Описание: The Disney Musical: Critical Approaches on Stage and Screen is the first critical treatment of the corporation's hugely successful musicals both on screen and on the stage. Its 13 articles open up a new territory in the critical discussion of the Disney mega-musical, its gender, sexual and racial politics, outreach work and impact of stage, film and television adaptations. Covering early 20th century works such as the first full-length feature film Snow White and the Seven Dwarfs (1937), to The Lion King - Broadway's highest grossing production in history, and Frozen (2013), this edited collection offers a diverse range of theoretical engagements that will appeal to readers of film and media studies, musical theatre, cultural studies, and theatre and performance.
The volume is divided into three sections to provide a contextual analysis of Disney's most famous musicals: - DISNEY MUSICALS: ON FILM - DISNEY ADAPTATIONS: ON STAGE AND BEYOND - DISNEY MUSICALS: GENDER AND RACE
The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. The second section addresses various stage versions and considers Disney's outreach activities, cultural value and productions outside the Broadway theatrical arena. The final section focuses on issues of gender and race portraying representations of race, hetero-normativity, masculinity and femininity in Newsies, Frozen, High School Musical, Aladdin and The Jungle Book.
The various chapters address these three aspects of the Disney Musical and offer new critical readings of a vast range of important works from the Disney musical cannon including Enchanted, Mary Poppins, Hunchback of Notre Dame, The Lion King and versions of musicals for television in the early 1990s and 2000s. The critical readings are detailed, open-minded and come to surprising conclusions about the nature of the Disney Musical and its impact.
Описание: Flop Musicals of the Twenty First Century offers a provocative and revealing historical narrative a group of musicals that cost millions, were created by world-renowned writers and directors, and that had spectacular potential… but bombed anyway.
Название: Dancing Man (Bob Avian) ISBN: 1496825888 ISBN-13(EAN): 9781496825889 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3511.00 р. Наличие на складе: Нет в наличии.
Описание: Tony and Olivier Award-winning Bob Avian's dazzling life story, Dancing Man: A Broadway Choreographer's Journey, is a memoir in three acts. Act I reveals the origins of one of Broadway's legendary choreographers who appeared onstage with stars like Barbra Streisand and Mary Martin all before he was thirty. Act II includes teaching Katharine Hepburn how to sing and dance in Coco and working with Stephen Sondheim and Michael Bennett while helping to choreograph the original productions of Company and Follies. During this time, Avian won a Tony Award as the cochoreographer of A Chorus Line and produced the spectacular Tony Award-winning Dreamgirls. For a triumphant third act, Avian choreographed Julie Andrews's return to the New York stage, devised all of the musical staging for Miss Saigon and Sunset Boulevard, and directed A Chorus Line on Broadway. He worked with the biggest names on Broadway, including Andrew Lloyd Webber, Carol Burnett, Jennifer Holliday, Patti LuPone, Elaine Stritch, and Glenn Close.Candid, witty, sometimes shocking, and always entertaining, here at last is the ultimate up-close and personal insider's view from a front row seat at the creation of the biggest, brightest, and best Broadway musicals of the past fifty years.
Автор: Gregory John Decker, Michael Buchler Название: Analyzing Musicals ISBN: 0472133314 ISBN-13(EAN): 9780472133314 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12197.00 р. Наличие на складе: Нет в наличии.
Описание: This book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater, this collection provides new understanding of how musicals are put together, how composers and lyricists structure words and music to complement one another, and how music helps us understand the human relationships and historical and social contexts. Using a wide range of musical examples, representing the history of musical theater from the 1920s to the present day, the book explores how music interacts with dramatic elements within individual shows and other pieces within and outside of the genre. These essays invite readers to consider issues that are fundamental both to our understanding of musical theater and to the multiple ways we engage with music.
Автор: Mclaughlin, Robert L. Название: Stephen sondheim and the reinvention of the american musical ISBN: 1496818326 ISBN-13(EAN): 9781496818324 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, has established him as the preeminent composer/lyricist of his, if not all, time.Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language.Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.
Автор: Everett William A Название: Cambridge Companion to the Musical ISBN: 1107535298 ISBN-13(EAN): 9781107535299 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The third edition of this acclaimed Companion provides an accessible, broadly based survey of musicals in London, New York, and other venues from the nineteenth century to the present. Existing chapters have been updated, and two new chapters added, providing a wealth of information for students and enthusiasts alike.
Название: Twenty-first century musicals ISBN: 1138648892 ISBN-13(EAN): 9781138648890 Издательство: Taylor&Francis Рейтинг: Цена: 5970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Twenty-First Century Musicals stakes a place for the musical in today`s cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in-depth.
Автор: Hurwitz, Nathan Название: Songwriters of the american musical theatre ISBN: 1138914428 ISBN-13(EAN): 9781138914421 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
From the favorites of Tin Pan Alley to today's international blockbusters, the stylistic range required of a musical theatre performer is expansive.
Musical theatre roles require the ability to adapt to a panoply of characters and vocal styles. By breaking down these styles and exploring the output of the great composers, Songwriters of the American Musical Theatre offers singers and performers an essential guide to the modern musical. Composers from Gilbert and Sullivan and Irving Berlin to Alain Boublil and Andrew Lloyd Webber are examined through a brief biography, a stylistic overview, and a comprehensive song list with notes on suitable voice types and further reading.
This volume runs the gamut of modern musical theatre, from English light opera through the American Golden Age, up to the "mega musicals" of the late Twentieth Century, giving today's students and performers an indispensable survey of their craft.
Автор: Ganzl Kurt Название: Lydia Thompson: Queen of Burlesque ISBN: 1138980137 ISBN-13(EAN): 9781138980136 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Dan Dietz Название: The Complete Book of 1940s Broadway Musicals ISBN: 1442245271 ISBN-13(EAN): 9781442245273 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 29990.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines in specific detail every musical show that opened on Broadway during the 1940s. Included in each entry are details regarding cast and credits, plot, critical reviews, London productions, recordings, published scripts, and film versions.
Описание: Flop Musicals of the Twenty-First Century offers a provocative and revealing historical narrative of a group of musicals that cost millions and had spectacular potential...but bombed anyway.
Автор: Schmid Rebecca Название: Weill, Blitzstein, and Bernstein: A Study of Influence ISBN: 1680539140 ISBN-13(EAN): 9781680539141 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 25918.00 р. Наличие на складе: Нет в наличии.
Описание: Theodor Adorno famously proclaimed that the model of Kurt Weill’s music could not be repeated. Weill’s works for the stage nevertheless set an inescapable precedent for composers on both sides of the Atlantic. In Weill, Blitzstein, Bernstein, distinguished musicologist Rebecca Schmid explores how Weill’s formal innovations laid the groundwork for the musical theatre of Marc Blitzstein and Leonard Bernstein, who either resisted or downplayed his aesthetic contribution to the American musical tradition. Comparative analysis based on Harold Bloom’s Anxiety of Influence and other studies of intertextuality reveal that the principles of Weill’s operatic reforms would catalyze a uniquely American movement in sophisticated, socially engaged music theatre.
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