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Negative, Nonsensical, and Non-Conformist Volume 99: The Films of Suzuki Seijun, Peter A. Yacavone


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Автор: Peter A. Yacavone
Название:  Negative, Nonsensical, and Non-Conformist Volume 99: The Films of Suzuki Seijun
ISBN: 9780472075706
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 0472075705
Обложка/Формат: Hardback
Страницы: 416
Вес: 0.27 кг.
Дата издания: 12.04.2023
Серия: Michigan monograph series in japanese studies
Язык: English
Иллюстрации: 175 illustrations
Размер: 231 x 153 x 32
Ключевые слова: Media studies, SOCIAL SCIENCE / Ethnic Studies / Asian Studies,SOCIAL SCIENCE / Media Studies
Подзаголовок: The films of suzuki seijun
Рейтинг:
Поставляется из: Англии
Описание: In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter A. Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s. Working from within the studio system, Suzuki almost single-handedly rejected the restrictive filmmaking norms of the postwar period and expanded the form and language of popular cinema. This artistic rebellion proved costly when Suzuki was fired in 1967 and virtually blacklisted by the studios, but Suzuki returned triumphantly to the scene of world cinema in the 1980s and 1990s with a series of critically celebrated, avant-garde tales of the supernatural and the uncanny. This book provides a well-informed, philosophically oriented analysis of Suzuki’s 49 feature films.


Negative, Nonsensical, and Non-Conformist Volume 99: The Films of Suzuki Seijun

Автор: Peter A. Yacavone
Название: Negative, Nonsensical, and Non-Conformist Volume 99: The Films of Suzuki Seijun
ISBN: 0472055704 ISBN-13(EAN): 9780472055708
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 6098.00 р.
Наличие на складе: Нет в наличии.

Описание: In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan’s most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter A. Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s. Working from within the studio system, Suzuki almost single-handedly rejected the restrictive filmmaking norms of the postwar period and expanded the form and language of popular cinema. This artistic rebellion proved costly when Suzuki was fired in 1967 and virtually blacklisted by the studios, but Suzuki returned triumphantly to the scene of world cinema in the 1980s and 1990s with a series of critically celebrated, avant-garde tales of the supernatural and the uncanny. This book provides a well-informed, philosophically oriented analysis of Suzuki’s 49 feature films.

Soviet Films of the 1970s and Early 1980s

Название: Soviet Films of the 1970s and Early 1980s
ISBN: 0367408996 ISBN-13(EAN): 9780367408992
Издательство: Taylor&Francis
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Цена: 22202.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair.

Simultaneous interpreting from a signed language into a spoken language

Автор: Waner, Stefan (hofstra University) Costenoble, Steven (hofstra University)
Название: Simultaneous interpreting from a signed language into a spoken language
ISBN: 0367762048 ISBN-13(EAN): 9780367762049
Издательство: Taylor&Francis
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Цена: 5664.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book explores a new character archetype that permeated Soviet film during what became known as the era of Stagnation, a stark period of loneliness, disappointment, and individual despair.


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