King Harsha, who reigned over the kingdom of Kanauj from 606 to 647 CE, composed two Sanskrit plays about the mythical figures of King Udayana, his queen, V?sava·datta, and two of his co-wives. The plays abound in mistaken identities, both political and erotic. The characters masquerade as one another and, occasionally, as themselves, and each play refers simultaneously to itself and to the other. Co-published by New York University Press and the JJC Foundation For more on this title and other titles in the Clay Sanskrit series, please visit http://www.claysanskritlibrary.org
Автор: Roberts Michael Название: Jeweled Style ISBN: 080147633X ISBN-13(EAN): 9780801476334 Издательство: Wiley EDC Рейтинг: Цена: 4288.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In The Jeweled Style, Michael Roberts offers a new approach to the Latin poetry of late antiquity, one centering on an aesthetic quality common to both the literature and the art of the period—the polychrome patterning of words and phrases or of colors and shapes. In Roberts's view, the writer or artist of this period works as a jeweler, carefully setting compositional units in a geometric framework, consistently demonstrating a preference for effects of patterning over realistic representation, and for a unity situated at a higher level than the literal, historical sequence of the narrative.
Roberts's introductory chapter is followed by an anthology of representative narrative and descriptive poetry from the fourth and fifth centuries A.D. Next, Roberts traces the use of "jewels" as a literary metaphor from the first century A.D. to late antiquity. He then compares the works of late antique literature to wall and floor mosaics, ivory diptychs, Christian sarcophagi, and contemporary styles of dress. Emphasizing that the poetry of this period is not uniform, he differentiates the main genres of Christian narrative poetry—biblical and hagiographical epic—from secular examples of the jeweled style, such as the poetry of Ausonius and Sidonius. Roberts concludes by examining the influence of late antique aesthetics on the medieval poetics of Matthew of Vend?me and Geoffrey of Vinsauf.
Elegantly written and augmented by twenty-three illustration, The Jeweled Style will be welcomed by many readers, including Latinists and other classicists, medievalists and Renaissance scholars specializing in literature, Byzantinists, and art historians.
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