Researching Secular Music and Dance in the Early United States, Szczepanska-Woszczyna, Katarzyna
Автор: Patterson, James T. Название: Grand Expectations The United States, 1945-1974 ISBN: 0195117972 ISBN-13(EAN): 9780195117974 Издательство: Oxford Academ Рейтинг: Цена: 3721.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: James T. Patterson skilfully weaves together political, social, cultural, and economic history to present a fascinating survey of postwar America.
Описание: Between 1929 and 1945, two great travails were visited upon the American people: the Great Depression and World War II. Freedom from Fear tells the story of how Americans endured, and eventually prevailed, in the face of those unprecedented calamities.
Автор: Chad Berry Название: The Hayloft Gang: The Story of the National Barn Dance ISBN: 0252075579 ISBN-13(EAN): 9780252075575 Издательство: Wiley EDC Рейтинг: Цена: 3602.00 р. Наличие на складе: Поставка под заказ.
Описание: The National Barn Dance was the nation's most popular country music radio show during the 1930s and 1940s. The pioneering radio program defined country and western entertainment until the Grand Ole Opry and rock 'n' roll supplanted it in the 1950s. Broadcast for more than three decades from Chicago on WLS's powerful 50,000-watt signal, the show reached listeners throughout the Midwest, the East Coast, and South, delivering popular entertainment to both rural and urban areas while celebrating the fading folk traditions of an increasingly urbanized America.
The Hayloft Gang draws on the colorful commentary of performers and former listeners to analyze the National Barn Dance, its audience, and its impact. Contributors trace the history of barn dance radio, explore the paradox of a foundational country music program broadcast from a major city, investigate notions of authenticity in the presentation of country music and entertainment, and delve into provocative issues raised by the barn dance phenomenon.
Contributors: Chad Berry, Michael T. Bertrand, Lisa Krissoff Boehm, Don Cusic, Wayne W. Daniel, Loyal Jones, Kristine M. McCusker, Stephen Parry, Susan Smulyan, Paul L. Tyler, and Michael Ann Williams.
Автор: Ryan T. Cragun, Christel Manning, Lori L. Fazzino Название: Organized Secularism in the United States: New Directions in Research ISBN: 3110457423 ISBN-13(EAN): 9783110457421 Издательство: Walter de Gruyter Цена: 18586.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: There has been a dramatic increase in the percentage of the US population that is not religious. However, there is, to date, very little research on the social movement that is organizing to serve the needs of and advocate for the nonreligious in the US. This is a book about the rise and structure of organized secularism in the United States. By organized secularism we mean the efforts of nonreligious individuals to build institutions, networks, and ultimately a movement that serves their interests in a predominantly religious society. Researchers from various fields address questions such as: What secularist organizations exist? Who are the members of these organizations? What kinds of organizations do they create? What functions do these organizations provide for their members? How do the secularist organizations of today compare to those of the past? And what is their likely impact on the future of secularism? For anyone trying to understand the rise of the nonreligious in the US, this book will provide valuable insights into organized efforts to normalize their worldview and advocate for their equal treatment in society.
The image of a rough frontier – where working men were tempted away from church on Sundays by more profane concerns – was perpetuated by postwar religious leaders troubled by the decline in church involvement. Tina Block debunks the myth of a godless frontier, revealing a Pacific Northwest that rejected organized religion – but not necessarily God. Not just working men but also women, families, and middle-class communities helped to shape the region’s secular identity. Drawing on oral histories, census data, newspapers, and archival sources, Block launches this exploration of Northwest secularity and the independent spirit of those who chose to live irreligiously.
Описание: Reflects the fascinating diversity of regional and grassroots music in the United States. The book covers the diverse strains of American folk music - Latin, Native American, African, French-Canadian, British, and Cajun - and offers a chronology of the development of folk music in the United States.
Описание: This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society. Supporting growing interest among scholars and performers spanning numerous disciplines, this book contributes quality new scholarship to spur further research on this overshadowed period of American music and dance. Organized in three parts, the chapters offer methodological and interpretative guidance and model varied approaches to contemporary scholarship. The first part introduces important bibliographic tools and models their use in focused examinations of individual objects of material musical culture. The second part illustrates methods of situating dance and its music in early American society as relevant to scholars working in multiple disciplines. The third part examines contemporary performance of early American music and dance from three distinct perspectives ranging from ethnomusicological fieldwork and phenomenology to the theatrical stage. Dedicated to scholar Kate Van Winkle Keller, this volume builds on her legacy of foundational contributions to the study of early American secular music, dance, and society. It provides an essential resource for all those researching and performing music and dance from the revolutionary era through the early nineteenth century.
Описание: American barn dance radio of the 1920s-1940s evoked comforting images of a nostalgic and stable past for listeners beset by economic problems at home and worried about totalitarian governments abroad. Sentimental images such as the mountain mother and the chaste everybody's-little-sister "girl singer" helped to sell a new consumer culture and move commercial country music from regional fare to national treasure.
Drawing on personal interviews and rich archival material from the Grand Ole Opry, Kristine M. McCusker examines the gendered politics of the images through the lives and careers of six women performers: Linda Parker, the Girls of the Golden West (Milly and Dolly Good), Lily May Ledford, Minnie Pearl, and Rose Lee Maphis.
Автор: Frances Eustace Название: Secular Carolling in Late Medieval England ISBN: 1641894024 ISBN-13(EAN): 9781641894029 Издательство: NBN International Рейтинг: Цена: 21965.00 р. Наличие на складе: Нет в наличии.
Описание:
This study shows the importance of carolling in the celebrations and festivities of medieval Britain and demonstrates its longevity from the eleventh century to the sixteenth. It illustrates the flexibility of the English carole form for adaptation to include content in high and low registers and its suitability for use on all occasions and by different communal peer groups. Although the vast majority of extant texts in carol form from the late medieval period are religious in subject content, secular carolling was far more prevalent than the textual record implies. The dance-song elements of the medieval carole were so strongly woven into the vernacular cultural fabric of the British Isles that their threads can be traced through the folk songs and dances of subsequent centuries. This study contextualizes the written evidence and re-integrates the various components of the activity in order to illuminate our understanding of the universally popular medieval, participatory, pastime of carolling.
Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macías shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blues, rock and roll, and Latin music, Mexican Americans not only rejected second-class citizenship and demeaning stereotypes, but also transformed Los Angeles.
Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots “multicultural urban civility” that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians’ union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes.
Автор: Calamoneri, Tanya Название: Butoh America ISBN: 0367137607 ISBN-13(EAN): 9780367137601 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Butoh America unearths the people and networks that popularized Butoh dance in the Americas, through a focused look at key artists, producers, and festivals in United States and Mexico.
This is the first book to gather these histories into one narrative and look at the development of American Butoh. From its inception in San Francisco in 1976, American Butoh aligned with avant-garde performance art in alternative venues such as galleries and experimental theaters. La MaMa in New York and the Festival Internacional Cervantino in Guanajuato both served to legitimize the form as esteemed experimental performance. A crystalizing moment in each of the three locations--San Francisco, New York, and Mexico City--has been a grand-scale festival featuring prominent Japanese and numerous other international artists, as well as fostering local communities.
This book stitches together the flow of people and ideas, highlights the connections in the Butoh diaspora, and incorporates interviewee perspectives regarding future directions for the genre in the Americas.
In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved.
As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion.
Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.
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