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Like a Film, Murray, Timothy


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Автор: Murray, Timothy
Название:  Like a Film
ISBN: 9780415077330
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0415077338
Обложка/Формат: Hardback
Страницы: 280
Вес: 0.61 кг.
Дата издания: 12.08.1993
Язык: English
Размер: 234 x 156 x 18
Подзаголовок: Ideological fantasy on screen, camera and canvas
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Поставляется из: Европейский союз


Animated Landscapes: History, Form and Function

Автор: Chris Pallant
Название: Animated Landscapes: History, Form and Function
ISBN: 1501320114 ISBN-13(EAN): 9781501320118
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: Winner of the 2017 McLaren-Lambart Award for Best Book on the Subject of Animation Studying landscape in cinema isn't quite new; it’d be hard to imagine Woody Allen without New York, or the French New Wave without Paris. But the focus on live-action cinema leaves a significant gap in studying animated films. With the almost total pervasiveness of animation today, this collection provides the reader with a greater sense of how the animated landscapes of the present relate to those of the past. Including essays from international perspectives, Animated Landscapes introduces an idea that has seemed, literally, to be in the background of animation studies. The collection provides a timely counterpoint to the dominance of character (be that either animated characters such as Mickey Mouse or real world personalities such as Walt Disney) that exists within animation scholarship (and film studies more generally). Chapters address a wide range of topics including history, case studies in national contexts (including Australia, Japan, China and Latvia), the traversal of animated landscape, the animation of fantastical landscapes, and the animation of interactive landscapes. Animated Landscapes promises to be an invaluable addition to the existing literature, for the most overlooked aspect of animation.

Media Theory in Japan

Автор: Steinberg Marc, Zahlten Alexander
Название: Media Theory in Japan
ISBN: 0822363267 ISBN-13(EAN): 9780822363262
Издательство: Mare Nostrum (Eurospan)
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Цена: 5010.00 р.
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Описание:

Providing an overview of Japanese media theory from the 1910s to the present, this volume introduces English-language readers to Japan's rich body of theoretical and conceptual work on media for the first time. The essays address a wide range of topics, including the work of foundational Japanese thinkers; Japanese theories of mediation and the philosophy of media; the connections between early Japanese television and consumer culture; and architecture's intersection with communications theory. Tracing the theoretical frameworks and paradigms that stem from Japan's media ecology, the contributors decenter Eurocentric media theory and demonstrate the value of the Japanese context to reassessing the parameters and definition of media theory itself. Taken together, these interdisciplinary essays expand media theory to encompass philosophy, feminist critique, literary theory, marketing discourse, and art; provide a counterbalance to the persisting universalist impulse of media studies; and emphasize the need to consider media theory situationally.
 
Contributors. Yuriko Furuhata, Aaron Gerow, Mark Hansen, Marilyn Ivy, Takeshi Kadobayashi, Keisuke Kitano, Akihiro Kitada, Thomas Looser, Anne McKnight, Ryoko Misono, Akira Mizuta Lippit, Miryam Sas, Fabian Schäfer, Marc Steinberg, Tomiko Yoda, Alexander Zahlten
Infostorms

Автор: Hendricks Vincent F.
Название: Infostorms
ISBN: 331932764X ISBN-13(EAN): 9783319327648
Издательство: Springer
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Цена: 4611.00 р.
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Описание: With points of departure in philosophy, logic, social psychology, economics, and choice and game theory, Infostorms shows how information may be used to improve the quality of personal decision and group thinking but also warns against the informational pitfalls which modern information technology may amplify: From science to reality culture and what it really is, that makes you buy a book like this. The information society is upon us. New technologies have given us back pocket libraries, online discussion forums, blogs, crowdbased opinion aggregators, social media and breaking news wherever, whenever. But are we more enlightened and rational because of it? Infostorms provides the nuts and bolts of how irrational group behaviour may get amplified by social media and information technology. If we could be collectively dense before, now we can do it at light speed and with potentially global reach. That’s how things go viral, that is how cyberbullying, rude comments online, opinion bubbles, status bubbles, political polarisation and a host of other everyday unpleasantries start. Infostorms will give the story of the mechanics of these phenomena. This will help you to avoid them if you want or learn to start them if you must. It will allow you to stay sane in an insane world of information.“With this brilliant book, we have been warned. It is up to all of us in the world today to be stewards of he common resource that is trustworthy and relevant information”.Adam Brandenburger, Stern School of Business, NYU “It is a highly recommended read for social scientists and concerned citizens alike”.Christian List, London School of Economics

Digital Space and Embodiment in Contemporary Cinema Screening Composite Spaces

Автор: Jennifer Kirby
Название: Digital Space and Embodiment in Contemporary Cinema Screening Composite Spaces
ISBN: 1032119462 ISBN-13(EAN): 9781032119465
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: Digital Space and Embodiment in Contemporary Cinema examines how contemporary cinema has represented and engaged with the experience of simultaneously inhabiting digital and material spaces (i.e. "composite spaces") in the context of the growing ubiquitousness of digital media and culture.

Scriptwriting for Film, Television and New Media

Автор: Hueth
Название: Scriptwriting for Film, Television and New Media
ISBN: 1138618101 ISBN-13(EAN): 9781138618107
Издательство: Taylor&Francis
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Цена: 5358.00 р.
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Описание: What are the foundations of scriptwriting? Why do some scripts gain more prestige than others? How do you write a script and get it noticed? Scriptwriting for Film, Television and New Media answers these questions and more, offering a comprehensive introduction to writing scripts for film, television, the Internet, and interactive multimedia.

Propaganda, Power and Persuasion: From World War I to Wikileaks

Автор: Ed
Название: Propaganda, Power and Persuasion: From World War I to Wikileaks
ISBN: 1784533572 ISBN-13(EAN): 9781784533571
Издательство: Bloomsbury Academic
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Цена: 3800.00 р.
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Описание: Propaganda came of age in the Twentieth Century. The development of mass- and multi-media offered a fertile ground for propaganda while global conflict provided the impetus needed for its growth. Propaganda has however become a portmanteau word, which can be interpreted in a number of different ways. What are the characteristic features of propaganda, and how can it be defined? This book traces the development of techniques of 'opinion management' from World War I to the war in Afghanistan. It reveals how state leaders and spin-doctors operating at the behest of the state, sought to shape popular attitudes - at home and overseas - endeavouring to harness new media with the objective of winning hearts and minds. In doing so, it provides compelling evidence of how the study and practice of propaganda today is shaped by its history.

Like a Film

Автор: Murray, Timothy
Название: Like a Film
ISBN: 0415077346 ISBN-13(EAN): 9780415077347
Издательство: Taylor&Francis
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Цена: 5970.00 р.
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Working Like a Homosexual: Camp, Capital, Cinema

Автор: Matthew Tinkcom
Название: Working Like a Homosexual: Camp, Capital, Cinema
ISBN: 0822328623 ISBN-13(EAN): 9780822328629
Издательство: Wiley EDC
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Цена: 14586.00 р.
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Описание:

What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? Why is cinema central to camp? With chapters on the films of Vincente Minnelli, Andy Warhol, Kenneth Anger, and John Waters, Working Like a Homosexual responds to these questions by arguing that post–World War II gay male subcultures have fostered their own ways not only of consuming mass culture but of producing it as well.
With a special emphasis on the tensions between high and low forms of culture and between good and bad taste, Matthew Tinkcom offers a new vision of queer politics and aesthetics that is critically engaged with Marxist theories of capitalist production. He argues that camp—while embracing the cheap, the scorned, the gaudy, the tasteless, and what Warhol called “the leftovers” of artistic production—is a mode of intellectual production and a critical philosophy of modernity as much as it is an expression of a dissident sex/gender difference. From Minnelli’s musicals and the “everyday glamour” of Warhol’s films to Anger’s experimental films and Waters’s “trash aesthetic,” Tinkcom demonstrates how camp allowed these gay men to design their own relationship to labor and to history in a way that protected them from censure even as they struggled to forge a role for themselves within a system of “value” that failed to recognize them.
Working Like a Homosexual: Camp, Capital, Cinema

Автор: Matthew Tinkcom
Название: Working Like a Homosexual: Camp, Capital, Cinema
ISBN: 0822328895 ISBN-13(EAN): 9780822328896
Издательство: Wiley EDC
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Цена: 4117.00 р.
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Описание:

What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? Why is cinema central to camp? With chapters on the films of Vincente Minnelli, Andy Warhol, Kenneth Anger, and John Waters, Working Like a Homosexual responds to these questions by arguing that post–World War II gay male subcultures have fostered their own ways not only of consuming mass culture but of producing it as well.
With a special emphasis on the tensions between high and low forms of culture and between good and bad taste, Matthew Tinkcom offers a new vision of queer politics and aesthetics that is critically engaged with Marxist theories of capitalist production. He argues that camp—while embracing the cheap, the scorned, the gaudy, the tasteless, and what Warhol called “the leftovers” of artistic production—is a mode of intellectual production and a critical philosophy of modernity as much as it is an expression of a dissident sex/gender difference. From Minnelli’s musicals and the “everyday glamour” of Warhol’s films to Anger’s experimental films and Waters’s “trash aesthetic,” Tinkcom demonstrates how camp allowed these gay men to design their own relationship to labor and to history in a way that protected them from censure even as they struggled to forge a role for themselves within a system of “value” that failed to recognize them.
Bollywood

Автор: Ganti
Название: Bollywood
ISBN: 0415583888 ISBN-13(EAN): 9780415583886
Издательство: Taylor&Francis
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Цена: 3980.00 р.
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Описание:

'Bollywood' is the dominant global term to refer to the prolific Hindi language film industry in Bombay (renamed Mumbai in 1995). Characterised by music, dance routines, melodrama, lavish production values and an emphasis on stars and spectacle, Bollywood films have met with box-office success and enthusiastic audiences from India to West Africa to Russia, and throughout the English-speaking world.

In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include:

  • history of Indian cinema
  • narrative style, main themes, and key genres of Hindi cinema
  • significant films, directors and stars
  • production and distribution of Bollywood films
  • interviews with actors, directors and screenwriters.
A History of Video Art

Автор: Chris Meigh-Andrews
Название: A History of Video Art
ISBN: 0857851780 ISBN-13(EAN): 9780857851789
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists’ video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists’ video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists’ video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet.

Horror Films for Children: Fear and Pleasure in American Cinema

Автор: Catherine Lester
Название: Horror Films for Children: Fear and Pleasure in American Cinema
ISBN: 1350265128 ISBN-13(EAN): 9781350265127
Издательство: Bloomsbury Academic
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Цена: 4592.00 р.
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Описание: Children and horror are often thought to be an incompatible meeting of audience and genre, beset by concerns that children will be corrupted or harmed through exposure to horror media. Nowhere is this tension more clear than in horror films for adults, where the demonic child villain is one of the genre’s most enduring tropes. However, horror for children is a unique category of contemporary Hollywood cinema in which children are addressed as an audience with specific needs, fears and desires, and where child characters are represented as sympathetic protagonists whose encounters with the horrific lead to cathartic, subversive and productive outcomes. Horror Films for Children examines the history, aesthetics and generic characteristics of children’s horror films, and identifies the ‘horrific child’ as one of the defining features of the genre, where it is as much a staple as it is in adult horror but with vastly different representational, interpretative and affective possibilities. Through analysis of case studies including blockbuster hits (Gremlins), cult favourites (The Monster Squad) and indie darlings (Coraline), Catherine Lester asks, what happens to the horror genre, and the horrific children it represents, when children are the target audience?


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