Peter Paul Rubens and the Counter-Reformation Crisis of the Beati moderni, Noyes, Ruth S.
Автор: Neret Gilles Название: Rubens (Basic Art) ISBN: 3836545144 ISBN-13(EAN): 9783836545143 Издательство: Taschen Рейтинг: Цена: 1992.00 р. Наличие на складе: Есть (3 шт.) Описание: A painter of dramatic battles as much as erotic mythologies, Sir Peter Paul Rubens was a key figure in the 16th-century art world and a flag bearer for Baroque color, motion, and sensuality. His prolific oeuvre includes altarpieces, portraits, landscapes, historical paintings, as well as his famous, bountiful nudes.
Автор: J. Vanessa Lyon Название: Figuring Faith and Female Power in the Art of Rubens ISBN: 9462985510 ISBN-13(EAN): 9789462985513 Издательство: NBN International Рейтинг: Цена: 27034.00 р. Наличие на складе: Нет в наличии.
Описание: Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens’s paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist’s best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens’s lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity.
Автор: Lusheck, Catherine H. Название: Rubens and the eloquence of drawing ISBN: 0367334089 ISBN-13(EAN): 9780367334086 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubens`s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age.
Автор: Schoenl Название: The Intellectual Crisis in English Catholicism ISBN: 1138078980 ISBN-13(EAN): 9781138078987 Издательство: Taylor&Francis Рейтинг: Цена: 5205.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This volume, first published in 1982, examines the attempts of English liberal Catholics to reconcile their Church with secular culture and provides an account of the development of liberal Catholicism in England in the late nineteenth and early twentieth centuries. This work was written not only for specialists in religious history but for all readers who might be interested in this seminal period of Catholicism. It is a study in religious, intellectual, and cultural history.
Автор: Rather Susan Название: Archaism, Modernism, and the Art of Paul Manship ISBN: 029276510X ISBN-13(EAN): 9780292765108 Издательство: Wiley EDC Рейтинг: Цена: 3602.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Archaism, an international artistic phenomenon from early in the twentieth century through the 1930s, receives its first sustained analysis in this book. The distinctive formal and technical conventions of archaic art, especially Greek art, particularly affected sculptors—some frankly modernist, others staunchly conservative, and a few who, like American Paul Manship, negotiated the distance between tradition and modernity. Susan Rather considers the theory, practice, and criticism of early twentieth-century sculpture in order to reveal the changing meaning and significance of the archaic in the modern world. To this end—and against the background of Manship’s career—she explores such topics as the archaeological resources for archaism, the classification of the non-Western art of India as archaic, the interest of sculptors in modem dance (Isadora Duncan and Ruth St. Denis), and the changing critical perception of archaism.
Rather rejects the prevailing conception of archaism as a sterile and superficial academic style to argue its initial importance as a modernist mode of expression. The early practitioners of archaism—including Aristide Maillol, André Derain, and Constantin Brancusi—renounced the rhetorical excess, overrefined naturalism, and indirect techniques of late nineteenth-century sculpture in favor of nonnarrative, stylized and directly carved works, for which archaic Greek art offered an important example. Their position found implicit support in the contemporaneous theoretical writings of Emmanuel Löwy, Wilhelm Worringer, and Adolf von Hildebrand.
The perceived relationship between archaic art and tradition ultimately compromised the modernist authority of archaism and made possible its absorption by academic and reactionary forces during the 1910s. By the 1920s, Paul Manship was identified with archaism, which had become an important element in the aesthetic of public sculpture of both democratic and totalitarian societies. Sculptors often employed archaizing stylizations as ends in themselves and with the intent of evoking the foundations of a classical art diminished in potency by its ubiquity and obsolescence. Such stylistic archaism was not an empty formal exercise but an urgent affirmation of traditional values under siege. Concurrently, archaism entered the mainstream of fashionable modernity as an ingredient in the popular and commercial style known as Art Deco. Both developments fueled the condemnation of archaism—and of Manship, its most visible exemplar—by the avant-garde. Rather’s exploration of the critical debate over archaism, finally, illuminates the uncertain relationship to modernism on the part of many critics and highlights the problematic positions of sculpture in the modernist discourse.
This book discusses an important theme in art history - artistic emulation that emphasizes the exchange between Flemish and Dutch art in the seventeenth century. Since the Middle Ages, copying has been perceived as an important step in artistic training. Originality, on the other hand, has been considered an indispensable hallmark of great works of art since the Renaissance. Therefore, in the seventeenth century, ambitious painters frequently drew inspiration from other artists’ works, attempting to surpass them in various aspects of aesthetic appeal. Drawing on this perspective, this book considers the problems of imitation, emulation, and artistic rivalry in seventeenth-century Netherlandish art. It primarily focuses on Rubens and Rembrandt, but also discusses other masters like van Dyck and Hals. It particularly results in expanding the extant body of knowledge in relation to Rubens’s influence on Rembrandt and Hals. Moreover, it reveals certain new aspects of Rubens and Rembrandt as work-shop masters - collaboration with specialists, use of oil sketches, and teaching methods to pupils for example.
Автор: Lusheck, Catherine H. Название: Rubens and the eloquence of drawing ISBN: 147247712X ISBN-13(EAN): 9781472477125 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book demonstrates the roles that Senecan eclecticism and a classicizing approach to emulation played in Rubens`s joining of form to matter in his formative drawings practice, and arguably in his early ambitions to strengthen art for a new and troubled age.
Описание: Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated
catalogue explores just such an extraordinary partnership between Antwerp's most eminent painters of the early seventeenth century, Peter Paul Rubens (1577 - 1640) and Jan
Brueghel the Elder (1568 - 1625). Rubens and Brueghel executed approximately twenty-five works together between around 1597 and Brueghel's death in 1625.
Highly prized
and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were distinguished by an extremely high level of quality, further enhanced by the
status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six colour plates
of such Rubens/Brueghel paintings as "The Return from War", "The Feast of Achelous", "Garden of Eden with the Fall of Man", "Allegory of Sight", "Battle of the Amazons", "Nature
Adored by the Graces", and "Madonna and Child in a Garland of Flowers", along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and
Hendrick van Balen. An essay by Anne Woollett explores the social and artistic milieu of Antwerp during this period and discusses Rubens and Brueghel's personal and working
relationship, its origins, and their service to the Archdukes Albert and Isabella.
Another essay, by Mark Leonard, Tiarna Doherty, and Jorgen Wadum, analyzes the artists'
collaborative technique and offers new findings based on scientific discoveries. This is the first such publication to fully address and reproduce these works in depth. Coinciding with an
exhibition at the Getty Museum to be held July 5 to September 24, 2006, this is the first such publication to fully address and reproduce these
works in depth.
Автор: Keysor Jennie Ellis Название: Great Artists: Raphael: Rubens: Murillo: Durer ISBN: 1861716907 ISBN-13(EAN): 9781861716903 Издательство: Неизвестно Цена: 4757.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
GREAT ARTISTS
RAPHAEL - RUBENS - MURILLO - D RER
By Jennie Ellis Keysor
Four of the celebrated masters of the history of art are explored in this book: Raphael Sanzio, Bartolom Esteban Murillo, Peter Paul Rubens and Albrecht D rer. Each chapter on the artists is accompanied by illustrations. The book is a general introduction to art and artists.
Fully illustrated. Bibliography and notes. Painters Series. 152 pages.
www.crmoon.com
Автор: Barbara Ann Kirby, Kirby Название: WALL ART MADE EASY: RUBENS: 30 READY TO ISBN: 1709372532 ISBN-13(EAN): 9781709372537 Издательство: Неизвестно Рейтинг: Цена: 2930.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
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