Japanese High School Films: Iconography, Nostalgia and Discipline, Peter C. Pugsley

Автор: Sitney, P. Adams
Название: Vital Crises in Italian Cinema
ISBN: 0199862176 ISBN-13(EAN): 9780199862177
Издательство: Oxford Academ
Рейтинг:
Цена: 6176.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Examining over twenty key works of the period, Vital Crises in Italian Cinema identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini.

Автор: Pugsley, Peter C.
Название: Japanese high school films
ISBN: 1474494617 ISBN-13(EAN): 9781474494618
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 13464.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Looks exclusively at high school films as valuable markers of contemporary Japanese culture.

Автор: Springer, Claudia
Название: James dean transfigured
ISBN: 0292714440 ISBN-13(EAN): 9780292714441
Издательство: Wiley EDC
Рейтинг:
Цена: 3430.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

After the death of James Dean in 1955, the figure of the teen rebel permeated the globe, and its presence is still felt in the twenty-first century. Rebel iconography—which does not have to resemble James Dean himself, but merely incorporates his disaffected attitude—has become an advertising mainstay used to sell an array of merchandise and messages. Despite being overused in advertisements, it still has the power to surprise when used by authors and filmmakers in innovative and provocative ways.

The rebel figure has mass appeal precisely because of its ambiguities; it can mean anything to anyone. The global appropriation of rebel iconography has invested it with fresh meanings. Author Claudia Springer succeeds here in analyzing both ends of the spectrum—the rebel icon as a tool in upholding capitalism's cycle of consumption, and as a challenge to that cycle and its accompanying beliefs.

In this groundbreaking study of rebel iconography in international popular culture, Springer studies a variety of texts from the United States and abroad that use this imagery in contrasting and thought-provoking ways. Using a cultural studies approach, she analyzes films, fiction, poems, Web sites, and advertisements to determine the extent to which the icon's adaptations have been effective as a response to the actual social problems affecting contemporary adolescents around the world.

Автор: Grant, Barry Keith
Название: Film genre
ISBN: 1904764797 ISBN-13(EAN): 9781904764793
Издательство: Wiley
Рейтинг:
Цена: 2348.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This volume introduces the topic in an accessible way to entry-level undergraduates.

Автор: Padraic Killeen
Название: The Dark Interval: Film Noir, Iconography, and Affect
ISBN: 1501349686 ISBN-13(EAN): 9781501349683
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 15048.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Invoking key concepts from the philosophical writings of Gilles Deleuze and Giorgio Agamben, The Dark Interval examines a subtle but distinct iconography of passivity, stillness and profound self-affection that recurs across noir films of every era. In doing so, it identifies the emergence of a specific cinematic figure – the ‘intervallic’ noir protagonist exposed to the redemptive force of his or her own passion. Significantly, the book contextualises the iconography of film noir in relation to prior art-historical visual traditions, in particular earlier representations of melancholia and the saturnine, locating noir against a much broader canvas than has been the norm. Examining central noir films of the classic and modern era (The Killers, The Man Who Wasn’t There) as well as films at the peripheries of noir (from Jacques Tourneur’s Cat People to Wong Kar Wai’s 2046), the book locates a series of iconographic gestures, performance traditions and affective tonalities at once specific to noir and yet resonant with a deeper cultural and philosophical heritage. It is a meditation that uniquely grapples with the look and the feel of noir, and which dares to detect a unique quality of ‘beatitude’ that runs through a certain strain of noir films. In doing so, it illuminates why film noir remains one of the most provocative and affecting visual milieus of our time.