Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars, Heidi Craig
Автор: Erith Jaffe-Berg Название: Jewish Theatre Making in Mantua, 1520–1650 ISBN: 1641892501 ISBN-13(EAN): 9781641892506 Издательство: NBN International Рейтинг: Цена: 23021.00 р. Наличие на складе: Нет в наличии.
Описание:
This book studies how the Jewish community of Mantua established, normalized, and maintained interrelations with the Christian community for over 130 years, from 1520 to 1650, by means of theatre performance for the Gonzaga Dukes. Performance is shown to have been a mutually beneficial "currency" that both the Dukes and Jews could use to calibrate their relations with one another. Seen in this light, the author demonstrates that performance was not the consequence of cultural exchange between Jews and Christians, but was one of the means by which the complicated nature of cultural communication and exchange took place.
Jewish Theatre Making in Mantua details the performances created by the Jewish community of Mantua and argues that these theatrical events were a crucial component in the ability of Jews to live peacefully within Mantua, which became one of the few refuges left to Jews in the Italian peninsula and Catholic Europe.
Автор: Steggle Название: Digital Humanities and the Lost Drama of Early Modern England ISBN: 1409444147 ISBN-13(EAN): 9781409444145 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays’ authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
Автор: Dorman Название: Paradoxical Japaneseness ISBN: 1137551593 ISBN-13(EAN): 9781137551597 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
Описание: Hamlet is a characteristic intellectual more inclined to lecture actors about their craft than listen to them, and is a precursor of Enlightenment figures like Diderot and Lessing. This book is a quest for the voice of early professional actors, drawing on English, French and other European sources to distinguish the methods of professionals from the theories of intellectual amateurs. David Wiles challenges the orthodoxy that all serious discussion of acting began with Stanislavski, and outlines the comprehensive but fluid classical system of acting which was for some three hundred years its predecessor. He reveals premodern acting as a branch of rhetoric, which took from antiquity a vocabulary for conversations about the relationship of mind and body, inside and outside, voice and movement. Wiles demonstrates that Roman rhetoric provided the bones of both a resilient theatrical system and a physical art that retains its relevance for the post-Stanislavskian performer.
Автор: Wetmore Название: Revenge Drama in European Renaissance and Japanese Theatre ISBN: 0230602894 ISBN-13(EAN): 9780230602892 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in European Renaissance drama.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
