Intertextuality in Music, Jones, Mike (Australian National University)
Автор: Kostka Violetta, Castro Paulo F. de, Everett William A. Название: Intertextuality in Music: Dialogic Composition ISBN: 0367552906 ISBN-13(EAN): 9780367552909 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Intertextuality in Music provides a systematic investigation of musical intertextuality not only as a general principle of musical creativity but also as a diverse set of devices and techniques that have been consciously developed and applied by many composers in the pursuit of various artistic and aesthetic goals.
Описание: In this book, the corpus of Bachianas Brasileiras is contextualised and critically examined according to its structure and intertextual aspects, as well as its relationship to Bach`s music, Brazilian popular music, and other works by contemporaries of Villa Lobos.
Автор: Klein, Michael L. Название: Intertextuality in western art music ISBN: 0253344689 ISBN-13(EAN): 9780253344687 Издательство: Wiley EDC Рейтинг: Цена: 6178.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "The outstanding originality of this book lies in the detail and perspicuity with which interrelations are traced between texts, it even seems that relations sometimes work backwards. Above all, this book does not offer a 'theory of intertextuality.' Rather, it is a many-sided survey of the topic, open-ended and truthful. It is fresh and inspirational." —Raymond Monelle, Reader in Music at the University of Edinburgh and author of Linguistics and Semiotics in Music Intertextuality in Western Art Music provides an interdisciplinary approach to the questions of music and meaning, using the approaches of Barthes, Foucault, Eco, Derrida, L?vi-Strauss, and others. Drawing on research in aesthetics, hermeneutics, semiotics, narrativity, analysis, and musicology, Klein argues that each musical text is part of a cultural network of texts that code the ways we make sense of music.
Описание: In this book, the corpus of Bachianas Brasileiras is contextualised and critically examined according to its structure and intertextual aspects, as well as its relationship to Bach`s music, Brazilian popular music, and other works by contemporaries of Villa Lobos.
This book combines the theory of intertextuality and intermediality with imagological reflections. These are understood as a way of intercultural, hermeneutically oriented secondary communication in which the analyses of "otherness" do not serve for the purposes of presenting one’s own self, but for understanding it. By providing tangible text examples from Central European literatures (and others), the authors focus on the circulation of "culture images" as a multilayer text, where reality is represented through verbal means and interpretational proceedings. These images emerged primarily in the period of rising nationalism and, to some extent, they persist to this day. The monograph thus opens a new perspective for theoretical analysis of problems.
Описание: This book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century.
Описание: This book introduces quantitative intertextuality, a new approach to the algorithmic study of information reuse in text, sound and images. Employing a variety of tools from machine learning, natural language processing, and computer vision, readers will learn to trace patterns of reuse across diverse sources for scholarly work and practical applications. The respective chapters share highly novel methodological insights in order to guide the reader through the basics of intertextuality.
In Part 1, "Theory", the theoretical aspects of intertextuality are introduced, leading to a discussion of how they can be embodied by quantitative methods. In Part 2, "Practice", specific quantitative methods are described to establish a set of automated procedures for the practice of quantitative intertextuality. Each chapter in Part 2 begins with a general introduction to a major concept (e.g., lexical matching, sound matching, semantic matching), followed by a case study (e.g., detecting allusions to a popular television show in tweets, quantifying sound reuse in Romantic poetry, identifying influences in fan faction by thematic matching), and finally the development of an algorithm that can be used to reveal parallels in the relevant contexts.
Because this book is intended as a "gentle" introduction, the emphasis is often on simple yet effective algorithms for a given matching task. A set of exercises is included at the end of each chapter, giving readers the chance to explore more cutting-edge solutions and novel aspects to the material at hand. Additionally, the book's companion website includes software (R and C++ library code) and all of the source data for the examples in the book, as well as supplemental content (slides, high-resolution images, additional results) that may prove helpful for exploring the different facets of quantitative intertextuality that are presented in each chapter.
Given its interdisciplinary nature, the book will appeal to a broad audience. From practitioners specializing in forensics to students of cultural studies, readers with diverse backgrounds (e.g., in the social sciences, natural language processing, or computer vision) will find valuable insights.
Автор: Lyne Название: Memory and Intertextuality in Renaissance Literature ISBN: 1107083443 ISBN-13(EAN): 9781107083448 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book uses theories of memory from psychology and cognitive science to give a new account of intertextuality, focusing on the ways in which poems and plays remember their sources. Offering new insights into major early modern works, it will interest researchers of Renaissance literature and drama, Shakespeare studies, memory studies, and classical reception.
Автор: Allen, Graham Название: Intertextuality ISBN: 0415174759 ISBN-13(EAN): 9780415174756 Издательство: Taylor&Francis Рейтинг: Цена: 1989.00 р. Наличие на складе: Нет в наличии.
Описание: This book follows all the major turns in intertextuality`s history, and explains how intertextuality is employed. It will prove invaluable for any student studying literature and culture.
Автор: Orr Mary, Shaw Christopher, Leemann A Albert, Название: Intertextuality ISBN: 0745631215 ISBN-13(EAN): 9780745631219 Издательство: Wiley Рейтинг: Цена: 3008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a comprehensive introduction to the idea of intertextuality and the debates surrounding it, focusing on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette.
Автор: Raphael Lyne Название: Memory and Intertextuality in Renaissance Literature ISBN: 1107443903 ISBN-13(EAN): 9781107443907 Издательство: Cambridge Academ Рейтинг: Цена: 4909.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book uses theories of memory from psychology and cognitive science to give a new account of intertextuality, focusing on the ways in which poems and plays remember their sources. Offering new insights into major early modern works, it will interest researchers of Renaissance literature and drama, Shakespeare studies, memory studies, and classical reception.
Описание: As we approach the seventieth anniversary of the first appearance of Mary Poppins, interest in P. L. Travers’ most famous creation is still strong and the time is right for a reassessment of a work that is rich in meaning for child and adult readers alike. This book attempts to analyse some of the reasons behind the longevity and the ongoing appeal of the Mary Poppins material, with particular reference to intertextuality and the presence of what Freud described as «the uncanny». By comparing and contrasting the Mary Poppins material with previous texts, it can be seen that Travers has been drawing, consciously and subconsciously, on the great myths and archetypes of the collective human storytelling experience. The idea therefore emerges that the Mary Poppins stories touch on some fundamental aspect of the psyche – an aspect where the symbiosis of security and fear, the familiar and the unknown, are made manifest to the reader, whether as children finding their way into adulthood or as adults recalling their beginnings.
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