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Modernism and the Choreographic Imagination: Salome`s Dance after 1890, Megan Girdwood


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Автор: Megan Girdwood
Название:  Modernism and the Choreographic Imagination: Salome`s Dance after 1890
ISBN: 9781474481632
Издательство: Bloomsbury Academic
Классификация:
ISBN-10: 1474481639
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.43 кг.
Дата издания: 06.02.2023
Серия: Edinburgh critical studies in modernism, drama and performance
Язык: English
Размер: 155 x 233 x 19
Читательская аудитория: General (us: trade)
Ключевые слова: Choreography,Literary studies: from c 1900 -
Подзаголовок: Salome`s dance after 1890
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Поставляется из: Англии
Описание:

This book explores Salome’s quintessential veiled dance through readings of fictional and poetic texts, dramatic productions, dance performances and silent films, arguing for the central place of this dancer – and her many interpreters – to the wider formal and aesthetic contours of modernism.

Loie Fuller, Maud Allan, Oscar Wilde, Ida Rubinstein, Alla Nazimova, Djuna Barnes, Germaine Dulac, Edward Gordon Craig, W. B. Yeats, Ninette de Valois and Samuel Beckett are foregrounded for their innovative engagements with this paradigmatic fin-de-siecle myth, showing how the ephemeral stuff of dance became a constitutive element of the modernist imagination during this period.




Image in Outline: Reading Lou Andreas-Salom?

Автор: Gisela Brinker-Gabler
Название: Image in Outline: Reading Lou Andreas-Salom?
ISBN: 1628920173 ISBN-13(EAN): 9781628920178
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание: Image in Outline introduces the reader to Lou Andreas-Salom?'s significant engagement with modern thought. Through detailed explorations o fsome of her major texts, Brinker-Gabler examines Andreas-Salom?'s contributions to contemporar ydiscourses on meaning, perception, memory, and the unconscious. Situating her analyses within Andreas-Salom?'s historical, social, and intellectual contexts, this new reading utilizes a theoretical frame informed by thinkers such as Benjamin, Bergson, and Freud, and current theoretical perspectives by Irigaray, Grosz, and Kristeva. Brinker-Gabler argues that Andreas-Salom? — committed as she was to the"double direction" of rigorous thought and individual nuancing — refocused dominant visions of gender, sexuality, culture, religion, and creativity through a female lens. In a "disenchanted world" (Weber), Andreas-Salom? offered an image epistemology or"aesthetics of b(u)ilding," as Brinker-Gabler calls it, that seeks to retrieve the multilayered past embedded in individuals and cultural forms, thus providing positive accounts of sexual and cultural difference,experience, narcissism, and creativity in modern life.


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