Explores how American writers articulate the complexity of twentieth-century suburbia
Examines the ways American writers from the 1960s to the present – including John Updike, Richard Ford, Gloria Naylor, Jeffrey Eugenides, D. J. Waldie, Alison Bechdel, Chris Ware, Jhumpa Lahiri, Junot Diaz and John Barth – have sought to articulate the complexity of the US suburbs
Analyses the relationships between literary form and the spatial and temporal dimensions of the environment
Scrutinises increasingly prominent literary and cultural forms including novel sequences, memoir, drama, graphic novels and short story cycles
Combines insights drawn from recent historiography of the US suburbs and cultural geography with analyses of over twenty-five texts to provide a fresh outlook on the literary history of American suburbia
The Literature of Suburban Change examines the diverse body of cultural material produced since 1960 responding to the defining habitat of twentieth-century USA: the suburbs. Martin Dines analyses how writers have innovated across a range of forms and genres – including novel sequences, memoirs, plays, comics and short story cycles – in order to make sense of the complexity of suburbia. Drawing on insights from recent historiography and cultural geography, Dines offers a new perspective on the literary history of the US suburbs. He argues that by giving time back to these apparently timeless places, writers help reactivate the suburbs, presenting them not as fixed, finished and familiar but rather as living, multifaceted environments that are still in production and under exploration.
Автор: Santner Eric L. Название: On Creaturely Life ISBN: 0226735036 ISBN-13(EAN): 9780226735030 Издательство: Wiley Рейтинг: Цена: 4277.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In his own reading of Rainer Maria Rilke, Martin Heidegger reclaims the open as the proper domain of human existence, but suggests that human life remains haunted by vestiges of an animal-like relation to its surroundings. Walter Benjamin, in turn, was to show that such vestiges have a biopolitical aspect.
Описание: In spite of the popularity she enjoyed during her lifetime, Charlotte Riddell (1832-1906) has received little attention from scholars. Silvana Colella makes a strong case for the relevance of Riddell's novels as narrative experiments that shed new light on the troubled experience of Victorian capitalism. Drawing on her impressive knowledge of commerce and finance, Riddell produced several novels that narrate the fate of individuals - manufacturers, accountants, entrepreneurs, City men and their female companions - who pursue the liberal dream of self-determination in the unstable world of London business. Colella situates novels such as Too Much Alone, George Geith, The Race for Wealth, Austin Friars and The Senior Partner in the broader cultural context, examining business manuals, commercial biographies, and essays to highlight Victorian constructions of the business ideal and the changing cultural status of the City of London. Combining historicist and formalist readings, Colella charts the progression of Riddell's imaginative commitment to the business world, focusing on the author's gendered awareness of the promises and disenchantments associated with the changing dynamics of capitalist modernisation. Her book enriches our understanding of Victorian business culture, the literary history of capitalism, and the intersections of gender, genre and economics.
This book examines how concepts of citizenship have been negotiated in Anglophone Canadian literature since the 1970s. Katja Sarkowsky argues that literary texts conceptualize citizenship as political “co-actorship” and as cultural “co-authorship” (Boele van Hensbroek), using citizenship as a metaphor of ambivalent affiliations within and beyond Canada. In its exploration of urban, indigenous, environmental, and diasporic citizenship as well as of citizenship’s growing entanglement with questions of human rights, Canadian literature reflects and feeds into the term’s conceptual diversification. Exploring the works of Guillermo Verdecchia, Joy Kogawa, Jeannette Armstrong, Maria Campbell, Cheryl Foggo, Fred Wah, Michael Ondaatje, and Dionne Brand, this text investigates how citizenship functions to denote emplaced practices of participation in multiple collectives that are not restricted to the framework of the nation-state.
Описание: This historical and critical survey looks at horror comics from the Golden Age of the 40s, through the Silver Age of the 60s, up until the early 80s - the end of the Bronze Age. Included are the earliest series, like American Comics Group's Adventures into the Unknown and Prize Comics' Frankenstein, and the controversial graphic and gory comics of the 40s, such as EC's infamous and influential Tales from the Crypt. The resurgence of monster-horror titles during the 60s is explored, along with the return of horror anthologies like Dell Comics' Ghost Stories and Charlton's Ghostly Tales from the Haunted House.The explosion of Horror titles following the relaxation of the comics code in the 70s is fully documented with chapters on Marvel's prodigious output - The Tomb of Dracula, Werewolf by Night and others - DC's anthologies - Witching Hour, Ghosts - and titles such as Swamp Thing, as well as the notable contributions of firms like Gold Key and Atlas. This book examines how horror comics exploited everyday terrors, and often reflected societal attitudes toward women and people who are different.
Автор: Appleton Название: Narrating Karma and Rebirth ISBN: 1107566142 ISBN-13(EAN): 9781107566149 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Scholars of Buddhism and Jainism will find much of interest in this broad exploration of how multi-life stories served to construct, communicate, and challenge ideas about the workings of karma, the realms of rebirth, ideal religious goals, multi-life relationships, and supernormal memory in early South Asia.
Автор: Moore Stephen Название: Divinanimality: Animal Theory, Creaturely Theology ISBN: 0823263207 ISBN-13(EAN): 9780823263202 Издательство: Wiley EDC Рейтинг: Цена: 4803.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A turn to the animal is underway in the humanities, most obviously in such fields as philosophy, literary studies, cultural studies, and religious studies. One important catalyst for this development has been the remarkable body of animal theory issuing from such thinkers as Jacques Derrida and Donna Haraway. What might the resulting interdisciplinary field, commonly termed animality studies, mean for theology, biblical studies, and other cognate disciplines? Is it possible to move from animal theory to creaturely theology? This volume is the first full-length attempt to grapple centrally with these questions. It attempts to triangulate philosophical and theoretical reflections on animality and humanity with theological reflections on divinity. If the animal–human distinction is being rethought and retheorized as never before, then the animal–human–divine distinctions need to be rethought, retheorized, and retheologized along with it. This is the task that the multidisciplinary team of theologians, biblical scholars, philosophers, and historians assembled in this volume collectively undertakes. They do so frequently with recourse to Derrida’s animal philosophy and also with recourse to an eclectic range of other relevant thinkers, such as Haraway, Giorgio Agamben, Emmanuel Levinas, Gloria Anzaldua, Helene Cixous, A. N. Whitehead, and Lynn White Jr. The result is a volume that will be essential reading for religious studies audiences interested in ecological issues, animality studies, and posthumanism, as well as for animality studies audiences interested in how constructions of the divine have informed constructions of the nonhuman animal through history.
Описание: Anna Feuerstein offers innovative readings of the politics of animal characters in the Victorian novel, and shows the limitations of liberalism as a framework for animal rights. This book will appeal to scholars and students interested in Victorian literature and culture, and the representation of animals in literature.
Описание: This book interrogates and historicises eighteenth-century British women writers` responses to India through the novel and travel writing, to bring out the polyvalent space arising out of their complex negotiation with the colonial discourse.
Описание: An environmental humanist's study of extractive capitalism and colonial occupation in Indian fiction.Rogues in the Postcolony is a study of Anglophone Indian picaresque novels that dramatize the impacts of extractive capitalism and colonial occupation on local communities in several Indian states. In this materialist history of development on the subcontinent, Stacey Balkan considers works by Amitav Ghosh, Indra Sinha, and Aravind Adiga that critique violent campaigns of enclosure and dispossession at the hands of corporate entities like the English East India Company and its many legatees. By foregrounding the intersections among landscape ideology, agricultural improvement, extractive capitalism, and aesthetic expression, Rogues in the Postcolony also attends to the complicity of popular aesthetic forms with political and economic policy, as well as the colonial and extractivist logics that often frame discussions around the so-called Anthropocene epoch.Bringing together questions about settler-colonial practices and environmental injustice, Rogues in the Postcolony concludes with an investigation of new extractivist frontiers, including solar capitalism, and considers the possibility of imagining life after extraction on the Indian subcontinent and beyond.
Автор: Grass Sean Название: The Self in the Cell: Narrating the Victorian Prisoner ISBN: 1138981621 ISBN-13(EAN): 9781138981621 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cellexamines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.
This book examines how concepts of citizenship have been negotiated in Anglophone Canadian literature since the 1970s. Katja Sarkowsky argues that literary texts conceptualize citizenship as political “co-actorship” and as cultural “co-authorship” (Boele van Hensbroek), using citizenship as a metaphor of ambivalent affiliations within and beyond Canada. In its exploration of urban, indigenous, environmental, and diasporic citizenship as well as of citizenship’s growing entanglement with questions of human rights, Canadian literature reflects and feeds into the term’s conceptual diversification. Exploring the works of Guillermo Verdecchia, Joy Kogawa, Jeannette Armstrong, Maria Campbell, Cheryl Foggo, Fred Wah, Michael Ondaatje, and Dionne Brand, this text investigates how citizenship functions to denote emplaced practices of participation in multiple collectives that are not restricted to the framework of the nation-state.
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