Описание: Black music has long played a dominant role in American music and has frequently been taken over and popularized by white musicians. This book presents an overview of this influence, as well as discussions of how white musicians, corporations, and entrepreneurs appropriated, adapted, and even stole this music. It addresses why and how this occurred throughout recent history and in a variety of musical idioms. Examples discussed include the convoluted history of the minstrel era, Black pop and rock artists, white blues, jazz, rhythm and blues, and hip-hop musicians. Further examination into American music then reveals how Black musicians rebelled against the white domination of swing music, and how African Americans have influenced classical music compositions and performance styles. The book highlights the prevalence and importance of Black music in virtually every American music style, the often-hidden or little-noticed interactions of Black and white musicians, and it answers questions about how the music business succeeded in monetizing Black musical styles to market this music to mass audiences.
Описание: In Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150, Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration.
Описание: This book is a reprint of an academic treatise completed and copyrighted in 2008. Its objective was to illuminate unobserved connections between genealogical statements in the ancient Greek myths and the historical shift of political power westward from the Greek cities of coastal Asia Minor to the well-known metropoleis of mainland Greece.
Автор: Nicklas Pascal Название: Adaptation and Cultural Appropriation ISBN: 3110272059 ISBN-13(EAN): 9783110272055 Издательство: Walter de Gruyter Рейтинг: Цена: 18586.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
"Hamlet" by Olivier, Kaurismki or Shepard and "Pride and Prejudice" in its many adaptations show the virulence of these texts and the importance of aesthetic recycling for the formation of cultural identity and diversity. Adaptation has always been a standard literary and cultural strategy, and can be regarded as the dominant means of production in the cultural industries today. Focusing on a variety of aspects such as artistic strategies and genre, but also marketing and cultural politics, this volume takes a critical look at ways of adapting and appropriating cultural texts across epochs and cultures in literature, film and the arts.
Описание: The first comprehensive study of the Excerpta, a sort of `Byzantine Google` which repackaged many key works of Greek historiography stretching back into antiquity, and how it reshaped Byzantine court culture in the tenth century. Also tackles wider issues including the history of information management, philological practices and book culture.
Автор: Coleman, Elizabeth Burns Название: Aboriginal art, identity and appropriation ISBN: 0754644030 ISBN-13(EAN): 9780754644033 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.
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