Описание: Chapter 1 Introducing Digital Social Innovation in the City1.1 Digital Social Innovation: what is it and where it comes from1.2 Experimenting with Digital Social Innovation: global goals, local initiatives1.3 Expert's box "People-friendly City platform. Reloaded" (by Mark Dyer, Waikato University)2.1 The city as innovation embedding ecosystem2.2 Assets and obstacles to digital social innovation2.3 City box "Barcelona"2.4 Expert's box "Place-based Innovation" (by Alberto Cottica, Edgeryders)Chapter 3: In the innovators' shoes: communities, practices and pitfalls3.1 The world of innovators' communities3.2 Innovating in the urban agglomerate3.3 City box: "Warsaw"3.4 Expert's box: "Technologies for Good" (by Olly Zanetti, external consultant at Nesta)Chapter 4 Informality, transactionality, fluidity: a new urban governance model for/from digital socialinnovation4.1 Urban governance in commotion4.2 New actors, new assemblages, new practices4.3 City box: "Rome"Chapter 5 Into the dark side: criticalities and contestation5.1 The digital turn and its discontents5.2 Behind the technology veil: is the public at risk?5.3 City box: "Ghent"5.4 Expert's box: "The city is for the People" (by Karl-Filip Coenegrachts, City of People)Chapter 6 Spaces for innovation?6.1 Urban digital governance6.2 Towards the "internet of people"?6.3 Expert's box: "On the Digital Social Innovation manifesto" (by Antonella Passani, T6-Ecosystem
Автор: Rozenkrantz Jonathan, Herzogenrath Bernd, Pisters Patricia Название: Videographic Cinema: An Archaeology of Electronic Images and Imaginaries ISBN: 1501369318 ISBN-13(EAN): 9781501369315 Издательство: Bloomsbury Academic Рейтинг: Цена: 9414.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In 1957, A Face in the Crowd incorporated live video images to warn about the future of broadcast TV. In 2015, Kung Fury was infused with analogue noise to evoke the nostalgic feeling of watching an old VHS tape. Between the two films, numerous ones would incorporate video images to imagine the implications of video practices. Drawing on media archaeology, Videographic Cinema shows how such images and imaginaries have emerged, changed and remained over time according to their shifting technical, historical and institutional conditions.
Rediscovering forgotten films like Anti-Clock (1979) and reassessing ones like Lost Highway (1997), Jonathan Rozenkrantz charts neglected chapters of video history, including self-confrontation techniques in psychiatry, their complex relation with surveillance, and the invention/discovery of the "videographic psyche" by artists, therapists and filmmakers. Spanning six decades, Videographic Cinema discovers an epistemic shift from prospective imaginaries of surveillance and control conditioned on video as a medium for live transmission, to retrospective ones concerned with videotape as a recording memory. It ends by considering videographic filmmaking itself as a form of archaeology in the age of analogue obsolescence.
Название: Slum Imaginaries and Spatial Justice in Philippine Cinema ISBN: 1474451896 ISBN-13(EAN): 9781474451895 Издательство: Bloomsbury Academic Рейтинг: Цена: 15840.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Outlining the rise of Philippine slums alongside the historical development of Philippine urban cinema, Slum Imaginaries and Spatial Justice in Philippine Cinema makes a novel contribution to the cinema-city nexus through its interdisciplinary framework of film studies and human geography. It formulates the theory of the 'slum chronotope' as a theoretical tool to analyse narrative and genre formation in films that dialogue with Manila's slum imaginaries, and makes the case for Philippine urban cinema - and Philippine urban history - as a significant vantage point from which to understand imaginaries of spatial justice.
With case studies that take off from The Blossoming of Maximo Oliveros (2005) to Respeto (2017), this book is a powerful contribution to transnational cinema studies.
Описание: Against the long historical backdrop of 1492, Columbus, and the Conquest, Robert Stam's wide-ranging study traces a trajectory from the representation of indigenous peoples by others to self-representation by indigenous peoples, often as a form of resistance and rebellion to colonialist or neoliberal capitalism, across an eclectic range of forms of media, arts, and social philosophy. Spanning national and transnational media in countries including the US, Brazil, Canada, France, Germany, and Italy, Stam orchestrates a dialogue between the western mediated gaze on the 'Indian' and the indigenous gaze itself, especially as incarnated in the burgeoning movement of “indigenous media,” that is, the use of audio-visual-digital media for the social and cultural purposes of indigenous peoples themselves. Drawing on examples from cinema, literature, music, video, painting and stand-up comedy, Stam shows how indigenous artists, intellectuals and activists are responding to the multiple crises - climatological, economic, political, racial, and cultural - confronting the world. Significant attention is paid to the role of arts-based activism in supporting the struggle of indigenous artistic activism, of the Yanomami people specifically, to save the Amazon forest and the planet.
Описание: Against the long historical backdrop of 1492, Columbus, and the Conquest, Robert Stam's wide-ranging study traces a trajectory from the representation of indigenous peoples by others to self-representation by indigenous peoples, often as a form of resistance and rebellion to colonialist or neoliberal capitalism, across an eclectic range of forms of media, arts, and social philosophy. Spanning national and transnational media in countries including the US, Brazil, Canada, France, Germany, and Italy, Stam orchestrates a dialogue between the western mediated gaze on the 'Indian' and the indigenous gaze itself, especially as incarnated in the burgeoning movement of “indigenous media,” that is, the use of audio-visual-digital media for the social and cultural purposes of indigenous peoples themselves. Drawing on examples from cinema, literature, music, video, painting and stand-up comedy, Stam shows how indigenous artists, intellectuals and activists are responding to the multiple crises - climatological, economic, political, racial, and cultural - confronting the world. Significant attention is paid to the role of arts-based activism in supporting the struggle of indigenous artistic activism, of the Yanomami people specifically, to save the Amazon forest and the planet.
Описание: In 1957, A Face in the Crowdincorporated live video images to warn about the future of broadcast TV. In 2015, Kung Fury was infused with analogue noise to evoke the nostalgic feeling of watching an old VHS tape. Between the two films, numerous ones would incorporate video images to imagine the implications of video practices. Drawing on media archaeology, Videographic Cinema shows how such images and imaginaries have emerged, changed and remained over time according to their shifting technical, historical and institutional conditions.
Rediscovering forgotten films like Anti-Clock (1979) and reassessing ones like Lost Highway(1997), Jonathan Rozenkrantz charts neglected chapters of video history, including self-confrontation techniques in psychiatry, their complex relation with surveillance, and the invention/discovery of the "videographic psyche" by artists, therapists and filmmakers. Spanning six decades, Videographic Cinemadiscovers an epistemic shift from prospective imaginaries of surveillance and control conditioned on video as a medium for live transmission, to retrospective ones concerned with videotape as a recording memory. It ends by considering videographic filmmaking itself as a form of archaeology in the age of analogue obsolescence.
Название: Artistic approaches to cultural mapping ISBN: 0367587475 ISBN-13(EAN): 9780367587475 Издательство: Taylor&Francis Рейтинг: Цена: 6736.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book looks at artistic approaches to cultural mapping, focusing on imaginative cartography. It emphasises the importance of creative process that engages with the "felt sense" of community experiences, an element often missing from conventional mapping practices. International artistic contributions in this book reveal the
Описание: They include explorations of the Finnish Suburban home on film, home and the diasporic imagination in Chinese Canadian women`s writing and the archiving practices and photographs used to document the homes of two gay writers from Australia and New Zealand.
Автор: Gravari-Barbas, Maria Название: Tourism Imaginaries at the Disciplinary Crossroads ISBN: 1032242442 ISBN-13(EAN): 9781032242446 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Поставка под заказ.
Автор: Salazar, Noel Название: Regimes of Mobility ISBN: 113801303X ISBN-13(EAN): 9781138013032 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Поставка под заказ.
Название: Trajectories and imaginaries in migration ISBN: 0367478978 ISBN-13(EAN): 9780367478971 Издательство: Taylor&Francis Рейтинг: Цена: 6736.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book draws attention to the various factors that characterise migrant flows and mobilities, calling into question familiar concepts such as push and pull, migration as a life project and socio-cultural integration.
Автор: Clare Herrick, David Reubi Название: Global Health and Geographical Imaginaries ISBN: 0367277719 ISBN-13(EAN): 9780367277710 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book aims to draw attention to and showcase the wealth of existing and emergent geographical contributions to what has recently been termed `critical global health studies`.
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