Der?gowski On Picture Making and Picture Seeing—A Brief Discourse " 9783031233470

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Автор: Der?gowski
Название: On Picture Making and Picture Seeing—A Brief Discourse "
ISBN: 9783031233470
Издательство: Springer
Классификация:

Общие вопросы искусства

Графический дизайн

Восприятие

ISBN-10: 3031233476
Обложка/Формат: Hardback
Страницы: 109
Вес: 0.38 кг.
Дата издания: 04.04.2023
Серия: Vision, Illusion and Perception
Язык: English
Издание: 1st ed. 2023
Иллюстрации: 39 illustrations, color; 54 illustrations, black and white; ix, 109 p. 93 illus., 39 illus. in color.
Размер: 235 x 155
Читательская аудитория: Professional & vocational
Основная тема: Engineering
Подзаголовок: A brief discourse
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: Archaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci’s perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartel’s studies show that pictorial depth is often achieved to the artist’s, and many a viewer’s, but not to geometer’s satisfaction by partial distortion, and Chinese masterpieces embody, side by side, ‘normal’ and inverted perspective. The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited. Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzemi?ski postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists.
Дополнительное описание: Introduction in which the reader enters pictorial donnybrook.- On perception of depth, real and portrayed.- On perspective in many guises.- On prof. Farish's immediately comprehensible and Cezanne's immediately puzzling pictures.- On cultural press; If we

On Picture Making and Picture Seeing—A Brief Discourse ", Der?gowski