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Ritwik Ghatak`s Cinematic Sensibility, Erin O`Donnell


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Автор: Erin O`Donnell
Название:  Ritwik Ghatak`s Cinematic Sensibility
ISBN: 9781501359262
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501359266
Обложка/Формат: Hardback
Страницы: 224
Вес: 0.50 кг.
Дата издания: 22.08.2024
Язык: English
Размер: 229 x 152
Читательская аудитория: Professional & vocational
Ключевые слова: Film theory & criticism,Films, cinema,Individual film directors, film-makers, PERFORMING ARTS / Film / Direction & Production,PERFORMING ARTS / Film / Genres / General,PERFORMING ARTS / Individual Director
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Поставляется из: Англии
Описание: The Bengali filmmaker, Ritwik Kumar Ghatak (1925-1976), wrote, produced, directed and/or acted in plays, feature films and documentaries in Bengal during the socially and politically tumultuous period from the late 1940s through the mid-1970s. Why Ghatak? Within the contexts of Bengali, Indian and world cinema, Ghatak is considered an innovative, revolutionary master of the cinematic medium who possessed a singular cinematic sensibility. He composed numerous essays on film and filmmaking in English and Bengali. Dozens of interviews have been recorded that present an artist who was contemplative, outspoken, at times misunderstood, at turns obstinate and contradictory. From his first film, Nagarik (“The Citizen,” 1953) through his final film, Jukti Takko ar Gappo (“An Argument, a Debate, and a Story,” 1974), Ghatak constructed detailed visual and aural filmic commentaries about modern Bengali culture and society. Twice during his lifetime Bengal was physically rent apart – in 1947 with the Partition of India engendered by the departure of the British and in 1971 by the Bangladeshi War of Independence. In Ghatak’s films, the ambivalence and contradictions of Bengali society in post-1947, post-Partition, post-Independence India are pointedly portrayed. Against this frequently adverse milieu, Bengal’s modern cultural memory, identity, and history are interrogated and continually reassessed in his cinema.


Melodrama

Автор: Mercer, John Shingler, Martin
Название: Melodrama
ISBN: 1904764029 ISBN-13(EAN): 9781904764021
Издательство: Wiley
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Цена: 2144.00 р.
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Описание: One of the most popular genres studied at undergraduate level in film studies.

Transactions with the world

Автор: O`brien, Adam
Название: Transactions with the world
ISBN: 1785330004 ISBN-13(EAN): 9781785330001
Издательство: Berghahn
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Цена: 16988.00 р.
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Описание:

In their bold experimentation and bracing engagement with culture and politics, the “New Hollywood” films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly “grounded” cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.

Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood

Автор: Adam O`Brien
Название: Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood
ISBN: 1800737238 ISBN-13(EAN): 9781800737235
Издательство: Berghahn
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Цена: 2737.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

In their bold experimentation and bracing engagement with culture and politics, the “New Hollywood” films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly “grounded” cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.


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