Virgil`s Cinematic Art, Freudenburg, Kirk (Brooks and Suzanne Ragen Professor of Classics, Brooks and Suzanne Ragen Professor of Classics, Yale University)
Автор: John Marmysz Название: Cinematic Nihilism: Encounters, Confrontations, Overcomings ISBN: 1474431712 ISBN-13(EAN): 9781474431712 Издательство: Bloomsbury Academic Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Exposing and illustrating how an ongoing engagement with nihilistic alienation may contribute to, rather than detract from, the value of life, Cinematic Nihilism both challenges and builds upon past scholarship that has scrutinised nihilism in the media, but which has generally over-emphasised its negative and destructive aspects. Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centiped e, and with chapters on Scotland’s cinematic portrayal as both a site of ‘nihilistic sacrifice’ and as ‘nowhere in particular’, this book presents a necessary corrective, re-emphasising the constructive potential of cinematic nihilism and casting it as a phenomenon that need not be overcome.
Описание: A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.
Автор: Rebecca Prime Название: Cinematic Homecomings: Exile and Return in Transnational Cinema ISBN: 1501319957 ISBN-13(EAN): 9781501319952 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The history of cinema charts multiple histories of exile. From the German emigres in 1930s Hollywood to today's Iranian filmmakers in Europe and the United States, these histories continue to exert a profound influence on the evolution of cinematic narratives and aesthetics. But while the effect of exile and diaspora on film practice has been fruitfully explored from both historical and contemporary perspectives, the issues raised by return, whether literal or metaphorical, have yet to be fully considered. Cinematic Homecomings expands upon existing studies of transnational cinema by addressing the questions raised by reverse migration and the return home in a variety of historical and national contexts, from postcolonialism to post-Communism. By looking beyond exile, the contributors offer a multidirectional perspective on the relationship between migration, mobility, and transnational cinema. 'Narratives of return' are among the most popular themes of the contemporary cinema of countries ranging from Morocco to Cuba to the Soviet Union. This speaks to both the sociocultural reality of reverse migration and to its significance on the imagination of the nation.
Автор: Sinnerbrink Robert Название: Cinematic Ethics ISBN: 1138826162 ISBN-13(EAN): 9781138826168 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant?
Cinematic Ethics: Exploring Ethical Experience through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking.
In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions.
Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics.
Описание: This discussion of sports film heroines begins with National Velvet (1944) and ends with Secretariat (2010). By examining such portrayals this volume analyses whether these story lines do or do not empower women as characters and role models, while offering alternative cinematic choices that reflect the true and ever-growing history of women in sports.
Автор: Upton Bryn Название: Hollywood and the End of the Cold War: Signs of Cinematic Change ISBN: 1442237937 ISBN-13(EAN): 9781442237933 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 17952.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume compares films from the late Cold War era with films of the same genre, or of similar themes, from the post-Cold War era, paying particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. It explains how the absence of the Cold War has changed the way we understand and interpret film.
Описание: Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first ‘official’ film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock’s films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry’s book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock’s technological genius and camera aesthetics, helping to explain the concept of ‘pure cinema’ and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock’s art.
Название: Cinematic landscapes ISBN: 0292720874 ISBN-13(EAN): 9780292720879 Издательство: Marston Book Services Рейтинг: Цена: 5938.00 р. Наличие на складе: Поставка под заказ.
Описание: The first major study of the relationship between visual art and film in China and Japan.
Описание: In this Open Access book, film scholar Rasmus Greiner develops a theoretical model for the concept of the histosphere to refer to the "sphere" of a cinematically modelled, physically experienceable historical world.
Автор: Jeong, Seung-hoon Название: Cinematic Interfaces ISBN: 0415833159 ISBN-13(EAN): 9780415833158 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Поставка под заказ.
Автор: Eugene B. Young Название: Cinematic Art and Reversals of Power: Deleuze via Blanchot ISBN: 1350176095 ISBN-13(EAN): 9781350176096 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Bringing together Deleuze, Blanchot, and Foucault, this book provides a detailed and original exploration of the ideas that influenced Deleuze's thought leading up to and throughout his cinema volumes and, as a result, proposes a new definition of art.
Examining Blanchot's suggestion that art and dream are “outside” of power, as imagination has neither reality nor truth, and Foucault's theory that power forms knowledge by valuing life, Eugene Brent Young relates these to both Deleuze's philosophy of time and his work with Guattari on art. In doing so, he uses case studies from literature and popular film, including Kafka's Castle, Villeneuve's Arrival, and Kubrick's Eyes Wide Shut.
Providing important new insights for those working in literary and cinematic studies, this book advances a new definition of art as that which reverses the realities and truths of power to express obscure ideas and values beyond both our exterior and interior worlds.
Автор: Mark Breeze Название: Forms of the Cinematic: Architecture, Science and the Arts ISBN: 1501361422 ISBN-13(EAN): 9781501361425 Издательство: Bloomsbury Academic Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This interdisciplinary collection explores how cinema calls into question its own frame of reference and, at the same time, how its form becomes the matter of its thought. Building on the axiom (cherished by philosophers of cinema from Epstein to Deleuze) that cinema is a medium that thinks in conjunction with its spectators, this book examines how various forms of the cinematic rethink and redraw the terrain of traditional disciplines, thereby enabling different modes of thought and practice. Areas under consideration by a range of leading academics and practitioners include architecture, science, writing in a visual field, event-theory and historiography.
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