Описание: The Blitz- the period of Nazi bombing campaigns on civilian Britain during World War II- was a formative period for British national identity. In this groundbreaking book, David Clampin looks at the images, campaigns and slogans which helped to form the fabled 'Blitz spirit'- powerfully echoed in Winston Churchill's speeches. Because advertisers attempted to capitalise on war-time patriotism, Clampin's unique focus on advertising provides a visually rich seam of new information on the everyday war, and makes an enormous contribution to the debate on people's experiences of war and nationalism. Using a remarkable and hitherto unseen range of primary source material-advertisements in the press, slogans and posters-this work will reshape the contested meanings of the 'Home Front', opening up cultural history discourses on gender and nationalism. Advertising and Propaganda in World War II is essential reading for historians of World War II as well as students and scholars of Media Studies and Communication Studies.
Описание: Propaganda came of age in the Twentieth Century. The development of mass- and multi-media offered a fertile ground for propaganda while global conflict provided the impetus needed for its growth. Propaganda has however become a portmanteau word, which can be interpreted in a number of different ways. What are the characteristic features of propaganda, and how can it be defined? This book traces the development of techniques of 'opinion management' from World War I to the war in Afghanistan. It reveals how state leaders and spin-doctors operating at the behest of the state, sought to shape popular attitudes - at home and overseas - endeavouring to harness new media with the objective of winning hearts and minds. In doing so, it provides compelling evidence of how the study and practice of propaganda today is shaped by its history.
Описание: This new, updated edition of The Battle of Britain on Screen examines in depth the origins, development and reception of the major dramatic screen representations of ‘The Few’ in the Battle of Britain produced over the past 75 years. Paul MacKenzie explores both continuity and change in the presentation of a wartime event that acquired and retains near-mythical dimensions in popular consciousness and has been represented many times in feature films and television dramas. Alongside relevant technical developments, the book also examines the social, cultural, and political changes occurring in the second half of the 20th century and first decade of current century that helped shape how the battle came to be framed dramatically. This edition contains a new chapter looking at the portrayal of the Battle of Britain at the time of its 70th anniversary. Through its perceptive demonstration of how our memory of the battle has been constantly reshaped through film and television, The Battle of Britain on Screen provides students of the Second World War, 20th-century Britain and film history with a thorough and complex understanding of an iconic historical event.
Описание: The study examines local debates about political order, collective identity, and relationships between ethnic and denominational groups in the pre-World War I era through the Arab-Palestinian newspaper Filastin; this against the background of transregional and transosmansicher connections. This is relevant because group relations in Palestine have been little explored for this phase of Ottoman Modernism and have been in a period of deep transition, a so-called saddle time. Filastin, published from 1911 in Jaffa by Isa al-Isa and Yusuf al-Isa, local Greek Orthodox Christians, served as a medium in which a diverse range of Palestinian authors of various denominations controversially discussed the following issues: 1. Rules of living together in multi-ethnic and multicultural Jaffa; 2. The integration of Jewish Zionist immigrants into the region; and 3. The participation of Arab-Palestinian Christians in the Greek-Orthodox Patriarchate of Jerusalem, which is dominated by Greeks
Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central-Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how the Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation.Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the 18th Century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 40s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority. These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.
Описание: In the 1980s, a Chinese state-sponsored oral history project led to the publication of local, regional, and national histories. These histories are the basis of this innovative study of ideology formation and political mobilization, post-Cultural Revolution reconciliation, and the recovery of borderland identities in early post-Mao China.
Описание: Focusing on novels and writings produced in the aftermath of Lebanon`s protracted civil war, Bayeh explores the complex relationships between place, displacement and belonging, and illuminates the ways in which these writings have shaped a global Lebanese identity.
Описание: Studies that connect the Spanish 17th and 20th centuries usually do so through a conservative lens, assuming that the blunt imperialism of the early modern age, endlessly glorified by Franco’s dictatorship, was a constant in the Spanish imaginary. This book, by contrast, recuperates the thriving, humanistic vision of the Golden Age celebrated by Spanish progressive thinkers, writers, and artists in the decades prior to 1939 and the Francoist Regime. The hybrid, modern stance of the country in the 1920s and early 1930s would uniquely incorporate the literary and political legacies of the Spanish Renaissance into the ambitious design of a forward, democratic future.
In exploring the complex understanding of the multifaceted event that is modernity, the life story and literary opus of Miguel de Cervantes (1547-1616) acquires a new significance, given the weight of the author in the poetic and political endeavors of those Spanish left-wing reformists who believed they could shape a new Spanish society. By recovering their progressive dream, buried for almost a century, of incipient and full Spanish modernities, Ana Maria G. Laguna establishes a more balanced understanding of both the modern and early modern periods and casts doubt on the idea of a persistent conservatism in Golden Age literature and studies. This book ultimately serves as a vigorous defense of the canonical as well as the neglected critical traditions that promoted Cervantes’s humanism in the 20th century.
The wartime period in Britain is now seen as an extremely fertile period of British creativity in music, film and art. Often, these projects were funded and supported by the government, who saw its role as a custodian of British culture, and by extension, of British values, at a time when those values seemed under great threat. In the late thirties the Nazi Party had stressed the superiority of Germanic culture and the promotion of Richard Wagner and Carl Orff was central to Hitler's cultural program. In Britain, the War Office under Winston Churchill chose to promote Edward Elgar and Hubert Parry, but also to appropriate and 'de-Nazify' Ludwig van Beethoven- whose Fifth Symphony was used extensively in wartime broadcasts and has since become synonymous with VE Day. Meanwhile, the work of Ralph Vaughn Williams, whose music was commissioned by Powell and Pressburger for use in 49th Parallel, reclaimed a particularly English past stretching back to the Tudors. While artists such as John Piper, Eric Ravillious and Evelyn Dunbar produced works specifically commissioned by the state which were intended to commemorate and glorify Britain, the British Council and the BBC played an active role in commissioning and broadcasting their musical equivalents. In film, Humphrey Jenning's documentaries were designed to further push the wartime agenda, along with films produced by Ealing Studios. Here, John Morris assesses the history of this body of work, shedding new light on the period. A cultural history of music in wartime based on detailed archival research, Culture and Propaganda in World War II is essential reading for historians of the period, musicians, film scholars and propaganda analysts.
Автор: Richards Jeffrey Название: The golden Age of Pantomime ISBN: 1780762933 ISBN-13(EAN): 9781780762937 Издательство: I B Tauris Рейтинг: Цена: 9240.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The English Pantomime is one of the most popular, least analysed of all theatrical forms. It`s been the festive mainstay of the English stage since the eighteenth century, and it has survived by its ability to evolve.
Whilst Soviet communism and its relationship with modernity has been widely studied to date, the agrarian experiment in Eastern Europe has been relegated to the margins of historical analysis. In this comparative study, Alex Toshkov uncovers the history of agrarianism after the First World War and explores its place as an alternative modernity to liberal democracy and capitalism.
Drawing on a wealth of archival material, this book explores the transnational connections between the paradigmatic cases of Bulgaria, Yugoslavia and Czechoslovakia, as well as the International Agrarian Bureau in Prague, teasing out contradictions, hidden records and silenced interpretations of agrarianism. In addition, it uses a microhistorical approach to present an innovative theoretical framework which adds to our understanding of nationalism, political corruption, and alterity and the subaltern.
This fascinating study restores interwar agrarianism to its rightful place as one of the most original and significant political currents in 20th-century Europe.
Описание: Whilst Soviet communism and its relationship with modernity has been widely studied to date, the agrarian experiment in Eastern Europe has been relegated to the margins of historical analysis. In this comparative study, Alex Toshkov uncovers the history of agrarianism after the First World War and explores its place as an alternative modernity to liberal democracy and capitalism.
Drawing on a wealth of archival material, this book explores the transnational connections between the paradigmatic cases of Bulgaria, Yugoslavia and Czechoslovakia, as well as the International Agrarian Bureau in Prague, teasing out contradictions, hidden records and silenced interpretations of agrarianism. In addition, it uses a microhistorical approach to present an innovative theoretical framework which adds to our understanding of nationalism, political corruption, and alterity and the subaltern.
This fascinating study restores interwar agrarianism to its rightful place as one of the most original and significant political currents in 20th-century Europe.
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