Автор: Oram, Alison Название: Her Husband was a Woman! ISBN: 0415400066 ISBN-13(EAN): 9780415400060 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum.The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women’s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject.This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse.
Автор: Wollstonecraft Mary Название: A Vindication of the Rights of Woman ISBN: 1774410087 ISBN-13(EAN): 9781774410080 Издательство: Неизвестно Рейтинг: Цена: 4596.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects (1792), written by the 18th-century British proto-feminist Mary Wollstonecraft, is one of the earliest works of feminist philosophy.
Описание: Timely book about suffragists and a summer suffrage capital, at 100 years after women got the vote. 61 illustrations.
Автор: Copjec, Joan Название: Imagine There`s No Woman ISBN: 0262532700 ISBN-13(EAN): 9780262532709 Издательство: MIT Press Рейтинг: Цена: 5079.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A psychoanalytic and philosophical exploration of sublimation as a key term in Jacques Lacan`s theories of ethics and feminine sexuality.
Описание: An original mapping of women`s writing in the 1940s and 1950s, this book looks at Englishness and national identity in women`s writing and includes writing from Scotland, Wales, Ireland the Indian subcontinent and Africa. The authors discussed include Virginia Woolf, Daphne Du Maurier, Doris Lessing and Muriel Spark.
Описание: The Refugee Woman explores the Partition of Bengal in 1947, in its relationship to gender, by innovatively engaging with the cultural imagination of the displaced refugee woman in West Bengal. This work reads the above figure critically in order to trace the shifting meanings of 'woman' in Bengal in the middle decades of the twentieth century. Paulomi Chakraborty closely examines three significant Partition texts from West Bengal, Ritwik Ghatak's Meghe Dhaka Tara, Jyotirmoyee Devi's Epar Ganga, Opar Ganga, and Sabitri Roy's Swaralipi, situating them against a broad and densely sketched context in conversation with cultural debates and contemporary feminist scholarship, to trace a radical potential in the figuration of the refugee woman. She argues that this figure, animated by the history of the political left and refugee movements and shaped by powerful cultural narratives, can contest and reconstitute the very political imagination of 'woman' that has been shaped by the long history of dominant cultural nationalism. The Refugee Woman makes an important contribution to the scholarship on gender and the Partition by attending to the less examined case of Bengal. Its detailed account also elucidates the nationalist, communal, and Communist gender politics of a key period in post-Independence Bengal.
Автор: Nesťбkovб Denisa, Grosse-Sommer Katja, Klacsmann Borbбla Название: If This Is a Woman: Studies on Women and Gender in the Holocaust ISBN: 1644697106 ISBN-13(EAN): 9781644697108 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 14923.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The present volume contains thirteen articles based on work presented at the "XX. Century Conference: If This Is A Woman" at Comenius University Bratislava in 2019. The papers focus on various aspects of gendered experiences during World War II and the Holocaust.
Описание: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum.The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women’s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject.This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse.
Описание: Bollywood's New Woman examines Bollywood's construction and presentation of the Indian Woman since the 1990s. The groundbreaking collection illuminates the contexts and contours of this contemporary figure that has been identified in sociological and historical discourses as the 'New Woman.' On the one hand, this figure is a variant of the fin de siÈcle phenomenon of the 'New Woman' in the United Kingdom and the United States. In the Indian context, the New Woman is a distinct articulation resulting from the nation's tryst with neoliberal reform, consolidation of the middle class, and the ascendency of aggressive Hindu Right politics.
The emergence and popularization of the New Woman trope is intimately tied to Bollywood's countless iterations of this figure. She is as much a creation of the film industry's post-liberalization overhaul - the 'Bollywoodization of Hindi cinema' - as she is its prized subject of representation and investigation. Whether it is films from the 1990s such as Hum Aapke Hain Koun, Dilwale Dulhania Le Jayenge, Damini, and Kuch Kuch Hota Hai or films from the last decade like Cocktail, Tanu Weds Manu, Revolver Rani, and Dear Zindagi, what is obvious in each case is Bollywood's fascination, and endless experimentation, with the many avatars of the New Woman. Sometimes derided as a whittled down remnant of the old filmic 'vamp,' at other times lauded for her 'glocal' mobility and chic capacity to juggle contradictions, the New Woman is an enigmatic figure and Bollywood is consumed by a desire to trace her fate.
This edited volume brings together scholarship on the 'making of neoliberal India' with research on new trends in the Hindi film industry, locating the cinematic New Woman at the intersections between the two.
Описание: Bollywood's New Woman examines Bollywood's construction and presentation of the Indian Woman since the 1990s. The groundbreaking collection illuminates the contexts and contours of this contemporary figure that has been identified in sociological and historical discourses as the 'New Woman.' On the one hand, this figure is a variant of the fin de siÈcle phenomenon of the 'New Woman' in the United Kingdom and the United States. In the Indian context, the New Woman is a distinct articulation resulting from the nation's tryst with neoliberal reform, consolidation of the middle class, and the ascendency of aggressive Hindu Right politics.
The emergence and popularization of the New Woman trope is intimately tied to Bollywood's countless iterations of this figure. She is as much a creation of the film industry's post-liberalization overhaul - the 'Bollywoodization of Hindi cinema' - as she is its prized subject of representation and investigation. Whether it is films from the 1990s such as Hum Aapke Hain Koun, Dilwale Dulhania Le Jayenge, Damini, and Kuch Kuch Hota Hai or films from the last decade like Cocktail, Tanu Weds Manu, Revolver Rani, and Dear Zindagi, what is obvious in each case is Bollywood's fascination, and endless experimentation, with the many avatars of the New Woman. Sometimes derided as a whittled down remnant of the old filmic 'vamp,' at other times lauded for her 'glocal' mobility and chic capacity to juggle contradictions, the New Woman is an enigmatic figure and Bollywood is consumed by a desire to trace her fate.
This edited volume brings together scholarship on the 'making of neoliberal India' with research on new trends in the Hindi film industry, locating the cinematic New Woman at the intersections between the two.
Описание: Assesses the state of women`s healthcare today by analysing popular media representations - television, print newspapers, websites, advertisements, blogs, and memoirs - in order to understand the ways in which breast cancer, postpartum depression, and cervical cancer are discussed in American public life.
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