Jean-Fran?ois Lyotard, Lambert, Gregg

Автор: Malpas, Simon
Название: Jean-Fran?ois Lyotard
ISBN: 0415256151 ISBN-13(EAN): 9780415256155
Издательство: Taylor&Francis
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Автор: Malpas, Simon
Название: Jean-Fran?ois Lyotard
ISBN: 0415256143 ISBN-13(EAN): 9780415256148
Издательство: Taylor&Francis
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Цена: 14086.00 р.
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Автор: Benjamin, Andrew
Название: Judging Lyotard
ISBN: 0415052564 ISBN-13(EAN): 9780415052566
Издательство: Taylor&Francis
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Автор: Benjamin, Andrew
Название: Judging Lyotard
ISBN: 0415052572 ISBN-13(EAN): 9780415052573
Издательство: Taylor&Francis
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Цена: 6123.00 р.
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Автор: Sawyer D.
Название: Lyotard, Literature and the Trauma of the Differend
ISBN: 1349480509 ISBN-13(EAN): 9781349480500
Издательство: Springer
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Цена: 11227.00 р.
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Описание: This original study examines Jean-Francois Lyotard`s philosophical concept of the differend and details its unexplored implications for literature. it provides a new framework with which to understand the discourse itself, from its Homeric beginnings to postmodern works by authors such as Michael Ondaatje and Jonathan Safran Foer.

Автор: Kiff Bamford
Название: Lyotard and the `figural` in Performance, Art and Writing
ISBN: 1472522443 ISBN-13(EAN): 9781472522443
Издательство: Bloomsbury Academic
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Описание: This original study offers a timely reconsideration of the work of French philosopher Jean-Francois Lyotard in relation to art, performance and writing. How can we write about art, whilst acknowledging the transformation that inevitably accompanies translations of both media and temporality? That is the question that persistently dogs Lyotard's own writings on art, and to which this book responds through reference to artists from the recently-formed canon of performance art history, including the myths of seminal figures Marina Abramovic and Vito Acconci, and the controlled documentation of Gina Pane's actions. Through the unstable, untranslatable element that Lyotard calls the figural, his thought is brought to bear on attempts to write a history of performance art and to question the paradoxically prescriptive demand for rules to govern 're-performance'. Kiff Bamford contextualises Lyotard's writings and approach with reference to both his contemporaries, including Deleuze and Kristeva, and the contemporary art about which they wrote, whilst arguing for the pertinence of Lyotard's provocations today.