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From the chanson fran?aise to the canzone d`autore in the 1960s and 1970s, Haworth, Rachel


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Автор: Haworth, Rachel
Название:  From the chanson fran?aise to the canzone d`autore in the 1960s and 1970s
ISBN: 9780367598679
Издательство: Taylor&Francis
Классификация:




ISBN-10: 0367598671
Обложка/Формат: Paperback
Страницы: 212
Вес: 0.39 кг.
Дата издания: 30.06.2020
Серия: Ashgate popular and folk music series
Язык: English
Размер: 231 x 155 x 13
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: Authenticity, authority, influence
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Поставляется из: Европейский союз


Chanson

Автор: Hawkins
Название: Chanson
ISBN: 1138275794 ISBN-13(EAN): 9781138275799
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: ’En France, tout finit par des chansons’ is the well-known phrase which sums up the importance of chanson for the French. A song tradition that goes back to the Middle Ages and troubadours of the twelfth and thirteenth centuries, chanson is part of the texture of everyday life in France - a part of the national identity and a barometer of popular taste. In this first study of chanson in English, Peter Hawkins examines the background to the genre and the difficulties in defining what is and what is not chanson. The focus then moves to the development of the singer-songwriter of chanson from 1880 to the present day. This period saw the emergence of national icons from Aristide Bruant at the end of the nineteenth century through to internationally recognized musicians such as Jacques Brel and Serge Gainsbourg. Each of these figures used chanson to express the particular moral dilemmas, tragic situations and moments of euphoria particular to themselves and their times. The book provides bibliographies, discographies and details of video recordings for each of the singer-songwriters that it discusses. It is both an essential reference guide to the genre and a useful case history of the adaptation of an ancient form to the demands of the modern mass media.

From the chanson francaise to the canzone d`autore in the 1960s and 1970s

Автор: Haworth, Dr. Rachel
Название: From the chanson francaise to the canzone d`autore in the 1960s and 1970s
ISBN: 1409441733 ISBN-13(EAN): 9781409441731
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: The similarities between the chanson franAaise and the canzone d`autore have been often noted but never fully explored. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Rachel Haworth considers the different ways in which French and Italian song is thought about, written about and constructed.

Chanson

Автор: Hawkins, Peter
Название: Chanson
ISBN: 0754601021 ISBN-13(EAN): 9780754601029
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Popular Music in France from Chanson to Techno

Автор: Dauncey, Hugh
Название: Popular Music in France from Chanson to Techno
ISBN: 0754608492 ISBN-13(EAN): 9780754608493
Издательство: Taylor&Francis
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Popular Music in France from Chanson to Techno

Автор: Cannon
Название: Popular Music in France from Chanson to Techno
ISBN: 1138277371 ISBN-13(EAN): 9781138277373
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: In France during the 1960s and 1970s, popular music became a key component of socio-cultural modernisation as the music/record industry became increasingly important in both economic and cultural terms in response to demographic changes and the rise of the modern media. As France began questioning traditional ways of understanding politics and culture before and after May 1968, music as popular culture became an integral part of burgeoning media activity. Press, radio and television developed free from de Gaulle's state domination of information, and political activism shifted its concerns to the use of regional languages and regional cultures, including the safeguard of traditional popular music against the centralising tendencies of the Republican state. The cultural and political significance of French music was again revealed in the 1990s, as French-language music became a highly visible example of France's quest to maintain her cultural 'exceptionalism' in the face of the perceived globalising hegemony of English and US business and cultural imperialism. Laws were passed instituting minimum quotas of French-language music. The 1980s and 1990s witnessed developing issues raised by new technologies, as compact discs, the minitel telematics system, the internet and other innovations in radio and television broadcasting posed new challenges to musicians and the music industry. These trends and developments are the subject of this volume of essays by leading scholars across a range of disciplines including French studies, musicology, cultural and media studies and film studies. It constitutes the first attempt to provide a complete and up-to-date overview of the place of popular music in modern France and the reception of French popular music abroad.


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