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Visible Mind, Hauke, Christopher


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Автор: Hauke, Christopher
Название:  Visible Mind
ISBN: 9780415692526
Издательство: Taylor&Francis
Классификация:



ISBN-10: 0415692520
Обложка/Формат: Paperback
Страницы: 220
Вес: 0.38 кг.
Дата издания: 18.07.2013
Язык: English
Иллюстрации: 2 tables, black and white; 15 halftones, black and white; 2 illustrations, black and white
Размер: 230 x 156 x 13
Читательская аудитория: Postgraduate, research & scholarly
Подзаголовок: Movies, modernity and the unconscious
Рейтинг:
Поставляется из: Европейский союз


Ferocious Reality: Documentary According to Werner Herzog ( Visible Evidence (Hardcover) #27 )

Автор: Ames, Eric (Author)
Название: Ferocious Reality: Documentary According to Werner Herzog ( Visible Evidence (Hardcover) #27 )
ISBN: 0816677638 ISBN-13(EAN): 9780816677634
Издательство: NBN International
Рейтинг:
Цена: 8279.00 р. 11827.00 -30%
Наличие на складе: Есть (1 шт.)
Описание: Over the course of his career Werner Herzog, known for such visionary masterpieces as Aguirre: The Wrath of God (1972) and The Enigma of Kaspar Hauser (1974), has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: \u201cThere are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization.\u201d Ferocious Reality is the first book to ask how this conviction, so hostile to the traditional tenets of documentary, can inform the work of one of the world\u2019s most provocative documentarians.Herzog, whose Cave of Forgotten Dreams was perhaps the most celebrated documentary of 2010, may be the most influential filmmaker missing from major studies and histories of documentary. Examining such notable films as Lessons of Darkness (1992) and Grizzly Man (2005), Eric Ames shows how Herzog dismisses documentary as a mode of filmmaking in order to creatively intervene and participate in it. In close, contextualized analysis of more than twenty-five films spanning Herzog\u2019s career, Ames makes a case for exploring documentary films in terms of performance and explains what it means to do so. Thus his book expands the field of cinema studies even as it offers an invaluable new perspective on a little studied but integral part of Werner Herzog\u2019s extraordinary oeuvre.

Horror Show Guide: The Ultimate Frightfest of Movies

Автор: Mayo Mike
Название: Horror Show Guide: The Ultimate Frightfest of Movies
ISBN: 1578594200 ISBN-13(EAN): 9781578594207
Издательство: Неизвестно
Цена: 7580.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This cinefile's guidebook covers the horror genre monstrously well Find reviews of over 1,000 of the best, weirdest, wickedest, wackiest, and most entertaining scary movies from every age of horror

Atomic bombs, mad serial killers, zealous zombies, maniacal monsters lurking around every corner, and the unleashing of technology, rapidly changing and dominating our lives. Slasher and splatter films. Italian giallo and Japanese city-stomping monster flicks. Psychological horrors, spoofs, and nature running amuck. You will find these terrors and many more in The Horror Show Guide: The Ultimate Frightfest of Movies.

No gravestone is left unturned to bring you entertaining critiques, fascinating top-ten lists, numerous photos, and extensive credit information to satisfy even the most die-hard fans. Written by a fan for fans, The Horror Show Guide helps lead even the uninitiated to unexpected treasures of unease and mayhem with lists of similar motifs, including ...

  • Urban Horrors
  • Nasty Bugs, Mad Scientists and Maniacal Medicos
  • Evil Dolls
  • Bad Hair Days
  • Big Bad Werewolves
  • Most Appetizing Cannibals
  • Classic Ghost Stories
  • Fiendish Families
  • Guilty Pleasures
  • Literary Adaptations
  • Horrible Highways and Byways
  • Post-Apocalyptic Horrors
  • Most Regrettable Remakes
  • Towns with a Secret
  • and many more.

    With reviews on many overlooked, underappreciated gems, new devotees and discriminating dark-cinema enthusiasts alike will love this big, beautiful, end-all, be-all guide to an always popular film genre. With many photos, illustrations, and other graphics, The Horror Show Guide is richly illustrated. Its helpful appendix of movie credits, bibliography, and extensive index add to its usefulness.

  • Women Made Visible: Feminist Art and Media in Post-1968 Mexico City

    Автор: Gabriela Aceves Sepulveda
    Название: Women Made Visible: Feminist Art and Media in Post-1968 Mexico City
    ISBN: 1496213246 ISBN-13(EAN): 9781496213242
    Издательство: Mare Nostrum (Eurospan)
    Рейтинг:
    Цена: 4389.00 р.
    Наличие на складе: Есть у поставщика Поставка под заказ.

    Описание:

    2020 Canadian Association for Latin American and Caribbean Studies (CALACS) Book Prize

    In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality.

    Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality—increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico’s mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century.

    Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally.
    The Present Image

    Автор: Paolo S. H. Favero
    Название: The Present Image
    ISBN: 3319694987 ISBN-13(EAN): 9783319694986
    Издательство: Springer
    Рейтинг:
    Цена: 7685.00 р.
    Наличие на складе: Есть у поставщика Поставка под заказ.

    Описание: The Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world.

    Visible and Invisible Whiteness

    Автор: Alice Mikal Craven
    Название: Visible and Invisible Whiteness
    ISBN: 3030082857 ISBN-13(EAN): 9783030082857
    Издательство: Springer
    Рейтинг:
    Цена: 12577.00 р.
    Наличие на складе: Есть у поставщика Поставка под заказ.

    Описание: Visible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema. Close readings of D.W. Griffith’s The Birth of a Nation by James Agee and James Baldwin explore these authors’ perspectives on the American mythologies which ground Griffith’s film. The intersectionality of Bordwell’s theories on Classical Hollywood Narrative versus Art Cinema and Richard Dyer’s seminal work on whiteness forms the theoretical base for the book. Featured films are those which have been undervalued or banned due to their hybrid natures with respect to Hollywood and Art Cinema techniques, such as Samuel Fuller’s White Dog and Jean Renoir’s The Southerner. The book offers comparative analyses of American studio-based directors as well as European and European ?migr?s directors. It appeals to scholars of Film Theory, African American and Whiteness Studies. It provides insight for readers concerned about the re-emergence of white supremacist tensions in contemporary America.

    Be Visible Or Vanish

    Автор: Mewburn, Inger
    Название: Be Visible Or Vanish
    ISBN: 1032049944 ISBN-13(EAN): 9781032049946
    Издательство: Taylor&Francis
    Рейтинг:
    Цена: 20671.00 р.
    Наличие на складе: Нет в наличии.

    Cine-ethnography

    Автор: Rouch, Jean
    Название: Cine-ethnography
    ISBN: 0816641048 ISBN-13(EAN): 9780816641048
    Издательство: Marston Book Services
    Рейтинг:
    Цена: 4354.00 р.
    Наличие на складе: Нет в наличии.

    Описание: Logic and Reality is a collection of essays by philosophers, logicians, mathematicians, and computer scientists, celebrating the work of the distinguished philosopher Arthur Prior. Topics range from philosophical discussions of the nature of time and of the nature of logic iteself, to descriptions of computer systems that can reason and take account of the fact that they exist in a temporal world.

    Dynamics and Performativity of Imagination

    Автор: Huppauf, Bernd
    Название: Dynamics and Performativity of Imagination
    ISBN: 0415990939 ISBN-13(EAN): 9780415990936
    Издательство: Taylor&Francis
    Рейтинг:
    Цена: 22968.00 р.
    Наличие на складе: Есть у поставщика Поставка под заказ.

    The Threshold of the Visible World

    Автор: Silverman, Kaja
    Название: The Threshold of the Visible World
    ISBN: 0415910390 ISBN-13(EAN): 9780415910392
    Издательство: Taylor&Francis
    Рейтинг:
    Цена: 5511.00 р.
    Наличие на складе: Нет в наличии.

    Ferocious Reality: Documentary According to Werner Herzog

    Автор: Ames Eric
    Название: Ferocious Reality: Documentary According to Werner Herzog
    ISBN: 0816677646 ISBN-13(EAN): 9780816677641
    Издательство: Marston Book Services
    Рейтинг:
    Цена: 4354.00 р.
    Наличие на складе: Есть у поставщика Поставка под заказ.

    Описание:

    Over the course of his career Werner Herzog, known for such visionary masterpieces as Aguirre: The Wrath of God (1972) and The Enigma of Kaspar Hauser (1974), has directed almost sixty films, roughly half of which are documentaries. And yet, in a statement delivered during a public appearance in 1999, the filmmaker declared: "There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization." Ferocious Reality is the first book to ask how this conviction, so hostile to the traditional tenets of documentary, can inform the work of one of the world's most provocative documentarians.

    Herzog, whose Cave of Forgotten Dreams was perhaps the most celebrated documentary of 2010, may be the most influential filmmaker missing from major studies and histories of documentary. Examining such notable films as Lessons of Darkness (1992) and Grizzly Man (2005), Eric Ames shows how Herzog dismisses documentary as a mode of filmmaking in order to creatively intervene and participate in it. In close, contextualized analysis of more than twenty-five films spanning Herzog's career, Ames makes a case for exploring documentary films in terms of performance and explains what it means to do so. Thus his book expands the field of cinema studies even as it offers an invaluable new perspective on a little studied but integral part of Werner Herzog's extraordinary oeuvre.

    Women Made Visible: Feminist Art and Media in Post-1968 Mexico City

    Автор: Gabriela Aceves Sepulveda
    Название: Women Made Visible: Feminist Art and Media in Post-1968 Mexico City
    ISBN: 1496202031 ISBN-13(EAN): 9781496202031
    Издательство: Mare Nostrum (Eurospan)
    Рейтинг:
    Цена: 8151.00 р.
    Наличие на складе: Есть у поставщика Поставка под заказ.

    Описание:

    2020 Canadian Association for Latin American and Caribbean Studies (CALACS) Book Prize

    In post-1968 Mexico a group of artists and feminist activists began to question how feminine bodies were visually constructed and politicized across media. Participation of women was increasing in the public sphere, and the exclusive emphasis on written culture was giving way to audio-visual communications. Motivated by a desire for self-representation both visually and in politics, female artists and activists transformed existing regimes of media and visuality.

    Women Made Visible by Gabriela Aceves Sepúlveda uses a transnational and interdisciplinary lens to analyze the fundamental and overlooked role played by artists and feminist activists in changing the ways female bodies were viewed and appropriated. Through their concern for self-representation (both visually and in formal politics), these women played a crucial role in transforming existing regimes of media and visuality—increasingly important intellectual spheres of action. Foregrounding the work of female artists and their performative and visual, rather than written, interventions in urban space in Mexico City, Aceves Sepúlveda demonstrates that these women feminized Mexico’s mediascapes and shaped the debates over the female body, gender difference, and sexual violence during the last decades of the twentieth century.

    Weaving together the practices of activists, filmmakers, visual artists, videographers, and photographers, Women Made Visible questions the disciplinary boundaries that have historically undermined the practices of female artists and activists and locates the development of Mexican second-wave feminism as a meaningful actor in the contested political spaces of the era, both in Mexico City and internationally.
    Visible Fictions

    Автор: Ellis
    Название: Visible Fictions
    ISBN: 1138835048 ISBN-13(EAN): 9781138835047
    Издательство: Taylor&Francis
    Рейтинг:
    Цена: 22202.00 р.
    Наличие на складе: Есть у поставщика Поставка под заказ.

    Описание: Ellis questions the assumption that cinema and television are interchangeable media. He sees cinema and broadcast TV not as competitive media, but as distinct forms, able to play interdependent social roles.


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