Copyright in the Street: An Oral History of Creative Processes in Street Art and Graffiti Subcultures, Enrico Bonadio
Автор: Ollystudio Название: It`s a Stick-Up ISBN: 1780671016 ISBN-13(EAN): 9781780671017 Издательство: Laurence King Рейтинг: Цена: 3028.00 р. Наличие на складе: Поставка под заказ.
Описание: This is the first book to look at an increasingly popular form of street art: the 'wheatie' or wheat paste-up. Many street artists dont graffiti or stencil any more but use pre-prepared paper images that can be taken down, thereby avoiding a vandalism charge. The book will show the work of 20 artists, with photographs of their work, an article about their work and a fold-out paste-up. The fold-out pages are perforated so they can easily be removed. Some of the paste-ups will be laser cut with attaching tags so they can be popped out. There's also an introductory interview with cult street artists Sten & Lex.
Автор: Bonadio Enrico Название: Cambridge Handbook of Copyright in Street Art and Graffiti ISBN: 1108482333 ISBN-13(EAN): 9781108482332 Издательство: Cambridge Academ Рейтинг: Цена: 28829.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Bonadio brings together experts to provide the first comprehensive analysis of issues related to copyright in street art and graffiti. This book sheds light on the legal tools available for artists and offers policy and sociological insights to spur further debate. It will appeal to legal scholars and law practitioners around the world.
Название: Scribbling through history ISBN: 1474288812 ISBN-13(EAN): 9781474288811 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: For most people the mention of graffiti conjures up notions of subversion, defacement, and underground culture. Yet, the term was coined by classical archaeologists excavating Pompeii in the 19th century and has been embraced by modern street culture: graffiti have been left on natural sites and public monuments for tens of thousands of years. They mark a position in time, a relation to space, and a territorial claim. They are also material displays of individual identity and social interaction. As an effective, socially accepted medium of self-definition, ancient graffiti may be compared to the modern use of social networks.
This book shows that graffiti, a very ancient practice long hidden behind modern disapproval and street culture, have been integral to literacy and self-expression throughout history. Graffiti bear witness to social events and religious practices that are difficult to track in normative and official discourses. This book addresses graffiti practices, in cultures ranging from ancient China and Egypt through early modern Europe to modern Turkey, in illustrated short essays by specialists. It proposes a holistic approach to graffiti as a cultural practice that plays a key role in crucial aspects of human experience and how they can be understood.
Описание: In The Writing of Where, Charles Lesh examines how graffiti writers in Boston remake various spaces within and across the city. The spaces readers will encounter in this book are not just meaningful venues of writing, but also outcomes of writing itself: social spaces not just where writing happens but created because writing happens. Lesh contends that these graffiti spaces reinvent the writing landscape of the city and its public relationship with writing.Each chapter introduces readers to different writing spaces: from bold and broadly visible spots along the highway to bridge underpasses seldom seen by non-writers; from inconspicuous notebooks writers call "bibles" to freight yards and model trains; from abandoned factories to benches where writers view trains. Between each chapter, readers will find "community interludes," responses to the preceding chapters from some of the graffiti writers who worked on this project.By working closely with writers engaged in the production of these spaces, as well as drawing on work invested in questions of geography, publics, and writing, Lesh identifies new models of community engagement and articulates a framework for the spatiality of the public work of writing and writing studies.
Effective visual communication has become an essential strategy for grassroots political activists, who use images to publicly express resistance and make their claims visible in the struggle for political power. However, this “aesthetics of resistance” is also employed by political and economic elites for their own purposes, making it increasingly difficult to distinguish from the “aesthetics of rule.” Through illuminating case studies of street art in Buenos Aires, Bogota?, Caracas, and Mexico City, The Aesthetics of Rule and Resistance explores the visual strategies of persuasion and meaning-making employed by both rulers and resisters to foster self-legitimization, identification, and mobilization.
Автор: Carolyn S. Loeb Название: The City as Subject: Public Art and Urban Discourse in Berlin ISBN: 1350258644 ISBN-13(EAN): 9781350258648 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In The City as Subject, Carolyn S. Loeb examines distinctive bodies of public art in Berlin: legal and illegal murals painted in West Berlin in the 1970s and 1980s, post-reunification public sculptures, and images and sites from the street art scene. Her careful analyses show how these developed new architectural and spatial vocabularies that drew on the city's infrastructure and daily urban experience.
These works challenged mainstream urban development practices and engaged with citizen activism and with a wider civic discourse about what a city can be. Loeb extends this urban focus to her examination of the extensive outdoor installation of the Berlin Wall Memorial and its mandate to represent the history of the city's division. She studies its surrounding neighborhoods to show that, while the Memorial adopts many of the urban-oriented vocabularies established by the earlier works of public art she examines, it truncates the story of urban division, which stretches beyond the Wall's existence.
Loeb suggests that, by embracing more multi-vocal perspectives, the Memorial could encourage the kind of participatory and heterogeneous construction of the city championed by the earlier works of public art.
Автор: Kathryn E. Delmez Название: Murals of North Nashville Now ISBN: 082652284X ISBN-13(EAN): 9780826522849 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 1386.00 р. Наличие на складе: Нет в наличии.
Описание: The Frist Art Museum and Vanderbilt University Press have partnered to copublish Murals of North Nashville Now. The publication includes plates of the eight murals in the exhibition of the same name, along with images of public mural installations in North Nashville.
Описание: This book explores how copyright laws are perceived within street art and graffiti subcultures to examine how artists and writers view certain creative aspects of their own practice. Drawing on ethnographic research and fieldwork, the book gives voice to the main actors of these communities and highlights their feelings and opinions toward issues that are increasingly impacting their everyday life and work. It also touches on related and complementary issues, such as the 'gallerisation' or economic exploitation of these forms of art and the curious similarities between the graffiti and advertising worlds. Unique and comprehensive, Copyright on the Street brings the 'voice from the street' into the debate over the legal and non-legal protection of street art and graffiti.
Автор: The SRK (Studio Rarekwai) Название: Stickerbomb Monsters ISBN: 1856698955 ISBN-13(EAN): 9781856698955 Издательство: Laurence King Рейтинг: Цена: 2275.00 р. Наличие на складе: Поставка под заказ.
Описание: Inexpensive, fully-peelable sticker book from the Stickerbomb team
Описание: In The Writing of Where, Charles Lesh examines how graffiti writers in Boston remake various spaces within and across the city. The spaces readers will encounter in this book are not just meaningful venues of writing, but also outcomes of writing itself: social spaces not just where writing happens but created because writing happens. Lesh contends that these graffiti spaces reinvent the writing landscape of the city and its public relationship with writing.Each chapter introduces readers to different writing spaces: from bold and broadly visible spots along the highway to bridge underpasses seldom seen by non-writers; from inconspicuous notebooks writers call "bibles" to freight yards and model trains; from abandoned factories to benches where writers view trains. Between each chapter, readers will find "community interludes," responses to the preceding chapters from some of the graffiti writers who worked on this project.By working closely with writers engaged in the production of these spaces, as well as drawing on work invested in questions of geography, publics, and writing, Lesh identifies new models of community engagement and articulates a framework for the spatiality of the public work of writing and writing studies.
Автор: Macdonald, Nancy Название: Graffiti subculture ISBN: 0333781910 ISBN-13(EAN): 9780333781913 Издательство: Springer Рейтинг: Цена: 9083.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Using insights from ethnographic research conducted in London and New York, the author explores the varying ways young men use graffiti to construct masculinity, claim power and establish independence from the institutions which define and often limit them as young people.
Название: Street art tel aviv ISBN: 1789761336 ISBN-13(EAN): 9781789761337 Издательство: Gazelle Book Services Рейтинг: Цена: 12870.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Distinctly unique, Tel Avivs street art represents a wide spectrum of cultural backgrounds and aesthetic sensibilities. Echoing the uncertainty that permeates Israels daily existence, it possesses a rawness and energy found in few modern cities. Through more than 250 images, 14 artist profiles, and comprehensive research, Street Art Tel Aviv introduces the reader to an alternative visual culture that has developed and thrived at a time when the citys building exteriors are plentiful, and living and workspaces are still available to emerging artists. At the turn of the 21st century, Tel Avivs gritty streets, particularly those in southern industrial neighbourhoods, began to host a motley array of spectral faces, uncanny figures and curious characters. Random graffiti, from scrawls on the walls to stylized letters, made their way into largely vacant spaces. Artistic renderings of band-aids, hearts and eggplants evolved into iconic city images. Poetic expressions and musings from the personal to the collective surfaced increasingly on Tel Avivs flat facades. And while much of what is painted directly onto the walls avoids commenting on the citys precarious political state, the stencils that continue to surface often stealthily in the dark alert us to the citys seemingly irresolvable, ever-present external and internal conflicts. Street Art Tel Aviv also gives entry into Tel Avivs Central Bus Station, Israels largest indoor urban art gallery. Showcasing murals in a diverse range of styles, painted directly onto its walls by local, national and international artists since 2013, it is a favourite site for street art and contemporary art enthusiasts. Herewith the opportunity to explore this vibrant citys visual landscape at a time of transition for both the city itself and for this new visual art genre.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
