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Listening Devices: Music Media in the Pre-Digital Era, Jens Gerrit Papenburg


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Автор: Jens Gerrit Papenburg
Название:  Listening Devices: Music Media in the Pre-Digital Era
ISBN: 9781501346705
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1501346709
Обложка/Формат: Hardback
Страницы: 344
Вес: 0.29 кг.
Дата издания: 01.06.2023
Язык: English
Размер: 232 x 158 x 24
Ключевые слова: Music recording & reproduction,Popular music, easy listening,Rock & Pop music, MUSIC / History & Criticism,MUSIC / Recording & Reproduction
Подзаголовок: Music media in the pre-digital era
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Поставляется из: Англии
Описание: From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term “listening device.” In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock n roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its “other”—a history of non-listening. The book proposes “listening device” as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.


Popular Music and Retro Culture in the Digital Era

Автор: Hogarty, Jean
Название: Popular Music and Retro Culture in the Digital Era
ISBN: 0367877244 ISBN-13(EAN): 9780367877248
Издательство: Taylor&Francis
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Цена: 7348.00 р.
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Описание: This book explores and explains why the trend of "retro culture" is so pervasive in the 21st century, particularly within popular music. Based on empirical case studies and interviews with popular music fans, and in a theoretical approach drawing on a diverse range of thinkers--Karl Mannheim, Jacques Derrida, Raymond Williams, Marshall McLuhan--

Music/Video: Histories, Aesthetics, Media

Автор: Gina Arnold, Daniel Cookney, Kirsty Fairclough-Isa
Название: Music/Video: Histories, Aesthetics, Media
ISBN: 1501313916 ISBN-13(EAN): 9781501313912
Издательство: Bloomsbury Academic
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Цена: 4117.00 р.
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Описание: This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.

Music/Video: Histories, Aesthetics, Media

Автор: Gina Arnold, Daniel Cookney, Kirsty Fairclough-Isa
Название: Music/Video: Histories, Aesthetics, Media
ISBN: 1501313908 ISBN-13(EAN): 9781501313905
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
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Описание: This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.

Media Narratives in Popular Music

Автор: Chris Anderton, Martin James
Название: Media Narratives in Popular Music
ISBN: 1501387715 ISBN-13(EAN): 9781501387715
Издательство: Bloomsbury Academic
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Цена: 4592.00 р.
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Описание: The historical significance of music-makers, music scenes, and music genres has long been mediated through academic and popular press publications such as magazines, films, and television documentaries. Media Narratives in Popular Music examines these various publications and questions how and why they are constructed. It considers the typically linear narratives that are based on simplifications, exaggerations, and omissions and the histories they construct - an approach that leads to totalizing “official” histories that reduce otherwise messy narratives to one-dimensional interpretations of a heroic and celebratory nature. This book questions the basis on which these mediated histories are constructed, highlights other, hidden, histories that have otherwise been neglected, and explores a range of topics including consumerism, the production pressure behind documentaries, punk fanzines, Rolling Stones covers, and more.

Автор: Sam Cleeve
Название: Live from the Other Side of Nowhere: Contemplating Musical Performance in an Age of Virtual Reality
ISBN: 1501346369 ISBN-13(EAN): 9781501346361
Издательство: Bloomsbury Academic
Цена: 3642.00 р.
Наличие на складе: Нет в наличии.

Описание: In recent years VR has become an increasingly prevalent platform for musical performance—Bjork, U2, Gorillaz, and even the LA Philharmonic all having taken to the virtual stage. These virtual encounters profoundly disrupt assumptions long held to be true of live music, undermining the necessity of physical and temporal co-presence, exploding our expectations of performance spaces, opening up new possibilities for performance involving avatars, and affording intimate encounters otherwise impossible in the physical world. Proceeding through a series of case studies and analyses, and drawing in equal parts on the findings of musicology, performance, film, and media and cultural studies, Live from the Other Side of Nowhere begins to pry apart the conceptual challenges that this disruptive technology poses to our understanding of the "live" as an autonomous category of musical activity.

Автор: Sam Cleeve
Название: Live from the Other Side of Nowhere: Contemplating Musical Performance in an Age of Virtual Reality
ISBN: 1501346350 ISBN-13(EAN): 9781501346354
Издательство: Bloomsbury Academic
Цена: 11405.00 р.
Наличие на складе: Нет в наличии.

Описание: In recent years VR has become an increasingly prevalent platform for musical performance—Bjork, U2, Gorillaz, and even the LA Philharmonic all having taken to the virtual stage. These virtual encounters profoundly disrupt assumptions long held to be true of live music, undermining the necessity of physical and temporal co-presence, exploding our expectations of performance spaces, opening up new possibilities for performance involving avatars, and affording intimate encounters otherwise impossible in the physical world. Proceeding through a series of case studies and analyses, and drawing in equal parts on the findings of musicology, performance, film, and media and cultural studies, Live from the Other Side of Nowhere begins to pry apart the conceptual challenges that this disruptive technology poses to our understanding of the "live" as an autonomous category of musical activity.

Sound Streams: A Cultural History of Radio-Internet Convergence

Автор: Andrew J Bottomley
Название: Sound Streams: A Cultural History of Radio-Internet Convergence
ISBN: 0472074490 ISBN-13(EAN): 9780472074495
Издательство: Mare Nostrum (Eurospan)
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Цена: 12197.00 р.
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Описание: The first book to historicize radio-internet convergence from the early `90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting.

The Rhythm Image: Music Videos and New Audiovisual Forms

Автор: Steven Shaviro
Название: The Rhythm Image: Music Videos and New Audiovisual Forms
ISBN: 150138855X ISBN-13(EAN): 9781501388552
Издательство: Bloomsbury Academic
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Цена: 14256.00 р.
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Описание: Music videos play a critical role in our age of ubiquitous streaming digital media. They project the personas and visions of musical artists; they stand at the cutting edge of developments in popular culture; and they fuse and revise multiple frames of reference, from dance to high fashion to cult movies and television shows to Internet memes. Above all, music videos are laboratories for experimenting with new forms of audiovisual expression. The Rhythm Image explores all these dimensions. The book analyzes, in depth, recent music videos for artists ranging from pop superstar The Weeknd to independent women artists like FKA twigs and Dawn Richard. The music videos discussed in this book all treat the traditional themes of popular music: sex and romance, money and fame, and the lived experiences of race and gender. But they twist these themes in strange and unexpected ways, in order to reflect our entanglement with a digital world of social media, data gathering, and 24/7 demands upon our attention.

The Rhythm Image: Music Videos and New Audiovisual Forms

Автор: Steven Shaviro
Название: The Rhythm Image: Music Videos and New Audiovisual Forms
ISBN: 1501388568 ISBN-13(EAN): 9781501388569
Издательство: Bloomsbury Academic
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Цена: 3483.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Music videos play a critical role in our age of ubiquitous streaming digital media. They project the personas and visions of musical artists; they stand at the cutting edge of developments in popular culture; and they fuse and revise multiple frames of reference, from dance to high fashion to cult movies and television shows to Internet memes. Above all, music videos are laboratories for experimenting with new forms of audiovisual expression. The Rhythm Image explores all these dimensions. The book analyzes, in depth, recent music videos for artists ranging from pop superstar The Weeknd to independent women artists like FKA twigs and Dawn Richard. The music videos discussed in this book all treat the traditional themes of popular music: sex and romance, money and fame, and the lived experiences of race and gender. But they twist these themes in strange and unexpected ways, in order to reflect our entanglement with a digital world of social media, data gathering, and 24/7 demands upon our attention.

More Than Illustrated Music: Aesthetics of Hybrid Media between Pop, Art and Video

Автор: Elfi Vomberg, Kathrin Dreckmann
Название: More Than Illustrated Music: Aesthetics of Hybrid Media between Pop, Art and Video
ISBN: 1501381237 ISBN-13(EAN): 9781501381232
Издательство: Bloomsbury Academic
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Цена: 14256.00 р.
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Описание: The genre of the video clip has been established for more than thirty years, mainly served by the sub genres of video art and music video. This book explores processes of hybridization between music video, film, and video art by presenting current theoretical discourses and engaging them through interviews with well-known artists and directors, bringing to the surface the crucial questions of art practice. The collection discusses topics including postcolonialism, posthumanism, gender, race and class and addresses questions regarding the hybrid media structure of video, the diffusion between content and form, art and commerce as well as pop culture and counterculture. Through the diversity of the areas and interviews included, the book builds on and moves beyond earlier aesthetics-driven perspectives on music video.

YouTube and Music: Online Culture and Everyday Life

Автор: Holly Rogers, Joana Freitas, Joao Francisco Porfirio
Название: YouTube and Music: Online Culture and Everyday Life
ISBN: 1501387278 ISBN-13(EAN): 9781501387272
Издательство: Bloomsbury Academic
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Цена: 14256.00 р.
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Описание: YouTube has afforded new ways of documenting, performing and circulating musical creativity. This first open access sustained exploration of YouTube and music shows how record companies, musicians and amateur users have embraced YouTube’s potential to promote artists, stage performances, build artistic (cyber)identity, initiate interactive composition, refresh music pedagogy, perform fandom, influence musical tourism and soundtrack our everyday lives. Speaking from a variety of perspectives, musicologists, film scholars, philosophers, new media theorists, cultural geographers and psychologists use case studies to situate YouTube as a vital component of contemporary musical culture. This book works together with its companion text Remediating Sound: Repeatable Culture, YouTube and Music.The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

Remediating Sound: Repeatable Culture, YouTube and Music

Автор: Holly Rogers, Joana Freitas, Joao Francisco Porfirio
Название: Remediating Sound: Repeatable Culture, YouTube and Music
ISBN: 1501387324 ISBN-13(EAN): 9781501387326
Издательство: Bloomsbury Academic
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Цена: 10296.00 р.
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Описание: Remediating Sound studies the phenomena of remixing, mashup and recomposition: forms of reuse and sampling that have come to characterise much of YouTube's audiovisual content. Through collaborative composition, collage and cover songs to reaction videos and political activism , users from diverse backgrounds have embraced the democratised space of YouTube to open up new and innovative forms of sonic creativity and push the boundaries of audiovisual possibilities. Observing the reciprocal flow of influence that runs between various online platforms, 12 chapters position YouTube as a central hub for the exploration of digital sound, music and the moving image. With special focus on aspects of networked creativity that remain overlooked in contemporary scholarship, including library music, memetic media, artificial intelligence, the sonic arts and music fandom, this volume offers interdisciplinary insight into contemporary audiovisual culture.


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