Substantial Relations examines global reproductive medicine in India, focusing on in vitro fertilization. Since the 1970s, India has played a central but shifting role in shaping global reproductive medicine—from a provider of raw material, to a producer of knowledge and technology, to a creator of a thriving medical market that attracts patients from all over the world. Relying on archival material and oral history, Substantial Relations traces the path of this transnational historical trajectory. This book also examines the contemporary making of IVF in Delhi. Drawing on ethnographic research in homes, hospitals, and laboratories, Sandra Barnreuther provides deep insights into the intricacies of clinical life and everyday experience by depicting IVF users' quest for offspring and their fears of establishing unwanted ties, as well as the minute engagements of clinicians and laboratory staff with reproductive substances.
Thinking through substances—metaphorically and materially—Sandra Barnreuther provides a novel and rich analysis of the various relations that the burgeoning IVF sector in India has relied on and generated. Substantial Relations contributes to a broader understanding of reproductive medicine as a global phenomenon constantly in the making, situating India in the midst of, rather than peripheral to, this process.
In Africa in the Indian Imagination Antoinette Burton reframes our understanding of the postcolonial Afro-Asian solidarity that emerged from the 1955 Bandung conference. Afro-Asian solidarity is best understood, Burton contends, by using friction as a lens to expose the racial, class, gender, sexuality, caste, and political tensions throughout the postcolonial global South. Focusing on India's imagined relationship with Africa, Burton historicizes Africa's role in the emergence of a coherent postcolonial Indian identity. She shows how—despite Bandung's rhetoric of equality and brotherhood—Indian identity echoed colonial racial hierarchies in its subordination of Africans and blackness. Underscoring Indian anxiety over Africa and challenging the narratives and dearly held assumptions that presume a sentimentalized, nostalgic, and fraternal history of Afro-Asian solidarity, Burton demonstrates the continued need for anti-heroic, vexed, and fractious postcolonial critique.
This book explores the aesthetic forms of the political left across the borders of post-colonial, post-partition South Asia. Spanning India, Sri Lanka, Pakistan and Bangladesh, the contributors study art, film, literature, poetry and cultural discourse to illuminate the ways in which political commitment has been given aesthetic form and artistic value by artists and by cultural and political activists in postcolonial South Asia.
With a focused conceptualization this volume asks: Does the political left in South Asia have a recognizable aesthetic form? And if so, what political effects do left-wing artistic movements and aesthetic artefacts have in shaping movements against inequality and injustice? Reframing political aesthetics within a postcolonial and decolonised framework, the contributors detail the trajectories and transformations of left-wing cultural formations and affiliations and focus on connections and continuities across post-1947/8 India, Pakistan, Sri Lanka and Bangladesh.
Описание: This book highlights the significance of North -South connections as a part of transpacific history. The little-known stories it tells of such "vertical" encounters across the Pacific Ocean complicates established historical narratives which focus instead on "horizontal" connections between the United States and Asia.
Описание: By presenting a new interpretation of Rabindranath Tagore`s English language writings, this book places the work of India`s greatest Nobel Prize winner and cultural icon in the context of imperial history and thereby bridges the gap between Tagore studies and imperial/postcolonial historiography.
In Africa in the Indian Imagination Antoinette Burton reframes our understanding of the postcolonial Afro-Asian solidarity that emerged from the 1955 Bandung conference. Afro-Asian solidarity is best understood, Burton contends, by using friction as a lens to expose the racial, class, gender, sexuality, caste, and political tensions throughout the postcolonial global South. Focusing on India's imagined relationship with Africa, Burton historicizes Africa's role in the emergence of a coherent postcolonial Indian identity. She shows how—despite Bandung's rhetoric of equality and brotherhood—Indian identity echoed colonial racial hierarchies in its subordination of Africans and blackness. Underscoring Indian anxiety over Africa and challenging the narratives and dearly held assumptions that presume a sentimentalized, nostalgic, and fraternal history of Afro-Asian solidarity, Burton demonstrates the continued need for anti-heroic, vexed, and fractious postcolonial critique.
Автор: Gyan Prakash, Nikhil Menon, Michael Laffan Название: The Postcolonial Moment in South and Southeast Asia ISBN: 1350127760 ISBN-13(EAN): 9781350127760 Издательство: Bloomsbury Academic Рейтинг: Цена: 5384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
By exploring themes of fragility, mobility and turmoil, anxieties and agency, and pedagogy, this book shows how colonialism shaped postcolonial projects in South and Southeast Asia including India, Pakistan, Burma, and Indonesia. Its chapters unearth the contingency and contention that accompanied the establishment of nation-states and their claim to be decolonized heirs.
The book places key postcolonial moments - a struggle for citizenship, anxious constitution making, mass education and land reform - against the aftermath of the Second World War and within a global framework, relating them to the global transformation in political geography from empire to nation. The chapters analyse how futures and ideals envisioned by anticolonial activists were made reality, whilst others were discarded. Drawing on the expertise of eminent contributors, The Postcolonial Moment in South and Southeast Asia represents the most ground-breaking research on the region.
Автор: Gyan Prakash, Nikhil Menon, Michael Laffan Название: The Postcolonial Moment in South and Southeast Asia ISBN: 1350038636 ISBN-13(EAN): 9781350038639 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
By exploring themes of fragility, mobility and turmoil, anxieties and agency, and pedagogy, this book shows how colonialism shaped postcolonial projects in South and Southeast Asia including India, Pakistan, Burma, and Indonesia. Its chapters unearth the contingency and contention that accompanied the establishment of nation-states and their claim to be decolonized heirs.
The book places key postcolonial moments - a struggle for citizenship, anxious constitution making, mass education and land reform - against the aftermath of the Second World War and within a global framework, relating them to the global transformation in political geography from empire to nation. The chapters analyse how futures and ideals envisioned by anticolonial activists were made reality, whilst others were discarded. Drawing on the expertise of eminent contributors, The Postcolonial Moment in South and Southeast Asia represents the most ground-breaking research on the region.
Although demographically a minority in Kerala, India, Syrian Christians are not a subordinated community. They are caste-, race-, and class-privileged, and have long benefitted, both economically and socially, from their privileged position. Focusing on Syrian Christian women, Sonja Thomas explores how this community illuminates larger questions of multiple oppressions, privilege and subordination, racialization, and religion and secularism in India.
In Privileged Minorities, Thomas examines a wide range of sources, including oral histories, ethnographic interviews, and legislative assembly debates, to interrogate the relationships between religious rights and women�s rights in Kerala. Using an intersectional approach, and US women of color feminist theory, she demonstrates the ways that race, caste, gender, religion, and politics are inextricably intertwined, with power and privilege working in complex and nuanced ways. By attending to the ways in which inequalities within groups shape very different experiences of religious and political movements in feminist and rights-based activism, Thomas lays the groundwork for imagining new feminist solidarities across religions, castes, races, and classes.
Описание: This book is a thematic history of the communist movement in Kerala, the first major region (in terms of population) in the world to democratically elect a communist government. It analyses the nature of the transformation brought about by the communist movement in Kerala, and what its implications could be for other postcolonial societies.
Описание: It calls attention to the specific and singular way in which notions of `love of the world` were born in a precise moment of anti-colonial struggle: a love of the world for which one would offer one`s life, and for which there had been little precedent in the history of earlier revolutions.
Автор: Sunderason Sanjukta Название: Partisan Aesthetics: Modern Art and India`s Long Decolonization ISBN: 1503612996 ISBN-13(EAN): 9781503612990 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Partisan Aesthetics explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, Sanjukta Sunderason argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. She analyzes largely unknown and dispersed archives—drawings, diaries, posters, periodicals, and pamphlets, alongside paintings and prints—and insists that art as archive is foundational to understanding modern art's socialist affiliations during India's long decolonization. By bringing together expanding fields of South Asian art, global modernisms, and Third World cultures, Partisan Aesthetics generates a new narrative that combines political history of Indian modernism, social history of postcolonial cultural criticism, and intellectual history of decolonization.
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