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Perfect phrases for conflict resolution: hundreds of ready-to-use phrases for encouraging a more productive and efficient work environment, Maadad, Nina (university Of Adelaide) Whitton, Diana (western Sydney University) Martin, Dona (la Trobe University) Daniels-mayes, Sheelagh (universit


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Автор: Maadad, Nina (university Of Adelaide) Whitton, Diana (western Sydney University) Martin, Dona (la Trobe University) Daniels-mayes, Sheelagh (universit
Название:  Perfect phrases for conflict resolution: hundreds of ready-to-use phrases for encouraging a more productive and efficient work environment
ISBN: 9780194401531
Издательство: Oxford Academ
Классификация:
ISBN-10: 0194401537
Обложка/Формат: Paperback
Страницы: 16
Вес: 0.03 кг.
Дата издания: 12.01.2006
Серия: Dolphin readers level 2
Язык: English
Иллюстрации: Line drawings
Размер: 150 x 102 x 8
Читательская аудитория: Elt / tefl
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: Graded `read and do` fiction and non-fiction readers that teach children about the world around them.


Perfect phrases for conflict resolution: hundreds of ready-to-use phrases for encouraging a more productive and efficient work environment

Автор: Maadad, Nina (university Of Adelaide) Whitton, Diana (western Sydney University) Martin, Dona (la Trobe University) Daniels-mayes, Sheelagh (universit
Название: Perfect phrases for conflict resolution: hundreds of ready-to-use phrases for encouraging a more productive and efficient work environment
ISBN: 0194704548 ISBN-13(EAN): 9780194704540
Издательство: Oxford Academ
Рейтинг:
Цена: от 904.00 р.
Наличие на складе: Есть

Описание: THE TWENTY ETUDES FOR PIANO were composed during the years from 1991 to 2012. Their final configuration into Book 1 and Book 2 was determined by the music itself in the course of its composition.

Book 1 (Etudes 1-10) had a twin objective - to explore a variety of tempi, textures and piano techniques. At the same time it was meant to serve as a pedagogical tool by which I would improve my piano playing. In these two ways, Book 1 succeeded very well. I learned a great deal about the piano and in the course of learning the music, I became a better player.

New projects came along and interrupted the work on the Etudes for several years. Perhaps for that reason, when I took up work with the Etudes again I found the music was following a new path. Though I had settled questions of piano technique for myself in Book 1, the music in Book 2 quickly began to suggest a series of new adventures in harmony and structure.

In this way, Books 1 and 2, taken together, suggest a real trajectory that includes a broad range of music and technical ideas.

In the end, the Etudes are meant to be appreciated not only by the general listener, but especially by those who have the ability and patience to learn, play and perform the music themselves.


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