Автор: Jos? A. Haro; William H. Koch Название: The Films of Lars von Trier and Philosophy ISBN: 3030249174 ISBN-13(EAN): 9783030249175 Издательство: Springer Рейтинг: Цена: 8384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The films of Lars von Trier offer unique opportunities for thinking deeply about how Philosophy and Cinema speak to one another. The book addresses von Trier’s films in order of their release. The earlier chapters discuss his Golden Heart trilogy and USA: Land of Opportunities series by addressing issues of potential misogyny, ethical critique, and racial justice. The later chapters focus on his Depression Trilogy and address the undermining of gender binaries, the psychoanalytic meaning of the sacrifice of children and depression, and philosophical questions provoked by the depiction of the end of the world. Taken together, the volume explores the topics of Philosophical Psychology, Social Theory, Political Theory, Theories of the Self, Philosophy of Race, and Feminist Thought, and opens a conversation about von Trier’s important work.
Автор: Das Ranjana, Graefer Anne Название: Provocative Screens: Offended Audiences in Britain and Germany ISBN: 3319885081 ISBN-13(EAN): 9783319885087 Издательство: Springer Рейтинг: Цена: 7685.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers a nuanced understanding of `offensive` television content by drawing on an extensive research project, involving in-depth interviews and focus groups with audiences in Britain and Germany. And how does offensive content matter in public life, regulation, and institutional understandings?
Автор: San Filippo Maria Название: Provocauteurs and Provocations: Screening Sex in 21st Century Media ISBN: 0253052114 ISBN-13(EAN): 9780253052117 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11913.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Is the sex on our screens simply sensationalism or is it a political strategy to help us reimagine ways of thinking about sexuality?
Twenty-first century media has increasingly turned to provocative sexual content to court controversy, even scandal, in a bid to generate buzz and stand out within a glut of programming. While such an approach may at times be no more than a profitable tactic, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations, award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex. New production technologies enable and amplify the distribution of "provocauteurs," who challenge sexual conventions and representational norms.
Throughout this edgy volume, San Filippo examines a myriad of controversial strategies--including "real sex" scenes, scandalous marketing campaigns, full-frontal nudity, troubling texts, and divisive figures--to reveal the critical role that sexual provocation plays as a promotional strategy and authorial signature within the contemporary media landscape.
Описание: Women's filmmaking in France has been a source of both delight and despair. On the one hand, the numbers are impressive – over 250 feature-length films were made by over 100 women directors in France in the 1980s and 1990s. On the other hand, despite the heritage of French feminism, French women directors characteristically disclaim their gender as a significant factor in their filmmaking. This incisive study provides an informative, critical guide to this major body of work, exploring the boundaries between personal films (intimate psychological dramas relating to key stages in life) and genre films (which demonstrate women's ability to appropriate and rework popular genres). It analyzes the effects of postfeminism, women's desire to enter the mainstream, and the impact of a new generation of filmmakers, enabling readers to take stock of the wealth and diversity of women's contribution to French cinema during the 1980s and 1990s.
Between 1912 and 1919, the Universal Film Manufacturing Company credited eleven women with directing at least 170 films, but by the mid-1920s all of these directors had left Universal and only one still worked in the film industry at all. Two generations of cinema historians have either overlooked or been stymied by the mystery of why Universal first systematically supported and promoted women directors and then abruptly reversed that policy.
In this trailblazing study, Mark Garrett Cooper approaches the phenomenon as a case study in how corporate movie studios interpret and act on institutional culture in deciding what it means to work as a man or woman. In focusing on issues of institutional change, Cooper challenges interpretations that explain women's exile from the film industry as the inevitable result of a transhistorical sexism or as an effect of a broadly cultural revision of gendered work roles. Drawing on a range of historical and sociological approaches to studying corporate institutions, Cooper examines the relationship between institutional organization and aesthetic conventions during the formative years when women filmmakers such as Ruth Ann Baldwin, Cleo Madison, Ruth Stonehouse, Elise Jane Wilson, and Ida May Park directed films for Universal.
Автор: Peirse Alison Название: Women Make Horror: Filmmaking, Feminism, Genre ISBN: 197880511X ISBN-13(EAN): 9781978805118 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4634.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist."
"There are really, very few women horror filmmakers working today, that’s why so few are coming up."
"Women are just not that interested in making horror films."
"How can you be a woman and be a fan of horror?"
This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer or filmmaker. These assumptions are based on decades of flawed scholarly, critical and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always been making horror, they have always been an audience for the genre, and today, as this book reveals, women academics, critics and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality and the body.
Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals.
Women Make Horror is designed to not only engage and inspire dialogue between the academy, filmmakers, industry gatekeepers, festival programmers and horror film fans. With this book we can transform how we think about women filmmakers and genre.
Автор: Alison Peirse Название: Women Make Horror: Filmmaking, Feminism, Genre ISBN: 1978805128 ISBN-13(EAN): 9781978805125 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 18810.00 р. Наличие на складе: Нет в наличии.
Описание: 'but women were never out there making horror films, that's why they are not written about - you can't include what doesn't exist'
'there are really, very few women horror filmmakers working today, that's why so few are coming up'
'women are just not that interested in making horror films'
'how can you be a woman and be a fan of horror?'
This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer or filmmaker. These assumptions are based on decades of flawed scholarly, critical and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always been making horror, they have always been an audience for the genre, and today, as this book reveals, women academics, critics and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality and the body.
Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals.
Women Make Horror is designed to not only engage and inspire dialogue between the academy, filmmakers, industry gatekeepers, festival programmers and horror film fans. With this book we can transform how we think about women filmmakers and genre.
Автор: Jean Petrolle, Virginia Wexman Название: Women and Experimental Filmmaking ISBN: 0252072510 ISBN-13(EAN): 9780252072512 Издательство: Wiley EDC Рейтинг: Цена: 3087.00 р. Наличие на складе: Поставка под заказ.
Описание:
Acting as a corrective to the skewed avant-garde history that neglects women, Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even temporal boundaries, Jean Petrolle and Virginia Wexman's selections reflect the deep diversity of methodologies and research. The introduction sets out by addressing the basic difficulties of both historiography and definition before providing a historical overview of how these particular filmmakers have helped shape moviemaking traditions. The essays explore the major theoretical controversies that have arisen around the work of groundbreaking women such as Leslie Thornton, Su Friedrich, Nina Menkes, and Faith Hubley. With the filmmakers re-presentations of women's subjectivity ranging across film, video, digital media, ethnography, animation, and collage, Women and Experimental Filmmaking represents the full spectrum of genres, techniques, and modes. Taken together, these essays comprise a sustained analysis of the conjunction of aesthetics and politics in the work of both pioneer and contemporary experimental women filmmakers.
Автор: San Filippo Maria Название: Provocauteurs and Provocations: Screening Sex in 21st Century Media ISBN: 0253052122 ISBN-13(EAN): 9780253052124 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5016.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Is the sex on our screens simply sensationalism or is it a political strategy to help us reimagine ways of thinking about sexuality?
Twenty-first century media has increasingly turned to provocative sexual content to court controversy, even scandal, in a bid to generate buzz and stand out within a glut of programming. While such an approach may at times be no more than a profitable tactic, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations, award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex. New production technologies enable and amplify the distribution of "provocauteurs," who challenge sexual conventions and representational norms.
Throughout this edgy volume, San Filippo examines a myriad of controversial strategies--including "real sex" scenes, scandalous marketing campaigns, full-frontal nudity, troubling texts, and divisive figures--to reveal the critical role that sexual provocation plays as a promotional strategy and authorial signature within the contemporary media landscape.
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