Автор: Silver Alain, Ursini James Название: Film Noir (BU) ISBN: 3836561697 ISBN-13(EAN): 9783836561693 Издательство: Taschen Рейтинг: Цена: 2657.00 р. Наличие на складе: Ожидается поступление.
Описание: Explore the dark and brooding elegance of Film Noir with this essential handbook to the genre, exploring key noir themes and their most representative movies. Copiously illustrated with film stills as well as original posters, the book also lists TASCHEN`s top 50 noir classics. A must for amateurs and aficionados alike.
Автор: Leader, Michael Cunningham, Jake Название: Ghibliotheque Film Korea ISBN: 1802796339 ISBN-13(EAN): 9781802796339 Издательство: Carlton Books Рейтинг: Цена: 3168.00 р. Наличие на складе: Есть (3 шт.) Описание: Explore the magical, mysterious world of Korean cinema, in this new book from the authors of Ghibliotheque.
From smash hits such as Parasite to cult favourites Oldboy, The Handmaiden and Train to Busan, Korean cinema is a hotbed of creative talent and the force behind the most exciting, captivating filmmaking in the world right now.
In this essential guide to the country's cinematic story, Michael Leader and Jake Cunningham – authors and hosts of the hit podcast Ghibliotheque – guide you through the must-see films from a century of Korean movies.
Exploring 30 movies, from the breakout hits to deeper cuts, hidden gems and future classics, Film Korea is a gateway to everything you need to know about the white-hot world of Korean cinema. Combining reviews and director biographies with recommended further viewing and a catalogue of beautiful film stills and movie posters, this is your one-stop guide to an incredible, captivating artform.
Автор: Pramaggiore Maria, Wallis Tom Название: Film Fourth Edition: A Critical Introduction ISBN: 1786275775 ISBN-13(EAN): 9781786275776 Издательство: Laurence King Рейтинг: Цена: от 6146.00 р. Наличие на складе: Есть
Описание: Updated and expanded for a new edition, this is the perfect starter text for students of film studies. Packed full of visual examples from all periods of film history up to the present, Film: A Critical Introduction illustrates film concepts in context and in depth, addressing techniques and terminology used in film production and criticism, and emphasizing thinking and writing critically and effectively. With reference to 450 new and existing images, the authors discuss contemporary films and film studies scholarship, as well as recent developments in film production and exhibition, such as digital technologies and new modes of screen media. New features in the fourth edition: Expanded discussion of changing cultural and political contexts for film and media industries, including #MeToo, #TimesUp, and #OscarsSoWhite Updated examples drawing from both contemporary and classic films in every chapter highlight that film studies is a vibrant and growing field. New closing chapter expands the book's theoretical framework, linking foundational concepts in cinema studies to innovative new scholarship in media and screen studies. Thoroughly revised and updated discussions of auteur theory, the long-take aesthetic, ideology in the superhero film and more.
Автор: Annabelle Honess Roe Название: Aardman Animations: Beyond Stop-Motion ISBN: 1350194948 ISBN-13(EAN): 9781350194946 Издательство: Bloomsbury Academic Рейтинг: Цена: 5067.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate ‘Claymation’ methods or form a hybrid animation style.
This unique volume brings together leading film and animation scholars with children’s media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of ‘British-ness’ on screen and the implications of traditional animation methods in a digital era.
Автор: Kuhn, Annette (professor And Research Fellow In Film Studies, Professor And Research Fellow In Film Studies, Queen Mary University Of London) Westwell Название: Dictionary of film studies ISBN: 0198832095 ISBN-13(EAN): 9780198832096 Издательство: Oxford Academ Рейтинг: Цена: 2374.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Covers all aspects of film studies, including film theory and criticism, national and international cinemas, film history, film movements and genres, film industry practices, and key technical terms in over 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links.
In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.
Автор: Dixon, Wheeler Winston (Author) Название: The Early Film Criticism of Francois Truffaut ISBN: 0253207711 ISBN-13(EAN): 9780253207715 Издательство: Wiley EDC Рейтинг: Цена: 2161.00 р. 3087.00-30% Наличие на складе: Есть (1 шт.) Описание: Before turning to filmmaking, Francois Truffaut was a film critic writing for Cahiers du Cinema during the 1950s. The Early film Criticism of Francois Truffaut makes available, for the first time in English, articles that originally appeared in French journals such as Cahiers du Cinema and Arts. Truffaut discusses films by such acknowledged masters as Hitchcock, Huston, Dymytryk, and Lang, but also examines the work of such lesser-known directors as Robert Wise, Don Weis, and Roger Vadim.
Автор: James Naremore Название: On Kubrick: Revised Edition ISBN: 1839023996 ISBN-13(EAN): 9781839023996 Издательство: Bloomsbury Academic Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In a comprehensively revised and updated new edition, James Naremore provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). Naremore offers provocative analyses of each of Kubrick's films, considering his emphasis on the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). He argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Combining close readings with new insights into the production histories and cultural contexts of key films, Naremore provides a concise yet thorough discussion that will be useful to students of Kubrick's filmmaking and cinephiles who seek a deeper insight into the work of this perfectionist genius.Revised throughout, this new edition also includes a fully updated bibliography of critical writings on Kubrick's cinema.
Автор: Steinberg Marc, Zahlten Alexander Название: Media Theory in Japan ISBN: 0822363267 ISBN-13(EAN): 9780822363262 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5010.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally.
Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten
Автор: Macdonald Название: In Search Of La Grande Illusion ISBN: 0786462701 ISBN-13(EAN): 9780786462704 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4075.00 р. 5821.00-30% Наличие на складе: Есть (1 шт.) Описание: This is an extended analysis of La Grande Illusion from different perspectives. The first half is largely a discussion of the cinematic technique, with key sequences analysed shot by shot. The second half approaches the film from many other angles, including its history, the critical reception, Renoir`s life and career, and film theory.
Автор: Mihaela Mihailova Название: Coraline: A Closer Look at Studio LAIKA`s Stop-Motion Witchcraft ISBN: 1501381431 ISBN-13(EAN): 9781501381430 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Coraline (Henry Selick, 2009) is stop-motion studio LAIKA's feature-length debut based on the popular children's novel by British author Neil Gaiman. Heralding a revival in global interest in stop-motion animation, the film is both an international cultural phenomenon and a breakthrough moment in the technological evolution of the craft. This open access collection brings together an international group of practitioners and scholars to examine Coraline's place in animation history and culture, dissect its politics, and unpack its role in the technological and aesthetic development of its medium.
More broadly, it celebrates stop motion as a unique and enduring artform while embracing its capacity to evolve in response to cultural, political, and technological changes, as well as shifting critical and audience demands. Divided into three sections, this volume's chapters situate Coraline within an interconnected network of historical, industrial, discursive, theoretical, and cultural contexts. They place the film in conversation with the medium's aesthetic and technological history, broader global intellectual and political traditions, and questions of animation reception and spectatorship.
In doing so, they invite recognition - and appreciation - of the fact that Coraline occupies many liminal spaces at once. It straddles the boundary between children's entertainment and traditional 'adult' genres, such as horror and thriller. It complicates a seemingly straight(forward) depiction of normative family life with gestures of queer resistance.
Finally, it marks a pivotal point in stop-motion animation's digital turn. Following the film's recent tenth anniversary, the time is right to revisit its production history, evaluate its cultural and industry impact, and celebrate its legacy as contemporary stop-motion cinema's gifted child. As the first book-length academic study of this contemporary animation classic, this volume serves as an authoritative introduction and a primary reference on the film for scholars, students, practitioners, and animation fans.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com.
Автор: John Marmysz Название: Cinematic Nihilism: Encounters, Confrontations, Overcomings ISBN: 1474431712 ISBN-13(EAN): 9781474431712 Издательство: Bloomsbury Academic Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Exposing and illustrating how an ongoing engagement with nihilistic alienation may contribute to, rather than detract from, the value of life, Cinematic Nihilism both challenges and builds upon past scholarship that has scrutinised nihilism in the media, but which has generally over-emphasised its negative and destructive aspects. Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Dead and The Human Centiped e, and with chapters on Scotland’s cinematic portrayal as both a site of ‘nihilistic sacrifice’ and as ‘nowhere in particular’, this book presents a necessary corrective, re-emphasising the constructive potential of cinematic nihilism and casting it as a phenomenon that need not be overcome.
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