Автор: Carter, Tim (university Of North Carolina, Chapel Hill) Fantappie, Francesca (harvard University Center, Villa I Tatti, Florence) Название: Staging `euridice` ISBN: 1316515400 ISBN-13(EAN): 9781316515402 Издательство: Cambridge Academ Рейтинг: Цена: 11880.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first comprehensive account of the creation and staging of the earliest surviving complete `opera`, Euridice, during the festivities celebrating the marriage of Maria de` Medici and King Henri IV of France in 1600. It will prove invaluable for anyone interested in Renaissance music, theatre, and their contexts.
Автор: Carter Tim Название: Understanding Italian Opera ISBN: 0190247940 ISBN-13(EAN): 9780190247942 Издательство: Oxford Academ Рейтинг: Цена: 5701.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Opera has long fascinated creative artists and audiences alike. It is often regarded as the pinnacle of high art, yet it is also shrouded in mystique. Understanding Italian Opera unravels its many layers by looking closely at five of the most enduring and emblematic Italian operas from Monteverdi to Puccini.
Автор: Seeley Название: Richard D`Oyly Carte ISBN: 1138486280 ISBN-13(EAN): 9781138486287 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a critical survey of the career of the impresario whose ambitions went beyond the famous partnership of Gilbert and Sullivan. Errors and misconceptions in current literature are challenged and corrected to give a truer portrayal of one of the most influential music theatre promoters in the nineteenth century.
Автор: Carter, Tim Название: Monteverdi and his Contemporaries ISBN: 0860788237 ISBN-13(EAN): 9780860788232 Издательство: Taylor&Francis Рейтинг: Цена: 5358.00 р. Наличие на складе: Поставка под заказ.
Описание: From the fall of 1947 through the summer of 1951 composer Igor Stravinsky and poet W. H. Auden collaborated on the opera The Rake's Progress. At the time, their self-consciously conventional work seemed to appeal only to conservative audiences. Few perceived that Stravinsky and Auden were confronting the central crisis of the Modern age, for their story of a hapless eighteenth-century Everyman dramatizes the very limits of human will, a theme Auden insists underlies all opera. In The Last Opera, Chandler Carter weaves together three interlocking stories. The central and most detailed story explores the libretto and music of The Rake's Progress. The second positions the opera as a focal point in Stravinsky's artistic journey and those who helped him realize it—his librettists, Auden and Chester Kallman; his prot?g? Robert Craft; and his compatriot, fellow composer, and close friend Nicolas Nabokov. By exploring the ominous cultural landscape in which these fascinating individuals lived and worked, the book captures a pivotal twenty-five-year span (from approximately 1945 to 1970) during which modernists like Stravinsky and Auden confronted a tectonic disruption to their artistic worldview. Ultimately, Carter reveals how these stories fit into a larger third narrative, the 400-year history of opera. This richly and lovingly contextualized study of The Rake's Progress sheds new light on why, despite the hundreds of musical dramas and theater pieces that have been written since its premier in 1951, this work is still considered the "the last opera."
Автор: Carter Название: Monteverdi`s Musical Theatre ISBN: 0300217269 ISBN-13(EAN): 9780300217261 Издательство: Wiley Рейтинг: Цена: 4118.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Claudio Monteverdi (1567-1643) is well known as the composer of the earliest operas still performed today. His 'Orfeo', 'Il ritorno d'Ulisse in patria' and 'L'incoronazione di Poppea' are internationally popular nearly four centuries after their creation. These seminal works represent only a part of Monteverdi's music for the stage, however. He also wrote numerous works that, while not operas, are no less theatrical in their fusion of music, drama and dance. This impressive book is the first to survey Monteverdi's entire output of music for the theatre - his surviving operas, other dramatic musical compositions and lost works. Tim Carter, a leading Monteverdi expert, begins by charting the progress of early opera from the north Italian courts to the 'public' theatres of Venice. He places Monteverdi's stage works in the broader context of early seventeenth-century theatrical endeavour and explores crucial questions of genre, interpretation and performance practices, both then and now. Taking a pragmatic view of how the works were brought to life on the stage and how they were seen in their own time, Carter discusses the complex modes of production that involved a range of artists, artisans and performers. With insightful commentary on the composer's individual works and on the cultural and theatrical contexts in which they were performed, Carter casts new light on Monteverdi's remarkable achievement as a man of the theatre. Tim Carter is David G. Frey Distinguished Professor of Music at the University of North Carolina at Chapel Hill. He was previously Professor of Music at Royal Holloway, University of London.
Автор: Seeley Paul Название: D`Oyly Carte: The Decline and Fall of an Opera Company ISBN: 0367610493 ISBN-13(EAN): 9780367610494 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book considers and discuss aspects of the management of the D`Oyly Carte Opera Company in the twentieth century since the death of its founder Richard D`Oyly Carte and concentrate on key events which contributed to its demise in 1982.
Автор: Seeley, Paul Название: Richard d`oyly carte ISBN: 0367664372 ISBN-13(EAN): 9780367664374 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is a critical survey of the career of the impresario whose ambitions went beyond the famous partnership of Gilbert and Sullivan. Errors and misconceptions in current literature are challenged and corrected to give a truer portrayal of one of the most influential music theatre promoters in the nineteenth century.
Автор: Carter Название: Museums in a Culture of Human Rights ISBN: 1472441176 ISBN-13(EAN): 9781472441171 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Human Rights Museums presents case studies that trace how calls for historical and social justice, and the commensurate rise of a rights regime have led to the emergence of a new museological genre: the human rights museum.
Описание: From the fall of 1947 through the summer of 1951 composer Igor Stravinsky and poet W. H. Auden collaborated on the opera The Rake's Progress. At the time, their self-consciously conventional work seemed to appeal only to conservative audiences. Few perceived that Stravinsky and Auden were confronting the central crisis of the Modern age, for their story of a hapless eighteenth-century Everyman dramatizes the very limits of human will, a theme Auden insists underlies all opera. In The Last Opera, Chandler Carter weaves together three interlocking stories. The central and most detailed story explores the libretto and music of The Rake's Progress. The second positions the opera as a focal point in Stravinsky's artistic journey and those who helped him realize it—his librettists, Auden and Chester Kallman; his prot?g? Robert Craft; and his compatriot, fellow composer, and close friend Nicolas Nabokov. By exploring the ominous cultural landscape in which these fascinating individuals lived and worked, the book captures a pivotal twenty-five-year span (from approximately 1945 to 1970) during which modernists like Stravinsky and Auden confronted a tectonic disruption to their artistic worldview. Ultimately, Carter reveals how these stories fit into a larger third narrative, the 400-year history of opera. This richly and lovingly contextualized study of The Rake's Progress sheds new light on why, despite the hundreds of musical dramas and theater pieces that have been written since its premier in 1951, this work is still considered the "the last opera."
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