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The Politics of Musical Identity, Fauser, Annegret


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Автор: Fauser, Annegret
Название:  The Politics of Musical Identity
ISBN: 9780367581817
Издательство: Taylor&Francis
Классификация:




ISBN-10: 0367581817
Обложка/Формат: Paperback
Страницы: 392
Вес: 0.45 кг.
Дата издания: 30.06.2020
Серия: Ashgate contemporary thinkers on critical musicology series
Язык: English
Размер: 241 x 168 x 25
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: Selected essays
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Поставляется из: Европейский союз


We`ll Meet Again: Musical Design in the Films of Stanley Kubrick

Автор: McQuiston, Kate (Author)
Название: We`ll Meet Again: Musical Design in the Films of Stanley Kubrick
ISBN: 0199767653 ISBN-13(EAN): 9780199767656
Издательство: Oxford Academ
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Цена: 16355.00 р. 23364.00 -30%
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Описание: We`ll Meet Again illuminates music`s central role in the design and reception of Stanley Kubrick`s films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick`s working process.

Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity--And Why This Harms Everybody

Автор: Pluckrose Helen, Lindsay James
Название: Cynical Theories: How Activist Scholarship Made Everything about Race, Gender, and Identity--And Why This Harms Everybody
ISBN: 1634312279 ISBN-13(EAN): 9781634312271
Издательство: Gazelle Book Services
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Цена: 2482.00 р.
Наличие на складе: Нет в наличии.

Описание: Wall Street Journal, USA Today, and Publishers Weekly Bestseller! Times, Sunday Times, and Financial Times Book-of-the-Year Selection! Have you heard that language is violence and that science is sexist? Have you read that certain people shouldn't practice yoga or cook Chinese food? Or been told that being obese is healthy, that there is no such thing as biological sex, or that only white people can be racist? Are you confused by these ideas, and do you wonder how they have managed so quickly to challenge the very logic of Western society? In this probing and intrepid volume, Helen Pluckrose and James Lindsay document the evolution of the dogma that informs these ideas, from its coarse origins in French postmodernism to its refinement within activist academic fields. Today this dogma is recognizable as much by its effects, such as cancel culture and social-media dogpiles, as by its tenets, which are all too often embraced as axiomatic in mainstream media: knowledge is a social construct; science and reason are tools of oppression; all human interactions are sites of oppressive power play; and language is dangerous. As Pluckrose and Lindsay warn, the unchecked proliferation of these anti-Enlightenment beliefs present a threat not only to liberal democracy but also to modernity itself.

While acknowledging the need to challenge the complacency of those who think a just society has been fully achieved, Pluckrose and Lindsay break down how this often-radical activist scholarship does far more harm than good, not least to those marginalized communities it claims to champion. They also detail its alarmingly inconsistent and illiberal ethics. Only through a proper understanding of the evolution of these ideas, they conclude, can those who value science, reason, and consistently liberal ethics successfully challenge this harmful and authoritarian orthodoxy-in the academy, in culture, and beyond.

Aardman animations

Название: Aardman animations
ISBN: 1350114553 ISBN-13(EAN): 9781350114555
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание: The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate ‘Claymation’ methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children’s media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of ‘British-ness’ on screen and the implications of traditional animation methods in a digital era.

Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America

Автор: Wolf Stacy
Название: Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America
ISBN: 0190639539 ISBN-13(EAN): 9780190639532
Издательство: Oxford Academ
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Цена: 4988.00 р.
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Описание: Beyond Broadway travels across America to illustrate musical theatre`s ubiquitous presence as a thriving national folk practice that touches millions of lives.

Identity and Authenticity

Автор: Rees, Michael
Название: Identity and Authenticity
ISBN: 0367271419 ISBN-13(EAN): 9780367271411
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Based on interviews and participant observation at tattoo studios and tattoo conventions, this book draws on Norbert Elias` figurational sociology to investigate the reasons for which so many people choose tattooing as a form of body modification in the construction of their identity.

Protest Music in France

Автор: Lebrun
Название: Protest Music in France
ISBN: 1138265764 ISBN-13(EAN): 9781138265769
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: Barbara Lebrun traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. Contestation is understood as a discourse shaped by the assumptions and practices of artists, producers, the media and audiences, for whom it makes sense to reject politically reactionary ideas and the dominant taste for commercial pop. Placing music in its economic, historical and ideological context, however, reveals the fragility and instability of these oppositions. The book firstly concentrates on music production in France, the relationships between independent labels, major companies and the state's cultural policies. This section provides the material background for understanding the development of rock alternatif, France's self-styled 'subversive' genre of the 1980s, and explains the specificity of a 'protest' music culture in late-twentieth-century France, in relation to the genre's tradition in the West. The second part looks at representations of a 'protest' identity in relation to discourses of national identity, focusing on two 1990s sub-genres. The first, chanson neo-realiste, contests modernity through the use of acoustic instruments, but its nostalgic 'protest' raises questions about the artists' real engagement with the present. The second, rock metis, borrows from North African and Latino rhythms and challenges the 'neutral' Frenchness of the Republic, while advocating multiculturalism in problematic ways. A discussion of Manu Chao's career, a French artist who has achieved success abroad, also allows an exploration of the relationship between transnationalism and anti-globalization politics. Finally, the book examines the audiences of French 'protest' music and considers festivals as places of 'non-mainstream' identity negotiation. Based on first-hand interviews, this section highlights the vocabulary of emotions that audiences use to make sense of an 'alternative' performance, unveiling the contradictions that underpin their self-definition as participants in a 'protest' culture. The book contributes to debates on the cultural production of 'resistance' and the representation of post-colonial identities, uncovering the social constructedness of the discourse of 'protest' in France. It pays attention to its nation-specific character while offering a wider reflection on the fluidity of 'subversive' identities, with potential applications across a range of Western music practices.

Musical Ethics and Islam: The Art of Playing the Ney

Автор: Banu Senay
Название: Musical Ethics and Islam: The Art of Playing the Ney
ISBN: 0252084888 ISBN-13(EAN): 9780252084881
Издательство: Wiley EDC
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Цена: 3773.00 р.
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Описание:

After the establishment of the Turkish Republic, Turkey's secularized society disdained the ney, the Sufi reed flute long associated with Islam. The instrument's remarkable revival in today's cities has inspired the creation of teaching and learning sites that range from private ney studios to cultural and religious associations and from university clubs to mosque organizations.

Banu Şenay documents the years-long training required to become a neyzen—a player of the ney. The process holds a transformative power that invites students to create a new way of living that involves alternative relationships with the self and others, changing perceptions of the city, and a dedication to craftsmanship. Şenay visits reed harvesters and travels from studios to workshops to explore the practical processes of teaching and learning. She also becomes an apprentice ney-player herself, exploring the desire for spirituality that encourages apprentices and masters alike to pursue ney music and its scaffolding of Islamic ethics and belief.

Musical Portraits

Автор: Walden, Joshua S.
Название: Musical Portraits
ISBN: 0190653507 ISBN-13(EAN): 9780190653507
Издательство: Oxford Academ
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Цена: 13147.00 р.
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Описание: Joshua S. Walden's Musical Portraits: The Composition of Identity in Contemporary and Experimental Music explores the wide-ranging but under-examined genre of musical portraiture. It focuses in particular on contemporary and experimental music created between 1945 and the present day, an era
in which conceptions of identity have changed alongside increasing innovation in musical composition as well as in the uses of abstraction, mixed media, and other novel techniques in the field of visual portraiture. In the absence of physical likeness, an element typical of portraiture that cannot
be depicted in sound, composers have experimented with methods of constructing other attributes of identity in music, such as character, biography, and profession. By studying musical portraits of painters, authors, and modern celebrities, in addition to composers' self-portraits, the book considers
how representational and interpretive processes overlap and differ between music and other art forms, as well as how music is used in the depiction of human identities. Examining a range of musical portraits by composers including Peter Ablinger, Pierre Boulez, Morton Feldman, Philip Glass, Gyцrgy
Ligeti, and Virgil Thomson, and director Robert Wilson's on-going series of video portraits of modern-day celebrities and his "portrait opera" Einstein on the Beach, Musical Portraits contributes to the study of music since 1945 through a detailed examination of contemporary understandings of
music's capacity to depict identity, and of the intersections between music, literature, theater, film, and the visual arts.

The Power of Pastiche: Musical Miscellany and the Cultural Identity in Early Eighteenth-Century England

Автор: Desimone Alison
Название: The Power of Pastiche: Musical Miscellany and the Cultural Identity in Early Eighteenth-Century England
ISBN: 1942954778 ISBN-13(EAN): 9781942954774
Издательство: Gazelle Book Services
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Цена: 36784.00 р.
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Описание: In eighteenth-century England, variety became a prized aesthetic in musical culture. Not only was variety-of counterpoint, harmony, melody, and orchestration-expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England.

This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.

Wagner`s Melodies

Автор: Trippett
Название: Wagner`s Melodies
ISBN: 1316618234 ISBN-13(EAN): 9781316618233
Издательство: Cambridge Academ
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Цена: 6970.00 р.
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Описание: Wagner`s melodies sparked one of the most controversial debates in nineteenth-century aesthetics and continue to polarise opinion to this day. Interweaving a wide variety of sources, from private correspondence to court reports, David Trippett`s book places Wagner`s ideas about melody in the context of the scientific discourse of his age.

Love, language, place, and identity in popular culture

Автор: Maria Ramos-Garcia
Название: Love, language, place, and identity in popular culture
ISBN: 1498589383 ISBN-13(EAN): 9781498589383
Издательство: NBN International
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Цена: 17107.00 р.
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Описание: This book analyzes representations of otherness in a variety of romantic Anglophone texts from the 1950s to the 2010s using an array of approaches. Together, contributors suggest a trajectory of increasing openness to diversity, but also the many ways in which popular fiction continues to fall short, perpetuating old tropes and stereotypes.

Foundations of Musical Grammar

Автор: Zbikowski Lawrence
Название: Foundations of Musical Grammar
ISBN: 0190653639 ISBN-13(EAN): 9780190653637
Издательство: Oxford Academ
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Цена: 7443.00 р.
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Описание: Foundations of Musical Grammar makes a unique contribution to music theory by building on recent research in cognitive science and theoretical perspectives adopted from cognitive linguistics to present an account of the foundations of musical grammar. In presenting this account, it engages with music and the emotions, gesture, and social dance.


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