestral heritage, but also a grassroots resolve to connect the socio-political concerns of African Americans with those of black South Africans under the segregationist policies of the time. During her travels, this woman of modest means circulated among South Africas Black intellectual elite, including many leaders of South Africas freedom struggle. Her lectures at Black schools on race consciousness and race pride had a decidedly political bent, even as she was presented as an American beauty specialist.  How did Broner—a working class mother—come to be a globally connected activist? What were her experiences as an African American woman in segregated South Africa and how did she further her work after her return? Broners remarkable story is the subject of this book, which draws upon a deep visual and documentary record now held in the collection of the Newark Museum of Art. This extraordinary archive includes more than one hundred and fifty objects, ranging from beadwork and pottery to mission school crafts, acquired by Broner in South Africa, along with her diary, correspondence, scrapbooks, and hundreds of photographs with handwritten notations.  
Дополнительное описание: History of art|Ethnic studies / Ethnicity|Social and cultural anthropology|African history|The arts: general topics



Public Art in South Africa: Bronze Warriors and Plastic Presidents

Автор: Miller Kim, Schmahmann Brenda
Название: Public Art in South Africa: Bronze Warriors and Plastic Presidents
ISBN: 0253029929 ISBN-13(EAN): 9780253029928
Издательство: Mare Nostrum (Eurospan)
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Цена: 5016.00 р.
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Описание: How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemorate heroes of the struggle? Across South Africa, statues commemorating figures such as Cecil Rhodes have provoked heated protests, while new works commemorating icons of the liberation struggle have also sometimes proved contentious. In this lively volume, Kim Miller, Brenda Schmahmann and an international group of contributors explore how works in the public domain in South Africa serve as a forum in which important debates about race, gender, identity and nationhood play out. Examining statues and memorials as well as performance, billboards, and other temporal modes of communication, the authors of these essays consider the implications of not only the exposure, but also erasure of events and icons from the public domain. Revealing how public visual expressions articulate histories and memories, they explore how such works may serve as a forum in which tensions surrounding race, gender, identity, or nationhood play out.

Public Art in South Africa: Bronze Warriors and Plastic Presidents

Автор: Brenda Schmahmann, Kim Miller
Название: Public Art in South Africa: Bronze Warriors and Plastic Presidents
ISBN: 0253029597 ISBN-13(EAN): 9780253029591
Издательство: Mare Nostrum (Eurospan)
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Цена: 11286.00 р.
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Описание: How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemorate heroes of the struggle? Across South Africa, statues commemorating figures such as Cecil Rhodes have provoked heated protests, while new works commemorating icons of the liberation struggle have also sometimes proved contentious. In this lively volume, Kim Miller, Brenda Schmahmann and an international group of contributors explore how works in the public domain in South Africa serve as a forum in which important debates about race, gender, identity and nationhood play out. Examining statues and memorials as well as performance, billboards, and other temporal modes of communication, the authors of these essays consider the implications of not only the exposure, but also erasure of events and icons from the public domain. Revealing how public visual expressions articulate histories and memories, they explore how such works may serve as a forum in which tensions surrounding race, gender, identity, or nationhood play out.

Arts of Global Africa: The Newark Museum Collection

Автор: Christa Clarke
Название: Arts of Global Africa: The Newark Museum Collection
ISBN: 0932828175 ISBN-13(EAN): 9780932828170
Издательство: Mare Nostrum (Eurospan)
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Цена: 6891.00 р.
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Описание:

The Newark Museum has been at the forefront of American art museums in its representation of the arts of Africa since 1917. Newark’s collection is notable for its embrace of the entire continent and its diaspora as well as for the breadth of artistic representation and inclusion of historic as well as modern and contemporary art. This catalogue is the first devoted to exploring this richly diverse collection, providing a comprehensive overview of African visual culture unmatched by most collection catalogues, ensuring its broad appeal and relevance.

The publication highlights one hundred works that represent this range, including masks and figural statuary, objects of domestic use, dress and adornment, sculpture, photography, paintings, and video art. Individual catalogue entries written by more than forty scholars are presented in chronological order. These are supplemented by essays that survey the museum’s pioneering history of collecting and exhibiting African art and highlight the unique strengths of the collection: arts of North Africa, textiles, Yoruba art, and modern and contemporary art. Collectively, the works in this publication offer a new vision of African art, one that reflects the diversity of artistic creativity on the continent and its global reach, both past and present.


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