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An Atonal Cinema: Resistance, Counterpoint and Dialogue in Transnational Palestine, Robert G. White


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Автор: Robert G. White
Название:  An Atonal Cinema: Resistance, Counterpoint and Dialogue in Transnational Palestine
ISBN: 9781501385018
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1501385011
Обложка/Формат: Hardback
Страницы: 196
Вес: 0.36 кг.
Дата издания: 27.07.2023
Язык: English
Иллюстрации: 25 bw illus
Размер: 229 x 152
Ключевые слова: Film theory & criticism,Film: styles & genres, DRAMA / Middle Eastern,PERFORMING ARTS / Film / Genres / General,PERFORMING ARTS / Film / History & Criticism
Подзаголовок: Resistance, counterpoint and dialogue in transnational palestine
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Поставляется из: Англии
Описание: This is a book about Palestinians elsewhere and Palestinian elsewheres. Articulating an ambiguous right to remain out-of-place as a spatialized response to the fossilized present, the films and filmmakers in this book examine Palestine, as a place and idea, from the dissonance of exile. An Atonal Cinema: Resistance, Counterpoint and Dialogue in Transnational Palestine theorizes a transnational consciousness within contemporary Palestinian cinema as one which articulates an ‘atonal’ cinema, utilizing contrapuntal dialogue as a mode of resistance with which to respond critically to the ‘place-myth’ of Palestine in films produced within Palestine but without Palestinians. Drawing on a genealogy of Edward Said’s atonal thinking of counterpoint, I argue that the films in this book display a ‘double-consciousness’, through which Palestine is simultaneously elided and re-inscribed in a contrapuntal dialogue between the ‘here’ of its contemporary reality and the ‘elsewhere’ of its historical image. An Atonal Cinema’s radical approach includes cinematic texts from Europe, South America and Israel in its corpus, which have both triggered and been shaped by critical responses in contemporary Palestinian Cinema. Drawing on both literature and cinema, An Atonal Cinema draws on the work of Edward Said, Mahmoud Darwish, Jean Genet and Carlo Levi. Films by Pier Paolo Pasolini, Jean-Luc Godard, Menahem Golan and Miguel Littin are read contrapuntally through contemporary responses from Ayreen Anastas, Basma Alsharif, Mohanad Yaqubi, Elia Suleiman and Kamal Aljafari.


Casting a Giant Shadow: The Transnational Shaping of Israeli Cinema

Автор: Harris Rachel S., Chyutin Dan
Название: Casting a Giant Shadow: The Transnational Shaping of Israeli Cinema
ISBN: 0253056381 ISBN-13(EAN): 9780253056382
Издательство: Mare Nostrum (Eurospan)
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Цена: 11286.00 р.
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Описание: Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema.
As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema.
Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage.

Casting a Giant Shadow: The Transnational Shaping of Israeli Cinema

Автор: Harris Rachel S., Chyutin Dan
Название: Casting a Giant Shadow: The Transnational Shaping of Israeli Cinema
ISBN: 025305639X ISBN-13(EAN): 9780253056399
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 5016.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema.
As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema.
Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage.


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