Описание: In histories of enslavement and in Black women's history, coercion looms large in any discussion of sex and sexuality. At a time when sexual violence against Black women was virtually unregulated—even normalized—a vast economy developed specifically to sell the sexual labor of Black women. In this vividly rendered book, Emily A. Owens wrestles with the question of why white men paid notoriously high prices to gain sexual access to the bodies of enslaved women to whom they already had legal and social access.
Owens centers the survival strategies and intellectual labor of Black women enslaved in New Orleans to unravel the culture of violence they endured, in which slaveholders obscured "the presence of force" with arrangements that included gifts and money. Owens's storytelling highlights that the classic formulation of rape law that requires "the presence of force" and "the absence of consent" to denote a crime was in fact a key legal fixture that packaged predation as pleasure and produced, rather than prevented, violence against Black women. Owens dramatically reorients our understanding of enslaved women's lives as well as of the nature of violence in the entire venture of racial slavery in the U.S. South. Unsettling the idea that consent is necessarily incompatible with structural and interpersonal violence, this history shows that when sex is understood as a transaction, women are imagined as responsible for their own violation.
Описание: The story of fugitives from enslavement and their travels on the Underground Railroad is a story of violence. This book tells the story of violent encounters between slave catchers, fugitives, Underground activists, and Northern communities and how these encounters contributed to sectional alienation and the coming of the Civil War.
Описание: The story of fugitives from enslavement and their travels on the Underground Railroad is a story of violence. This book tells the story of violent encounters between slave catchers, fugitives, Underground activists, and Northern communities and how these encounters contributed to sectional alienation and the coming of the Civil War.
Автор: Bruce Jr. Dickson D., Bruce Dickson D. Название: Violence and Culture in the Antebellum South ISBN: 0292739923 ISBN-13(EAN): 9780292739925 Издательство: Marston Book Services Рейтинг: Цена: 4545.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This provocative book draws from a variety of sources-literature, politics, folklore, social history-to attempt to set Southern beliefs about violence in a cultural context.
Strategies for Survival conveys the experience of bondage through former enslaved people's own words. The source of this landmark content is a remarkable series of interviews conducted in Virginia in 1937 by WPA workers. Most of the interviewers were themselves Black; as a result, the subjects spoke with exceptional candor. William Dusinberre explores these interviews to re-create for the modern reader enslaved people's strategies for survival within the severe constrictions imposed by bondage. Religion and escape were the chief ways of coping with the indignity of family disruption, racism, and the harsh realities of slavery. We see great creativity and variety in such responses to oppression, but we are also forced to acknowledge the limits of enslaved people's resistance and agency.
Автор: Juliane Braun Название: Creole Drama: Theatre and Society in Antebellum New Orleans ISBN: 0813942314 ISBN-13(EAN): 9780813942315 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9425.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War.
Автор: Juliane Braun Название: Creole Drama: Theatre and Society in Antebellum New Orleans ISBN: 0813942330 ISBN-13(EAN): 9780813942339 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Moving from France to the Caribbean to the American continent, Creole Drama follows the people that created and sustained French theatre culture in New Orleans from its inception in 1792 until the beginning of the Civil War.
Winner of the 2009 Gulf South Historical Association Book Award
When a priest suggested to one of the first governors of Louisiana that he banish all disreputable women to raise the colony's moral tone, the governor responded, "If I send away all the loose females, there will be no women left here at all." Primitive, mosquito infested, and disease ridden, early French colonial New Orleans offered few attractions to entice respectable women as residents. King Louis XIV of France solved the population problem in 1721 by emptying Paris's La Salpetriere prison of many of its most notorious prostitutes and convicts and sending them to Louisiana. Many of these women continued to ply their trade in New Orleans.
In Brothels, Depravity, and Abandoned Women, Judith Kelleher Schafer examines case histories from the First District Court of New Orleans and tells the engrossing story of prostitution in the city prior to the Civil War. Louisiana law did not criminalize the selling of sex until the Progressive Era, although the law forbade keeping a brothel. Police arrested individual public women on vague charges, for being "lewd and abandoned" or vagrants. The city's wealthy and influential landlords, some of whom made huge profits by renting their property as brothels, wanted their tenants back on the streets as soon as possible, and they often hired the best criminal attorneys to help release the women from jail. The courts, in turn, often treated these "public women" leniently, exacting small fines or sending them to the city's workhouse for a few months. As a result, prosecutors dropped almost all prostitution cases before trial.
Relying on previously unexamined court records and newly available newspaper articles, Schafer ably details the brutal and often harrowing lives of the women and young girls who engaged in prostitution. Some watched as gangs of rowdy men smashed their furniture; some endured beatings by their customers or other public women enraged by fits of jealousy; others were murdered. Schafer discusses the sexual exploitation of children, sex across the color line, violence among and against public women, and the city's feeble attempts to suppress the trade. She also profiles several infamous New Orleans sex workers, including Delia Swift, alias Bridget Fury, a flaming redhead with a fondness for stabbing men, and Emily Eubanks and her daughter Elisabeth, free women of color known for assaulting white women.
Although scholars have written much about prostitution in New Orleans' Storyville era, few historical studies on prostitution in antebellum New Orleans exist. Schafer's rich analysis fills this gap and offers insight into an intriguing period in the history of the "oldest profession" in the Crescent City."
In Fair Copy Jennifer Putzi studies the composition, publication, and circulation of American women's poetry in the antebellum United States. In opposition to a traditional scholarly emphasis on originality and individuality, or a recovery method centered on author-based interventions, Putzi proposes a theory and methodology of relational poetics: focusing on poetry written by working-class and African American women poets, she demonstrates how an emphasis on relationships between and among people and texts shaped the poems that women wrote, the avenues they took to gain access to print, and the way their poems functioned within a variety of print cultures. Yet it is their very relationality which has led to these poems and the poets who published them being written out of literary history. Fair Copy models a radical reading and recovery of this work in a way that will redirect the study of nineteenth-century American women's poetry.
Beginning with Lydia Huntley Sigourney and ending with Elizabeth Akers Allen and Frances Ellen Watkins Harper, Putzi argues that relational practices like imitation, community, and collaboration distinguished the poetry of antebellum American women, especially those whose access to print was mediated by class or race. To demonstrate this point, she recovers poetry by the "factory girls" of the Lowell Offering, African American poet Sarah Forten, and domestic servant Maria James, whose volume Wales, and Other Poems was published in 1839. Putzi's work reveals a careful navigation of the path to print for each of these writers, as well as a fierce claim to poetry and all that it represented in the antebellum United States.
This book promises to become the standard work of the history of the slaves, slaveholders, and the free black population of Antebellum Baltimore. For five years, Mr. Clayton has collected, transcribed, and cross-indexed a great variety of documents: applications for certificates of freedom, slave schedules, field assessor work books, census schedules, mortality schedules, general property tax records, city directories, newspaper advertisements and articles, the Schomburg collection at the Pratt Library in Baltimore, original letter manuscripts, and acts of the General Assembly of Maryland. The growth of Baltimore's black community, free and slave, was supported by two geographical factors of Baltimore. The city's thriving harbor offered a large employment market that attracted free blacks and offered slaveholders the opportunity to hire out their slaves. And Baltimore's position between the North and the South made it a logical station for escaped slaves either trying to reach the North or hoping to blend in with Baltimore's large free black population. The result of Mr. Clayton's labors is a comprehensive, fascinating, and sometimes painful view of an important period in the history of Charm City for which researchers everywhere will thank him.
It is generally recognized that antebellum interracial relationships were "notorious" at the neighborhood level. But we have yet to fully uncover the complexities of such relationships, especially from freedwomen's and children's points of view. While it is known that Cincinnati had the largest per capita population of mixed race people outside the South during the antebellum period, historians have yet to explore how geography played a central role in this outcome.
The Mississippi and Ohio Rivers made it possible for Southern white men to ferry women and children of color for whom they had some measure of concern to free soil with relative ease. Some of the women in question appear to have been "fancy girls," enslaved women sold for use as prostitutes or "mistresses." Green focuses on women who appear to have been the latter, recognizing the problems with the term "mistress," given its shifting meaning even during the antebellum period. Remember Me to Miss Louisa, among other things, moves the life of the fancy girl from New Orleans, where it is typically situated, to the Midwest. The manumission of these women and their children—and other enslaved women never sold under this brand—occurred as America's frontiers pushed westward, and urban life followed in their wake. Indeed, Green's research examines the tensions between the urban Midwest and the rising Cotton Kingdom. It does so by relying on surviving letters, among them those from an ex-slave mistress who sent her "love" to her former master. This relationship forms the crux of the first of three case studies. The other two concern a New Orleans young woman who was the mistress of an aging white man, and ten Alabama children who received from a white planter a $200,000 inheritance (worth roughly $5.1 million in today's currency). In each case, those freed people faced the challenges characteristic of black life in a largely hostile America.
While the frequency with which Southern white men freed enslaved women and their children is now generally known, less is known about these men's financial and emotional investments in them. Before the Civil War, a white Southern man's pending marriage, aging body, or looming death often compelled him to free an African American woman and their children. And as difficult as it may be for the modern mind to comprehend, some kind of connection sometimes existed between these individuals. This study argues that such men—though they hardly stand excused for their ongoing claims to privilege—were hidden actors in freedwomen's and children's attempts to survive the rigors and challenges of life as African Americans in the years surrounding the Civil War. Green examines many facets of this phenomenon in the hope of revealing new insights about the era of slavery. Historians, students, and general readers of US history, African American studies, black urban history, and antebellum history will find much of interest in this fascinating study.
Описание: Slavery on the Periphery focuses on nineteen counties on the Kansas-Missouri border, tracing slavery’s rise and fall from the earliest years of American settlement through the Civil War along this critical geographical, political, and social fault line. Kristen Epps explores slavery’s emergence from an upper South slaveholding culture and its development into a small-scale system characterised by slaves’ diverse forms of employment, close contact between slaves and slaveholders, a robust hiring market, and the prevalence of abroad marriages. She demonstrates that space and place mattered to enslaved men and women most clearly because slave mobility provided a means of resistance to the strictures of daily life. Mobility was a medium for both negotiation and confrontation between slaves and slaveholders, and the ongoing political conflict between proslavery supporters and antislavery proponents opened new doors for such resistance. Slavery’s expansion on the Kansas-Missouri border was no mere intellectual debate within the halls of Congress. Its horrors had become a visible presence in a region so torn by bloody conflict that it captivated the nineteenth - century American public. Foregrounding African Americans’ place in the border narrative illustrates how slavery’s presence set the stage for the Civil War and emancipation here, as it did elsewhere in the United States.
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