Film and Fashion amidst the Ruins of Berlin: From Nazism to the Cold War 9781640141575

Варианты приобретения

Цена: 3958.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Англия: Есть Склад Америка: Есть
При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября

Добавить в корзину

в Мои желания

Автор: Mila Ganeva
Название: Film and Fashion amidst the Ruins of Berlin: From Nazism to the Cold War
ISBN: 9781640141575
Издательство: Boydell & Brewer
Классификация:

История художественных и оформительских стилей: с 1900 г.

История художественных и оформительских стилей, с 1960 г.

История моды

Теория и критика кино

Мода и общество

Гендерные исследования: женщины

ISBN-10: 164014157X
Обложка/Формат: Paperback
Страницы: 266
Вес: 0.42 кг.
Дата издания: 14.03.2023
Серия: Screen cultures: german film and the visual
Язык: English
Иллюстрации: 29 b/w illus.
Размер: 152 x 229 x 21
Ключевые слова: Fashion & society,Fashion & textiles: design,Film theory & criticism,Gender studies: women,History of fashion, DESIGN / Fashion & Accessories,PERFORMING ARTS / Film / History & Criticism,SOCIAL SCIENCE / Women's Studies
Подзаголовок: From nazism to the cold war
Рейтинг:
Поставляется из: Англии
Описание: Shows how cinematic treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of postwar German women.This book steers attention toward two key aspects of German culture - film and fashion - that shared similar trajectories and multiple connections, looking at them not only in the immediate postwar years but as far back as 1939. They formed spectacular sites of the postwar recovery processes in both East and West Germany. Viewed against the background of the abundant fashion discourses in the Berlin-based press, the films discussed include classics such as The Murderers Are among Us, Street Acquaintance, and Destinies of Women as well as neglected works such as And the Heavens above Us, Martina, Modell Bianka, and Ingrid. These films treatments of fashion during times of crisis offer subtle reflections on the everyday lives, desires, careers, and self-perceptions of the women who made up a large majority of the postwar public. Costume - in films produced both by DEFA and by West German studios - is a productive site to explore the intersections between realism and escapism. With its focus on costumes within the context of the films production, distribution, and reception, this book opens up wider discussions about the role of the costume designer, the ways film costumes can be read as intertexts, and the impact on audiences behaviors and looks. The book reveals multiple connections between film and fashion, both across the temporal dividing line of 1945 and the Cold War split between East and West. Mila Ganeva is Department Chair and Professor of German at Miami University, Oxford, Ohio.

Film and Fashion amidst the Ruins of Berlin: From Nazism to the Cold War, Mila Ganeva