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Walter Benjamin`s Philosophy, Benjamin, Andrew


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Автор: Benjamin, Andrew
Название:  Walter Benjamin`s Philosophy
ISBN: 9780415083683
Издательство: Taylor&Francis
Классификация:
ISBN-10: 0415083680
Обложка/Формат: Hardback
Страницы: 312
Вес: 0.57 кг.
Дата издания: 11.11.1993
Серия: Warwick studies in european philosophy
Язык: English
Размер: 218 x 154 x 26
Подзаголовок: Destruction and experience
Рейтинг:
Поставляется из: Европейский союз


Fire alarm

Автор: Loewy, Michael
Название: Fire alarm
ISBN: 1784786411 ISBN-13(EAN): 9781784786410
Издательство: Неизвестно
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Цена: 3211.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Philosophy and Melancholy: Benjamin`s Early Reflections on Theater and Language

Автор: Ilit Ferber
Название: Philosophy and Melancholy: Benjamin`s Early Reflections on Theater and Language
ISBN: 0804785198 ISBN-13(EAN): 9780804785198
Издательство: Wiley EDC
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Цена: 15616.00 р.
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Описание:

This book traces the concept of melancholy in Walter Benjamin's early writings. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy. Informed by Heidegger's discussion of moods and their importance for philosophical thought, she contends that a melancholic mood is the organizing principle or structure of Benjamin's early metaphysics and ontology. Her novel analysis of Benjamin's arguments about theater and language features a discussion of the Trauerspiel book that is amongst the first in English to scrutinize the baroque plays themselves. Philosophy and Melancholy also contributes to the history of philosophy by establishing a strong relationship between Benjamin and other philosophers, including Leibniz, Kant, Husserl, and Heidegger.

Walter benjamin`s concept of the image

Автор: Ross, Alison
Название: Walter benjamin`s concept of the image
ISBN: 1138811483 ISBN-13(EAN): 9781138811485
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание:

In this book, Alison Ross engages in a detailed study of Walter Benjamin's concept of the image, exploring the significant shifts in Benjamin's approach to the topic over the course of his career. Using Kant's treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin's thinking on the image undergoes a major shift between his 1924 essay on 'Goethe's Elective Affinities, ' and his work on The Arcades Project from 1927 up until his death in 1940. The two periods of Benjamin's writing share a conception of the image as a potent sensuous force able to provide a frame of existential meaning. In the earlier period this function attracts Benjamin's critical attention, whereas in the later he mobilises it for revolutionary outcomes. The book gives a critical treatment of the shifting assumptions in Benjamin's writing about the image that warrant this altered view. It draws on hermeneutic studies of meaning, scholarship in the history of religions and key texts from the modern history of aesthetics to track the reversals and contradictions in the meaning functions that Benjamin attaches to the image in the different periods of his thinking. Above all, it shows the relevance of a critical consideration of Benjamin's writing on the image for scholarship in visual culture, critical theory, aesthetics and philosophy more broadly.

Walter Benjamin`s Concept of the Image

Автор: Ross
Название: Walter Benjamin`s Concept of the Image
ISBN: 113869908X ISBN-13(EAN): 9781138699083
Издательство: Taylor&Francis
Рейтинг:
Цена: 6889.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

In this book, Alison Ross engages in a detailed study of Walter Benjamin's concept of the image, exploring the significant shifts in Benjamin's approach to the topic over the course of his career. Using Kant's treatment of the topic of sensuous form in his aesthetics as a comparative reference, Ross argues that Benjamin's thinking on the image undergoes a major shift between his 1924 essay on 'Goethe's Elective Affinities, ' and his work on The Arcades Project from 1927 up until his death in 1940. The two periods of Benjamin's writing share a conception of the image as a potent sensuous force able to provide a frame of existential meaning. In the earlier period this function attracts Benjamin's critical attention, whereas in the later he mobilises it for revolutionary outcomes. The book gives a critical treatment of the shifting assumptions in Benjamin's writing about the image that warrant this altered view. It draws on hermeneutic studies of meaning, scholarship in the history of religions and key texts from the modern history of aesthetics to track the reversals and contradictions in the meaning functions that Benjamin attaches to the image in the different periods of his thinking. Above all, it shows the relevance of a critical consideration of Benjamin's writing on the image for scholarship in visual culture, critical theory, aesthetics and philosophy more broadly.

Walter Benjamin`s Philosophy: Destruction and Experience

Автор: Benjamin Andrew, Osborne Peter
Название: Walter Benjamin`s Philosophy: Destruction and Experience
ISBN: 0415862205 ISBN-13(EAN): 9780415862202
Издательство: Taylor&Francis
Рейтинг:
Цена: 8573.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This collection explores, in Adorno`s description, Benjamin`s `philosophy directed against philosophy .` The essays cover all aspects of his writings, from his early work in the philosophy of art and language, through to his concept of history.

Philosophy and Melancholy: Benjamin`s Early Reflections on Theater and Language

Автор: Ferber Ilit
Название: Philosophy and Melancholy: Benjamin`s Early Reflections on Theater and Language
ISBN: 0804785201 ISBN-13(EAN): 9780804785204
Издательство: Wiley EDC
Рейтинг:
Цена: 3773.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

This book traces the concept of melancholy in Walter Benjamin's early writings. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy. Informed by Heidegger's discussion of moods and their importance for philosophical thought, she contends that a melancholic mood is the organizing principle or structure of Benjamin's early metaphysics and ontology. Her novel analysis of Benjamin's arguments about theater and language features a discussion of the Trauerspiel book that is amongst the first in English to scrutinize the baroque plays themselves. Philosophy and Melancholy also contributes to the history of philosophy by establishing a strong relationship between Benjamin and other philosophers, including Leibniz, Kant, Husserl, and Heidegger.


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