Materials and Dematerialization: Making the Modern World, 2nd Edition, Smil
Старое издание
Автор: Smil Название: Making the Modern World: Materials and Dematerialization ISBN: 1119942535 ISBN-13(EAN): 9781119942535 Издательство: Wiley Цена: 4744.00 р. Наличие на складе: Есть у поставщикаПоставка под заказ. Описание: How much further should the affluent world push its material consumption? Does relative dematerialization lead to absolute decline in demand for materials? These and many other questions are discussed and answered in Making the Modern World: Materials and Dematerialization.
Автор: Smil Название: Making the Modern World: Materials and Dematerialization ISBN: 1119942535 ISBN-13(EAN): 9781119942535 Издательство: Wiley Рейтинг: Цена: 4744.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How much further should the affluent world push its material consumption? Does relative dematerialization lead to absolute decline in demand for materials? These and many other questions are discussed and answered in Making the Modern World: Materials and Dematerialization.
Описание: Pakistan maintains 32 secret agencies working under different democratic, political and military stakeholders who use them for their own interests. The working of various intelligence agencies, militarisation of intelligence and ineffectiveness of the civilian intelligence are some of the issues discussed in the book.
Автор: Benezra Karen Название: Dematerialization: Art and Design in Latin America ISBN: 0520307062 ISBN-13(EAN): 9780520307063 Издательство: Wiley Рейтинг: Цена: 6653.00 р. Наличие на складе: Поставка под заказ.
Описание: Dematerialization examines the intertwined experimental practices and critical discourses of art and industrial design in Argentina, Mexico, and Chile in the 1960s and 1970s. Provocative in nature, this book investigates the way that artists, critics, and designers considered the relationship between the crisis of the modernist concept of artistic medium and the radical social transformation brought about by the accelerated capitalist development of the preceding decades. Beginning with Oscar Masotta's sui generis definition of the term, Karen Benezra proposes dematerialization as a concept that allows us to see how disputes over the materiality of the art and design object functioned in order to address questions concerning the role of appearance, myth, and ideology in the dynamic logic structuring social relations in contemporary discussions of aesthetics, artistic collectivism, and industrial design. Dematerialization brings new insights to the fields of contemporary art history, critical theory, and Latin American cultural studies.
Автор: Lippard, Lucy R. Название: Six years ISBN: 0520210131 ISBN-13(EAN): 9780520210134 Издательство: Wiley Рейтинг: Цена: 4594.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This work documents the network of ideas that has been labelled conceptual art. Including texts by and taped discussions among and with the artists involved, the book is arranged as an annotated chronology.
The imbalance of Pakistan's civil-military relations has caused misperceptions about the changing role of intelligence in politics. The country maintains 32 secret agencies working under different democratic, political and military stakeholders who use them for their own interests. Established in 1948, The ISI was tasked with acquiring intelligence of strategic interests and assessing the intensity of foreign threats, but political and military stakeholders used the agency adversely and painted a consternating picture of its working environment. The civilian intelligence agency-Intelligence Bureau (IB) has been gradually neglected due to the consecutive military rule and weak democratic governments. The ISI today seems the most powerful agency and controls the policy decisions. The working of various intelligence agencies, militarisation of intelligence and ineffectiveness of the civilian intelligence are some of the issues discussed in the book.
Conceptual Art in a Curatorial Perspective focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are frequently not object-based creates challenges when exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies of conceptualist group shows, and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, as well as the influence of curators in their canonization. The aim of the book is not to offer clear-cut practical solutions but to raise awareness within the traditional curatorial field. It is relevant for students of art and culture (particularly museum and curatorial studies), art and museum professionals, and anyone interested in the art of the 1960s and 1970s.
Описание: Dematerialization and the Social Materiality of Art reconceptualizes mid-twentieth-century avant-garde practices in Argentina with a focus on the changing material status of the art object in relation to the country’s intense period of modernization. Elize Mazadiego presents Oscar Masotta’s notion of dematerialization as a concept for interpreting experimental art practices that negated the object’s primacy, while identifying their promise within the sociopolitical transformations of the 1950s and 1960s. She argues that, in abandoning the traditional art object, the avant-garde developed new materialities rooted in Buenos Aires’ changing social life. A critical examination of art’s materiality and its social role within Argentina, this important study paves the way for broader investigations of postwar Latin American art.
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