Die Reihe Narratologia publiziert innovative Monographien und Sammelbande zur modernen Erzahltheorie und zu ihrer fachgeschichtlichen Rekonstruktion aus allen philologischen Disziplinen. Sie stellt das erste narratologische Forum dieser Art in Deutschland dar. Neben literarischen Texten stehen u. a. auch das Alltagserzahlen, Wort-Bild-Texte, Erzahlen im Film und in den neuen Medien sowie das Erzahlen in Historiographie, Ethnologie, Medizin und Rechtswissenschaft im Fokus der Reihe.
Die Publikationssprachen der Reihe sind Deutsch und Englisch. Alle Bande werden zweifach begutachtet.
Автор: Alison Gibbons, Torsa Ghosal Название: Fictionality and Multimodal Narratives ISBN: 1496222873 ISBN-13(EAN): 9781496222879 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8151.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Fictionality and Multimodal Narratives interrogates the multimodal relationship between fictionality and factuality. The contemporary discussion about fictionality coincides with an increase in anxiety regarding the categories of fact and fiction in popular culture and global media. Today’s media-saturated historical moment and political climate give a sense of urgency to the concept of fictionality, distinct from fiction, specifically in relation to modes and media of discourse.
Torsa Ghosal and Alison Gibbons explicitly interrogate the relationship of fictionality with multimodal strategies of narrative construction in the present media ecology. Contributors consider the ways narrative structures, their reception, and their theoretical frameworks in narratology are influenced and changed by media composition—particularly new media. By accounting for the relationship of multimodal composition with the ontological complexity of narrative worlds, Fictionality and Multimodal Narratives fills a critical gap in contemporary narratology—the discipline that has, to date, contributed most to the conceptualization of fictionality.
Автор: Susanne Riecker Название: Reflections on Fictionality: The Poetics of Henry V ISBN: 3506795651 ISBN-13(EAN): 9783506795656 Издательство: Brill Рейтинг: Цена: 17732.00 р. Наличие на складе: Поставка под заказ.
Описание: Diese Studie beschaftigt sich mit der zentralen Reflektionsfigur des Fiktionalen in Henry V, der „mockery“. Diese Arbeit untersucht die zentrale Reflektionsfigur des Fiktionalen in Shakespeares Henry V, namlich die „mockery“, die sowohl Imitation als auch Verspottung umfasst. Das Verhaltnis von „mockery“ und „true things“ im Stuck konstruiert eine immanente Poetik des Historiendramas, das damit gleichsam die Relation von Fiktion und Wahrheit, nicht nur im Sinne der Historizitat, sondern auch des Universellen, reflektiert. Untersucht werden Aspekte der Kommunikation und Ubersetzung, die Rolle des Publikums, der Umgang mit Moglichkeit und Notwendigkeit sowie die Kontextualisierung in den fruhneuzeitlichen Diskurs zu Dichtkunst.
Автор: Richardson, Brian Название: Essays in narrative and fictionality ISBN: 1527567486 ISBN-13(EAN): 9781527567481 Издательство: Cambridge Scholars Рейтинг: Цена: 7475.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book brings together several major essays on foundational topics of narrative studies and the theory of fictionality by one of the preeminent figures of postclassical narrative theory.
Die Reihe Narratologia publiziert innovative Monographien und Sammelbande zur modernen Erzahltheorie und zu ihrer fachgeschichtlichen Rekonstruktion aus allen philologischen Disziplinen. Sie stellt das erste narratologische Forum dieser Art in Deutschland dar. Neben literarischen Texten stehen u. a. auch das Alltagserzahlen, Wort-Bild-Texte, Erzahlen im Film und in den neuen Medien sowie das Erzahlen in Historiographie, Ethnologie, Medizin und Rechtswissenschaft im Fokus der Reihe.
Die Publikationssprachen der Reihe sind Deutsch und Englisch. Alle Bande werden zweifach begutachtet.
Автор: Henrik Nielsen, Monika Fludernik Название: Travelling Concepts: New Fictionality Studies ISBN: 3631805993 ISBN-13(EAN): 9783631805992 Издательство: Peter Lang Рейтинг: Цена: 10880.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This volume is co-edited by the director of the Freiburg graduate school "Factual and Fictional Narration" (GRK 1767, Freiburg/Germany) and the director of the Aarhus Centre for Fictionality Studies (University of Aarhus, DK). The collection of essays re-examines the much discussed fact?fiction distinction in light of the current burgeoning of research on fictionality. It provides a forum for ongoing work on fictionality from France, Germany and Denmark and Sweden. By placing discussions of the notion of fictionality in one volume, the editors hope to initiate exchange between the different traditions represented in the essays und to help the task of translating the available concepts and terminologies so they can travel between different models and theoretical frameworks.
Описание: After a survey of Saint Augustine`s long drawn-out farewell to ancient poetry, the author examines other Late Antique dismissals as well as appropriations of the classical heritage, elucidating a cultural conflict which was to leave traces all through the Middle Ages and beyond.
Описание: Anders Cullhed’s study The Shadow of Creusa explores the early Christian confrontation with pagan culture as a remote anticipation of many later clashes between religious orthodoxy and literary fictionality. After a careful survey of Saint Augustine’s critical attitudes to ancient myth and poetry, summarized as a long drawn-out farewell, Cullhed examines other Late Antique dismissals as well as appropriations of the classical heritage. Macrobius, Martianus Capella and Boethius figure among the Late Antique intellectuals who attempted to save or even restore the old mythology by means of allegorical representation. On the other hand, pious poets such as Paulinus of Nola and Bible epic writers such as Iuvencus or Avitus of Vienne turned against pagan lies, and the mighty arch-bishop of Milan, Saint Ambrose, played off unconditional Christian truth against the last Roman strongholds of cultural pluralism. Thus, The Shadow of Creusa elucidates a cultural conflict which was to leave traces all through the Middle Ages and reach down to our present day.
Автор: Alison Gibbons, Elizabeth King Название: Reading the Contemporary Author: Narrative, Authority, Fictionality ISBN: 1496234618 ISBN-13(EAN): 9781496234612 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8151.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Readers, literary critics, and theorists alike have long demonstrated an abiding fascination with the author, both as a real person—an artist and creator—and as a theoretical concept that shapes the way we read literary works. Whether anonymous, pseudonymous, or trending on social media, authors continue to be an object of critical and readerly interest. Yet theories surrounding authorship have yet to be satisfactorily updated to register the changes wrought on the literary sphere by the advent of the digital age, the recent turn to autofiction, and the current literary climate more generally. In Reading the Contemporary Author the contributors look back on the long history of theorizing the author and offer innovative new approaches for understanding this elusive figure.
Mapping the contours of the vast territory that is contemporary authorship, this collection investigates authorship in the context of narrative genres ranging from memoir and autobiographically informed texts to biofiction and novels featuring novelist narrators and characters. Bringing together the perspectives of leading scholars in narratology, cultural theory, literary criticism, stylistics, comparative literature, and autobiography studies, Reading the Contemporary Author demonstrates that a variety of interdisciplinary viewpoints and critical stances are necessary to capture the multifaceted nature of contemporary authorship.
Описание: Fictions, we are so often told, are everywhere in America today. The extravagant claims of advertising are everywhere, much of the day's news concerns "pseudo-events" like rallies or ceremonies staged so that they can be reported on, and philosophers doubt even the possibility of any knowledge being objective. Thus we seem less and less able to distinguish between the real and the invented. In Five Strands of Fictionality: The Institutional Construction of Contemporary American Fiction, Daniel Punday examines the "postmodern" expansion of fictionality-the feeling today that the line between the real and the invented is harder to draw-and argues that this feeling reflects a struggle by different cultural groups to define how we tell and use "literary" stories. He discusses the literary texts of John Barth, Alice Walker, and Ishmael Reed; paraliterary forms like science fiction and electronic writing; and resolutely nonliterary texts, especially role-playing games, in terms of how each responds to the institution of literature through its definition of fictionality. For too long, postmodernism has been described by easy generalizations-relativist, indeterminate, commercialized-that have rendered the term nearly worthless. Punday applies a more nuanced understanding of fictionality to a variety of contemporary narrative forms that occupy different locations within postmodern literary culture. Approaching postmodernism as a configuration of institutions that legitimize fictionality, he illuminates the nature of creative writing and the conflicts between different literary groups in America today.
Описание: Narrative theory has always been centrally concerned with fiction, yet it has tended to treat fictions as if they were merely the framed or disowned equivalents of nonfictional narratives. A rhetorical perspective upon fictionality, however, sees it as a direct way of meaning and a distinct kind of communicative gesture. "The Rhetoric of Fictionality: Narrative Theory and the Idea of Fiction" by Richard Walsh argues the merit of such a perspective and demonstrates its radical implications for narrative theory. A new conception of fictionality as a distinctive rhetorical resource, somewhat like the master-trope of fictional narrative, cuts across many of the core theoretical issues in the field. The model, set out in chapter one, is subsequently tested and elaborated in relation to currently prevalent assumptions about narrativity and mimesis; narrative structure; the narrator and transmission; voice and mediacy; narrative media and cognition; and creativity, reception, and involvement. Throughout, the theoretical analysis seeks to vindicate readers intuitions about fiction without merely restating them: the result is a forceful challenge to many of narrative theory s orthodoxies. The rhetorical model of fictionality advanced in this book offers up new areas of inquiry into the purchase of fictiveness itself upon questions of narrative interpretation. It urges a fundamental reconception of the apparatus of narrative theory by theorizing the conditions of significance that make fictions conceivable and worthwhile."
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