Why did France spawn the radical poststructuralist rejection of the humanist concept of ‘man’ as a rational, knowing subject? In this innovative cultural history, Carolyn J. Dean sheds light on the origins of poststructuralist thought, paying particular attention to the reinterpretation of the self by Jacques Lacan, Georges Bataille, and other French thinkers. Arguing that the widely shared belief that the boundaries between self and other had disappeared during the Great War helps explain the genesis of the new concept of the self, Dean examines an array of evidence from medical texts and literary works alike. The Self and Its Pleasures offers a pathbreaking understanding of the boundaries between theory and history.
Автор: Easthope Название: British post structuralism rle li ISBN: 1138685399 ISBN-13(EAN): 9781138685390 Издательство: Taylor&Francis Рейтинг: Цена: 2602.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Through this exploration of the relation between Marxism, post-structuralism and the theory of the subject, first published in 1988, Antony Easthope contrasts the degree to which post-structuralism has made a radical impact on English and American national cultures. This book reprints an important interview in which Jacques Derrida discusses the relations between Marxism and deconstruction. This title will be of interest to students of literary theory.
Автор: Weatherill Rob Название: Anti-Oedipus Complex ISBN: 1138692352 ISBN-13(EAN): 9781138692350 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Anti-Oedipus Complex critically explores the post `68 dramatic developments in Freudo-Lacanian psychoanalysis and cultural theory.
Название: Vertigo: The Temptation of Identity ISBN: 0823298035 ISBN-13(EAN): 9780823298037 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13167.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.
Автор: Schep, Dennis Название: Autobiography Effect ISBN: 1032090901 ISBN-13(EAN): 9781032090900 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Combining close reading, intellectual history and literary theory, The Autobiography Effect traces how precisely its theoretically problematic nature made autobiography into a central scene for the negotiation of philosophical positions and anxieties after structuralism.
Автор: Schep, Dennis Название: Autobiography effect ISBN: 0367330539 ISBN-13(EAN): 9780367330538 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Combining close reading, intellectual history and literary theory, The Autobiography Effect traces how precisely its theoretically problematic nature made autobiography into a central scene for the negotiation of philosophical positions and anxieties after structuralism.
Автор: Anozie, Sunday O. Название: Structural models and african poetics ISBN: 1138685321 ISBN-13(EAN): 9781138685321 Издательство: Taylor&Francis Рейтинг: Цена: 4133.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this pioneering work, first published in 1981, Sunday O. Anozie examines the relevance of structuralism and semiology to literary criticism in general and to African poetics in particular. Behind the growing body of African literature lies an immense reservoir of oral tradition for which the proper tools of analysis and interpretation have yet to be found. This book represents the first comprehensive full-scale exposition, analysis and critique of structuralism by a non-Western and non-European scholar. From an African viewpoint, it examines the roles to be played by structuralism and post-structuralism in the development of the general principles governing poetics and literary creativity in Africa. This title will be of interest to students of literature and literary theory.
Автор: Anozie Название: Structural Models and African Poetics ISBN: 1138685291 ISBN-13(EAN): 9781138685291 Издательство: Taylor&Francis Рейтинг: Цена: 16843.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this pioneering work, first published in 1981, Sunday O. Anozie examines the relevance of structuralism and semiology to literary criticism in general and to African poetics in particular. Behind the growing body of African literature lies an immense reservoir of oral tradition for which the proper tools of analysis and interpretation have yet to be found. This book represents the first comprehensive full-scale exposition, analysis and critique of structuralism by a non-Western and non-European scholar. From an African viewpoint, it examines the roles to be played by structuralism and post-structuralism in the development of the general principles governing poetics and literary creativity in Africa. This title will be of interest to students of literature and literary theory.
Автор: Gottlieb Название: Skepticism and Belonging in Shakespeare`s Comedy ISBN: 1138859559 ISBN-13(EAN): 9781138859555 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book recovers a sense of the high stakes of Shakespearean comedy, arguing that the comedies, no less than the tragedies, serve to dramatize responses to the condition of being human, responses that invite scholarly investigation and explanation. Taking its cue from Stanley Cavell's influential readings of Othello and Lear, the book argues that exposure or vulnerability to others is the source of both human happiness and human misery; while the tragedies showcase attempts at the evasion of such vulnerability through the self-defeating pursuit of epistemological certainty, the comedies present the drama and the difficulty of turning away from an epistemological register in order to productively respond to the fact of our humanity. Where Shakespeare's tragedies might be viewed in Cavellian terms as the drama of skepticism, Shakespeare's comedies then exemplify the drama of acknowledgement. As a parallel and a preamble, Gottlieb suggests that the field of literary studies is itself a site of such revealing responses: where competing research methods strive to foreclose upon (or, alternatively, rejoice in) epistemological uncertainty, such commitments bespeak an urge to avoid or circumvent the human in the practice of scholarship. Reading Shakespeare's comedies in tandem with a "defactoist" view of teaching and learning points in the direction of a new humanism, one that eschews both the relativism of old deconstruction and contemporary Presentism and the determinism of various kinds of structural accounts. This book offers something new in scholarly and popular understanding of Shakespeare's work, doing so with both philosophical rigor and literary attention to the difficult work of reading.
This succinct and lucid study examines the thought of the philosopher Charles Peirce as it applies to literary theory and shows that his concept of the sign can give us a fresh understanding of literary art and criticism. John Sheriff analyzes the treatment of determinate meaning and contends that as long as we cling to a notion of language that begins with Saussure's dyadic definition of signs, meaning cannot be treated as such any more than can essence or presence. Asserting that Peirce's less familiar position offers a way out of this difficulty, Sheriff first discusses the Saussurean-based theory of meaning and then argues for the advantages of the radically different triadic theory developed by Peirce.
Part One of the work reviews and critiques the treatment of meaning in works by Jonathan Culler, Tzvetan Todorov, Stanley Fish, Roland Barthes, and Jacques Derrida, among others. The focus of this section is on the treatment of meaning in structural and post-structural theories and their common basis in Saussurean linguistics. Part Two provides a readable introduction to Peirce's general theory of signs and develops comprehensively the implications of his semiotic. The substitution of his theory for Saussure's opens our eyes to new and cogent answers to many questions relevant to the meaning of texts.
Originally published in 1989.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Название: Vertigo: The Temptation of Identity ISBN: 0823298043 ISBN-13(EAN): 9780823298044 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3762.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Reading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself. Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies. In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous. Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me. From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.
Автор: Gottlieb, Derek Название: Skepticism and Belonging in Shakespeare`s Comedy ISBN: 036787279X ISBN-13(EAN): 9780367872793 Издательство: Taylor&Francis Рейтинг: Цена: 5970.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book recovers a sense of the high stakes of Shakespearean comedy, arguing that the comedies, no less than the tragedies, serve to dramatize responses to the condition of being human, responses that invite scholarly investigation and explanation. Taking its cue from Stanley Cavell`s influential readings of Othello and Lear, it
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