Автор: Federico Ferrari, Jean-Luc Nancy Название: Being Nude: The Skin of Images ISBN: 0823256219 ISBN-13(EAN): 9780823256211 Издательство: Wiley EDC Рейтинг: Цена: 3602.00 р. Наличие на складе: Поставка под заказ.
Описание:
What does it mean to be nude? What does the nude do? In a series of constantly surprising reflections, Jean-Luc Nancy and Federico Ferrari encounter the nude as an opportunity for thinking in a way that is stripped bare of all received meanings and preconceived forms. In the course of engagements with twenty-six separate images, the authors show how the nudes produced by painters and photographers expose this bareness of thought and leave us naked on the verge of a sense that is always nascent, always fleeting, on the surface of the skin, on the surface of the image. While the nude is a symbol of truth in philosophy and art alike, what the nude definitively and uniquely reveals is unclear. In Being Nude: The Skin of Images, the authors argue that the nude is always presented as both vulnerable in its exposure and shy of conceptualization, giving a sense of the ultimate ineffability of the meaning of being. Although the nude represents the revealed nature of truth, nude figures hold a part of themselves back, keeping in reserve the reality of their history, parts of their present selves, and also their future possibilities for change, development, and demise. Skin is itself a type of clothing, and stripping away exterior layers of fabric does not necessarily lead to grasping the truth. In this way, the difference between being clothed and being nude is diminished. The images that inspire the authors to contemplate the nudity of being show many ways in which one can and cannot be nude, and many ways of being in relation to oneself and to others, clothed and unclothed.
Описание: "This learned and heavy volume should be placed on the shelves of every art historical library."--E. H. Gombrich, New York Review of Books "This is an engaged and passionate work by a writer with powerful convictions about art, images, aesthetics, the art establishment, and especially the discipline of art history. It is animated by an extraordinary erudition."--Arthur C. Danto, The Art Bulletin "Freedberg's ethnographic and historical range is simply stunning. . . . The Power of Images is an extraordinary critical achievement, exhilarating in its polemic against aesthetic orthodoxy, endlessly fascinating in its details. . . . This is a powerful, disturbing book."--T. J. Jackson Lears, Wilson Quarterly "Freedberg helps us to see that one cannot do justice to the images of art unless one recognizes in them the entire range of human responses, from the lowly impulses prevailing in popular imagery to their refinement in the great visions of the ages."--Rudolf Arnheim, Times Literary Supplement
Описание: Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries--hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past--including photography, painting, sculpture, "living pictures," film, video, digital and performance art--even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory--it directly engages beholders to bring artworks to life. Against current orthodoxy, the late Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Название: End of the world ISBN: 178660261X ISBN-13(EAN): 9781786602619 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 29990.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Omnipresent in popular culture, especially in film and literature, the theme of the `end of the world` is often rejected from contemporary philosophy as hysterical apocalyptism. This volume attempts to show that it is vital that we address the motif of the `end` in contemporary world - but that this cannot be done without thinking it anew.
Автор: Joseph C. Pitt Название: Pictures, Images, and Conceptual Change ISBN: 9027712778 ISBN-13(EAN): 9789027712776 Издательство: Springer Рейтинг: Цена: 18866.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this essay I am concerned with the problem of conceptual change. While Sellars has developed a full account of the issues involved in solving the problem of conceptual change, he is also a very difficult philosopher to discuss.
A provocative and challenging new conceptual framework for the study of images
This book builds on the groundbreaking theoretical framework established in Whitney Davis's acclaimed previous book, A General Theory of Visual Culture, in which he shows how certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. Here, Davis uses revealing archaeological and historical case studies to further develop his theory, presenting an exacting new account of the interaction that occurs when a viewer looks at a picture.
Davis argues that pictoriality--the depiction intended by its maker to be seen--emerges at a particular standpoint in space and time. Reconstruction of this standpoint is the first step of the art historian's craft. Because standpoints are inherently mutable and mobile, pictoriality constantly shifts in form and possible meaning. To capture this complexity, Davis develops new concepts of radical pictorial ambiguity, including "bivisibility" (the fact that pictures can always be seen in ways other than intended), pictorial naturalism, and the behavior of pictures under changing angles of view. He then applies these concepts to four cases--Paleolithic cave painting; ancient Egyptian tomb decoration; classical Greek architectural sculpture, with a focus on the Parthenon frieze; and Renaissance perspective as invented by Brunelleschi.
A profound new theory of the work of both makers and viewers by one of the discipline's most esteemed and engaged thinkers, Visuality and Virtuality is essential reading for art historians, architects, archaeologists, and philosophers of art and visual theory.
Автор: Lissarrague Francois Название: The Aesthetics of the Greek Banquet: Images of Wine and Ritual ISBN: 0691604053 ISBN-13(EAN): 9780691604053 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In deepening our understanding of the symposium in ancient Greece, this book embodies the wit and play of the images it explains: those decorating Athenian drinking vessels from the sixth and fifth centuries B.C. The vases used at banquets often depict the actual drinkers who commissioned their production and convey the flowing together of wine, po
Автор: Le Poidevin, Robin Название: The Images of Time ISBN: 0199575517 ISBN-13(EAN): 9780199575510 Издательство: Oxford Academ Рейтинг: Цена: 5542.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Images of Time is a philosophical investigation of the nature of time and the mind`s ways of representing it. Robin Le Poidevin examines the ways in which we perceive time and change, the means by which memory links us with the past, the attempt to represent change and movement in art, and the nature of fictional time.
Автор: Costello Diarmuid, Willsdon Dominic Название: The Life and Death of Images: Ethics and Aesthetics ISBN: 0801474558 ISBN-13(EAN): 9780801474552 Издательство: Wiley EDC Рейтинг: Цена: 5491.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
During the 1970s and 1980s the discourse surrounding aesthetics largely disappeared from the study of art history, theory, and cultural studies. Claims for the aesthetic value of artworks were thought elitist and politically regressive. The 1990s witnessed a return to aesthetics, but one that stressed the independent claims of beauty in reaction to its perceived suppression by ethical and political imperatives. Beauty, however, is just one aspect of the aesthetic. In recent years, increasing attention has been paid to the ways in which aesthetics and ethics are intertwined. In The Life and Death of Images some of the world's leading cultural thinkers engage in dialogue with one another concerning this "new" aesthetics. In provocative and accessible fashion, they demonstrate its relevance to a range of disciplines including analytic and continental philosophy, art history, theory and practice, cultural history and visual culture, rhetoric and comparative literature. While the focus is primarily on artworks, contributors also consider other forms of imagery that raise questions about the boundaries between art and non-art, about beauty, and about the ethics of aesthetics.
In deepening our understanding of the symposium in ancient Greece, this book embodies the wit and play of the images it explains: those decorating Athenian drinking vessels from the sixth and fifth centuries B.C. The vases used at banquets often depict the actual drinkers who commissioned their production and convey the flowing together of wine, poetry, music, games, flirtation, and other elements that formed the complex structure of the banquet itself. A close reading of the objects handled by drinkers in the images reveals various metaphors, particularly that of wine as sea, all expressing a wide range of attitudes toward an ambiguous substance that brings cheer but may also cause harm.
Not only does this work offer an anthropological view of ancient Greece, but it explores a precise iconographic system. In so doing it will encourage and enrich further reflection on the role of the image in a given culture. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Автор: Dennis L Sepper Название: Understanding Imagination ISBN: 9400765061 ISBN-13(EAN): 9789400765061 Издательство: Springer Рейтинг: Цена: 20962.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers a framework that presents imagination as founded in the placement of appearances, and traces the development of the concept from Plato to Descartes to Kant, and on through recent theorists as diverse as Wittgenstein, Benjamin and Bachelard.
Описание: Americans, on average, spend between six and ten seconds looking at individual artworks in museums or galleries. This book dwells upon various media-photography, painting, sculpture, "living pictures," film, video, digital and performance art - and even light, time, and space, from both the present and past.
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